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Kosher Wine Tasting events of 2025 – Wrap-up

After the perfectly timed, strategized, and executed Kosher Wine Tasting events in 2024, the 2025 events had massive shoes to fill. While there were some clear highlights in 2025, there were also some things missing. We sadly did not have the Jewish Link Wine Guide Grand Tasting, and once again, KFWE chose to do the tasting the day after the Super Bowl. Further, can food stop being a part of these events, period? The food options at KFWE NY/NY were Falafel, Pizza, or fruit. At the KWD event it was cholent? These events are not being presented to most as the Food Extravaganza – that nomenclature should be removed, IMHO.

KWD’s Wine and Food Night

However, let’s zoom in and start talking events. Unlike last year, KWD’s event was first on the list—not last. This was a forced matter because of the return of KFWE LA and the fact that KFWE NJ was hosted the day after the Super Bowl! This forced KWD to have their event the week before. Again, as I spoke about in the preamble post, this was a horrible idea!

Still, I think KWD did a splendid job. I will ignore all food for all of these events because food was a non-factor. In ALL the events, food was essentially a non-starter. The only place that is NOT true was KFWE Oxnard, as the food from Tierra Sur was probably the main event along with Herzog Wines. Still, I will comment on the one word that should never be stated at a wine tasting event – Cholent – even worse, Cholent-Off. Apologies to all the Easties, that is as bad an idea or worse than buying Cholent Thursday night at a 7-11. Maybe next year, forget the food and forget about ideas from a promoter, that is more about himself than the product! Now, let us get to the good stuff!

Let us start with the ONLY things that matter regarding wine tasting. First, the wine glasses were great! There is ZERO point in pouring whatever wines you have and forcing me to taste them in a tiny glass. Bravo! Next, there were no drunk people, at least not by the time I left, which was around 9:15 PM. There was water on all the tables, and the spittoons were emptied somewhat consistently (this was the only minor slight). There were crackers and the tables were not overly packed. When you put this together you have a WINNER!

This year’s KWD was even better wine-wise, IMO. Royal’s wines at the event were mid-level with a few higher-level wines. Royal was able to highlight some real winners, like the 2022 Royaumont, Mevushal, the 2023 Vitkin Pinot Noir, and the excellent ESSA wines. The 2023 ESSA Riesling is quite a wine along with the 2020 ESSA Emunah and the 2022 ESSA Cabernet Franc.

The entire M&M lineup was impressive. That table was the REAL WINNER! M&M continues to impress with solid to great wines. I had already tasted those and posted them; otherwise, I would be screaming their praises.

The wines at Narrow Bridge were nice enough, and I see Josh Klapper’s hand all over them. Good on you all! The wines by Ari had a lovely wine – the 2018 Allegory Cabernet Sauvignon, Mount Veeder, that is a sure BUY IT NOW wine. Sadly, I had to leave and missed the wines from Bam, I had tasted them all before, and I hope to taste them again soon.

Red Garden had a couple of lovely wines. The 2024 Bat Shlomo Sauvignon Blanc is a sure QPR WINNER. The 2024 La Foret Blanche Talpiot, Dry White Wine, is not bad, but is not yet available here.

Happy Hearts also had a lovely wine, the 2024 Puzzle Rose. It is a WINNER. Allied had some nice wines like the 2023 Dalton Wild One and the 2023 Dalton Sauvignon Blanc, Family Collection, which is a WINNER.

River Wine had some lovely Shirah Wines, like the incredible 2021 Shirah Pinot Meunier and others.

Overall, I think the crowds, the passion, and the interest people had in the wines more than in getting drunk made for an enjoyable and successful second event by the KWD crew! Bravo, guys!

KFWE NY/NJ

The 2022, 2024, and now the 2025 KFWE NY/NJ needs to change the name. I am sorry, guys, there is no Food Extravaganza here. I know, I said it above, and I am repeating myself, but I feel a poor showing of food actually makes the overall event look lackluster. Make more pizza (the only edible food at the event), or just skip the pizza and the food altogether and stop the charades. Worse were the odors of burning dough and frying Garbanzo beans. Try tasting a 2022 Philippe Le Hardi Clos De Vougeot, Grand Cru with Pizza baking in the background. Yeah. If this event is meant to portray the best that Royal Wines has to offer, then let the wine speak and not Pizza (no matter how enjoyable it may be).

Moving past the only real issue, we can move on to the rest of the event, which for me was all roses. As stated above, let us start with the usual list of basic needs for a wine event to work. Let us start with the ONLY things that matter regarding wine tasting. First, the wine glasses were great! There is ZERO point in pouring whatever wines you have and forcing me to taste them in a tiny glass. Bravo! Next, there were no drunk people, at least not by the time I left, which was at closing time. There was water on all the tables, and the spittoons were emptied consistently (at a better rate than at KWD). There were crackers and the tables were not overly packed. When you put this together you have a WINNER! Do not get me wrong, there were far more people at KFWE NJ than at KWD, but overall the flow worked. Finally, unlike previous times at the Hilton (now called something else) – the hall had no lingering smells of new carpet, formaldehyde, paint, or horribly bad smelling cleaning spray or equipment.

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A Domaine Roses Camille (AKA DRC) tasting in Paris with Christophe Bardeau – January 2025

This is the continuation of my tastings on my trip to Paris in January 2025 with Avi Davidowitz from the Kosher Wine Unfiltered blog. This post focuses on wines we enjoyed from Domaine Roses Camille. I have often posted about wines from DRC, including a recent post on a large vertical of Domaine Roses Camille wines. My post here tells the story of DRC, and this one speaks of a lovely gathering I was invited to with DRC wines.

The wines in this post were mainly repeats for me, as I had tasted them at Andrew Breskin’s home, the proprietor and founder of Liquid Kosher. The post with those wines can be found here.

Once we had tasted the wines at IDS, Avi Davidowitz, from the Kosher Wine Unfiltered blog, and I took a taxi to meet with Christophe Bardeau, the winemaker of Domaine Roses Camille, and Ben Sitruk, the DRC distributor in France, and the owner of the kosher wine website – WineSymphony.fr. A slight aside here, Wine Symphony is one of France’s best sites for kosher wine, but that is just my biased opinion. I really need to do a post, a relatively quick one, regarding the best places to get wines in Paris and Europe, look for that one soon.

We soon arrived at the meeting place, and Christophe, the mad scientist behind the hugely successful Domaine Roses Camille wines, was there. We spoke in English, and that was fine with Ben and Christophe, as they are pretty fluent.

At this point, Domaine Roses Camille is almost a 100% Kosher winery. That does not mean that the earlier vintages of many of the wines are kosher. What this means is that from 2018, all wines from Domaine Roses Camille have been kosher. The winery is still releasing older non-kosher wines, but that will soon come to an end. I think I will leave it at that. It is also releasing some of its lower wines in non-kosher, like the 2022 La Folie D’Elie and the 2023 et L’Attache. They seem to sell those in Rhone-style bottles, but in the end, one should always be sure to buy wine from a kosher wine merchant.

So, in the process of making the winery 100% kosher, one of the last plots to turn kosher was the Chateau Les Graves de Lavaud. It is in the Lalande de Pomerol, and if the 2020 vintage is any indication, that is one very nice vineyard!

We started with the 2016 Chateau Marquisat de Binet, and then we went on to the 2018 Echo de Roses Camille, one of the original QPR (Quality to Price Ratio) warriors!!

We then tasted the 2017 and 2018 vintages of Domaine Roses Camille Grand Vin de Bordeaux, Pomerol, and the 2018 Domaine de Roses Louise. I have tasted these wines a few times now, but this tasting gave me the best opportunity to taste them over a period of time longer than a few hours. The funny thing is those wines did not change at all. These wines are so far from being ready to drink that they remind me more and more of 2006 than any other vintage since that time. The only difference is that these wines are big, bold, and more like 2005, but also wines that I think will go longer. These wines, much like other wines I tasted on this trip, make me wonder if I will be alive to taste them at their prime. Either way, enjoy them!

The first time I tasted these wines, I was unsure if they had been “officially” released or let out of their dungeon. I posted them based on the theory that these were released wines. Later, I found out that the 2018 may not have been released—aka, it may have been from the barrel. So, we tasted them again at Andrew’s home, and they were not so different. The main difference was the 2017 Domaine Roses Camille; that wine terrifies me. It is the closest thing to a wine that DRC missed on. Still, it is a big, burly, ripe, and pushed wine that I think will be enjoyable much sooner than any of the other vintages. The other two wines are unchanged from the first tasting. These wines are massive and will be here long after we are gone! LOL!

Domaine Roses Camille wines are available from Ben Sitruk’s site winesymphony.fr and other online sites throughout Europe. In the USA, the wines are available from Andrew Breskin and his site – Liquid Kosher. For those in Miami and its surrounding area, Elchonon Hellinger, aka Elk, also has a stock of these and other Domaine Roses Camille wines, so reach out to him, as well. His contact info, like Andrew’s, is to the right on this blog.

My many thanks to both Christophe Bardeau and Ben Sitruk for hosting us so beautifully and sharing their beautiful wines with us. As always, thanks to Avi for the pictures. The wine notes follow below – the explanation of my “scores” can be found here, and the explanation for QPR scores can be found here:

2016 Chateau Marquisat de Binet, Montagne Saint-Emilion – Score: 92+ (QPR: WINNER)
The nose of this wine is lovely, blue and black, with intense dirt, mushrooms, a wet forest floor, gravel, and intense smoke. Lovely! The roasted herb, tarragon, rosemary, and funk are lovely.
The mouth of this full-bodied wine shows lovely dirt, black pepper, soy sauce, funk, and light notes of mushroom, not quite there yet, wrapped in mouth-draping tannin, smoke, blackberry, currant, smoke with rich minerality, rich dirt, and a dense, plush mouthfeel, lovely!
The finish is long, earthy, and smoky, with a plushness, showing saline, mineral, tobacco, roasted herb, and mushroom, bravo!! Lovely! Drink until 2031. (tasted January 2025) (in Paris, France) (ABV = 14.5%)

2018 Echo de Roses Camille, Pomerol – Score: 94+ (QPR: WINNER)
The nose of this wine is lovely, with a classic Echo nose of wax, lanolin, and yellow flowers, some espresso chocolate, sweet oak, garrigue, loam, minerality, and roasted herbs.
The mouth of this full-bodied wine has my attention, with intense acidity, gripping tannins, rich fruit, layers upon layers of concentrated and complex fruit, rich raspberry, plum, dark cherry, and strawberry, all wrapped in elegance, power, intense minerality, verve, and garrigue, wow! The minerality, tannin, acidity, and complex red fruit all work together to build a bombastic wine that is just impressive! It’s so remarkable to be doing with just red fruit.
The finish is long, tannic, bold, big, and rich, with more coffee chocolate, graphite, pencil shavings, iron shavings, lovely salinity, savory, with green olives, and rich smoke. Drink from 2030 until 2040. (tasted January 2025) (in Paris, France) (ABV = 14.5%)

2017 Domaine Roses Camille, Pomerol – Score: 93 (QPR: GOOD)
This is the 5th time I have tasted this wine, and it freaks me out.
The nose of this wine is ripe, showing far riper than when I had it in 2023, but the same as a few months ago, with rosehip, floral notes, lanolin, rich salinity, smoke, blue and red fruit, roasted animal, tar, and earth.
The mouth of this full-bodied wine is ripe but floral, with lovely red fruit, raspberry, currants, cherry, candied boysenberry, rich mouth-draping tannin, rich saline, elegant, smokey, dirty, earthy, and graphite. The finish is long, floral, and dirty, with smoke and rosehip, earth and scraping minerality, truly elegant, red fruit, menthol, smoke, roasted meat, and dirt linger long. Drink from 2027 until 2035. (tasted January 2025) (in Paris, France) (ABV = 14%)

2018 Domaine Roses Camille, Pomerol – Score: 95 (QPR: GREAT)
WOW! This is incredible, rich, unctuous, ripe, earthy, smoky, mineral-laden, and just incredible, with intense graphite, loam, smoke, roasted animal, licorice, celery root, rich violet, rosehip, black, and brooding fruit, but so well balanced, elegant, and earthy! WOW!
The mouth of this dense, layered, rich, unctuous, and full-bodied wine is plush, rich, elegant, and spot-on. It has control, rich salinity, rich blackberry, cassis, black plum, and earth, which give way to mouth-draping and elegant tannin, oak, and scraping minerality.
The finish is long, ripe, earthy, loam, mushroom joy, with intense minerality, graphite, menthol, iron, and tobacco. Just wow!!! BRAVO!!! Drink from 2030 until 2042. (tasted January 2025) (in Paris, France) (ABV = 14%)

2018 Domaine Roses Louise, Pomerol – Score: 95+ (QPR: GREAT)
The nose of this wine is dense, ripe, and bold but perfectly balanced, with dark chocolate, toasted wood, smoke, roasted herbs, lanolin, red flowers, and garrigue, very intoxicating and elegant.
The mouth of this full-bodied wine is a more elegant take on the 2018 Domaine Roses Camille, with screaming acidity, rich fruit focus, intense mouth-draping, and extracted tannin, showing blackberry, raspberry, dark plum, dense, extracted, rich, layered, and impressively elegant, quite a feat.
The finish is long and dark, and the wooly/plush mouthfeel lingers forever, it is a feat of magic indeed, with dark chocolate, leather, green notes, roasted herbs, tar, lanolin, rich minerality, a tour de force!
The wines show power through the perfect balance of fruit, oak, minerality, and acidity, all working together to make a wine far greater than its parts. Drink from 2036 until 2045. (tasted January 2025) (in Paris, France) (ABV = 14.5%)

Kosher Wine Tasting Week 2024 comes to a close – and it was a SMASHING SUCCESS!

As I have been posting for a few weeks now, KFWE 2024 was going to be Trade-only, KFWE LA was canceled, as they moved to every other year, and there were two new entries into the Kosher Wine Tasting season. Those new entries were the Jewish Link Wine Guide Grand Tasting and KWD’s Wine and Food Night. These events were back to back to back, three nights in a row. The first two were in the NJ area, KFWE returned to the Hilton MeadowLands, as it did in 2022, and the Jewish Link Event occurred in Passaic, NJ.

All in all, as we will delineate in detail, the week was a smashing success. I know the next question will be which was the best? Were they a Mosh Pit or in the current vernacular – a Kiddush Scrum?? Which had the best wines? Were they mostly idiots who attended? Could you really taste anything? All of these and more will be clarified below.

KFWE – the approach should change

Look, ask most of the public why they go to KFWE and they will reply to have a good night out. Think of it as a more expensive dinner for two, throw in VIP, and it is a very expensive dinner for two. Many of the VIP folks from last year never left VIP, they had their wine, not very good food, but it was comfortable and they did not have to travel back and forth between the buildings. Read my post about last year’s KFWE and you will see that the food failed them last year and that VIP was a mess, food-wise, but again, comfortable.

Fast forward to 2024 and sure, KFWE dropped the public, shrunk the footprint, expanded the wine selections, and made an overall better product for those who need the opportunity to taste that large a portfolio in one location. The point here is that KFWE, looking back at it, with the proper lens, was always a lose-lose proposition. It was too much of a mosh-pit, even during Trade hours to do any proper tastings. It was also, too much selection, a classic overload for the average person hoping to learn something new. In the end, neither came out with what they wanted, and the sheer size of the humanity made for an unappealing outcome.

As we progress through this retrospective, I must admit that much of this was an epiphany that I garnered by the end of the week, after attending all of the events. Let us start with the fact that they really should rename it KWE, the food was an afterthought, which is 100% reasonable, given the year’s focus. Still, as we move through this retrospective, this will become a sticking point.

I was thinking of doing pros and cons – but this is a more streamlined approach (AKA my stream of consciousness) – so my apologies.

  1. The food options were passable – at best, other than the pizza, the fried tortilla with Cilantro, while the Sushi was acceptable.
  2. There were not enough pourers but it was not HORRIBLE, but it could have used more
  3. The biggest tactical error they made was to remove the water towers they had at the last KFWE NYC. Having a single place for the Hotel’s staff to go and fill up water, allowed them time to also clean out the spit buckets
  4. The outcome of removing the water towers was the spitoons being full on most of the tables I tasted at. To be fair, the clientele was spitting far more than in previous years, but the reason for the full spitoons was not the clientele, it was the lack of staff, which I think was exasperated by the need to go to every table and fill every bucket on those tables. A multiplicable time suck, exaggerated worse by the number of pitchers and tables. Essentially, it was the perfect storm, caused by a single mistake. Overall, it was a tactical error that NEEDS to be fixed next year. It was beyond gross when more than 4 tables I was on had spittoon buckets filled to the top! Sorry, this was a big issue for me.
  5. The Tam Tam crackers on all the small tables – may well have been the best food at the event.
  6. Overall, I have never had the opportunity, even if I wanted to, to get to taste so much wine in one event, to me that means the event was a success. The crowds were controlled and the tables had issues but overall, I tasted through all of the Israeli wines and that was cool.
  7. The 2021 Bordeaux vintage really put a damper on the overall wines that I would say “ARE GREAT”. People asked me throughout the tasting – which was the GREAT one and I had to think hard. Most of my TOP wines of the year are not from Royal. Such is life – this year! The 2020 Leoville Poyferre, was lovely as was the 21 Herzog Alex Cab, the Covenant 21 Solomon Cab, the 2020 Chateau Lascombes, and the 2020 Elvi Wines Clos Mesorah. That says a lot. Next Year will be very different, I think.
  8. The stupid music was so annoying – I could not even HEAR myself think, let alone talk to the winemakers or the folks at the table – HARD PASS! Further, for the given focus and clientele, the music was a hindrance.
  9. Overall, 2021 red Bordeaux are painful, 2023 white and rose wines from Israel are water and not much else, 2021 Cali reds rock, 2021 Israel reds are VASTLY improved over all the other years I tasted. Again, these are generalizations, there are exceptions, but sadly, those exceptions are far and few between.
  10. Finally, I was saddened by the lack of focus of Herzog, as was promoted. There was no KFWE LA this year and the lack of a deep Herzog lineup bummed me out! Sure, the mainstays were there but I have tasted many wines from Herzog that were not there. Further, the marketing of the KFWE East Coast event made clear that Herzog and Israeli wines would be a focus. I think they swung and missed there. Sure, they brought a single bottle of a barrel sample for a wine that has not been released yet. Sure, that is cool, it was stuck on the side, more like a worth check. Were you worthy of a dram of this wine? Sorry, either this is something to showcase Herzog and it should have been in greater supply or it should have not been there like other wines. Yes, I tasted it, this is not sour grapes (which it was not), but it is a point that Herzog was not focused on enough.
    In the end, the lack of selection, and the lack of focus, made me feel like Herzog was just punting here. I think for trade they should have been more active, more present, and showing more of the portfolio! How else will new restaurants, wine shops, or retailers know about the many cool wines that are being produced at Herzog? Showing older wines that do not promote the brand well, undermines Herzog and undermines the point of KFWE, especially for Trade partners.
    KFWE Miami was also a swing-and-miss, no one was there to promote the Winery. That is crazy to me. I know it was Hanukkah, but hey wine is a business.
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Paris tasting of Royal’s 2019 and other French wines – November 2021

So, in June I made my way to Paris and I posted the Royal wines I tasted, they were mostly white, rose, and a few red wines as well. For the past many years I have been tasting the new releases from Royal wines with Menahem Israelievitch. Sadly, last year, because of COVID I tasted the 2018 vintage in my house. Thankfully, Paris was open in November, and I returned to taste more wines.

The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.

In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.

While the 2015 and 2016 vintages were ripe, the 2017 vintage was not ripe at all, with the 2018 vintage making the 2015 ripeness look tame! Well, I am happy to say that the 2019 vintage is far more in control, less heat is obvious, though it showed up in a few wines below. Now that is a very broad-stroke statement that cannot be used uniformly, for the most part, go with it! Thankfully, the 2019 vintage will be priced slightly lower than 2018, overall, more on that below.

The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and just ages the wine rather than ruining it.

The Mevushal wines from France for the 2018/2019/2020 vintages will be the

  • 2020 Les Marrionniers Chablis, Chablis
  • 2020 Chateau Les Riganes, Bordeaux
  • 2020 Chateau Genlaire, Bordeaux Superieur
  • 2018 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
  • 2019 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
  • 2018 Barons Edmond & Benjamin de Rothschild, Haut-Medoc
  • 2019 Chateau Greysac, Medoc
  • 2019 Chevalier de Lascombes, Margaux – YES this is new for 2019 OH! How exciting (note by sarcasm!!!)
  • 2019 Chateau Le Crock, Saint-Estephe, Bordeaux
  • 2018/2019 Chateau de Parsac
  • 2019 Chateau Gazin Rocquencourt, Blanc, Grand Vin – YES this is new for 2019 OH! How exciting (note by sarcasm!!!)
  • 2019 Chateau Gazin Rocquencourt, Red, Grand Vin – YES this is new for 2019 OH! How exciting (note by sarcasm!!!)
  • 2018/2020 Chateau Les Riganes, Blanc
  • 2017/2019 Chateau Mayne Guyon

Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! Same with the Chateau Le Crock, over the past few years. So, would I buy the mevushal versions of the wines I tasted below! The answer is yes! Would I age them? Yes, I would hold them for slightly fewer years. To me personally, it is very clear, if Royal had their way they would make the Pontet Canet Mevushal! Nothing to Royal is sacred and this will not stop with the list above, it will grow, proof is Chevalier and Gazin!

Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.

The 2019 Pricing and access

When the 2019 wines were released “En primeur” the date was late May 2020. The world, at that time, knew nothing about COVID other than it was killing thousands and questions were all we had. Still, wineries in Bordeaux decided to plow on and the first of the virtual tastings took place on May 28th, 2020 – from Chateau Pontet Canet! This was the non-kosher tasting but at that moment when wines were shipped the world over, wineries decided to lower prices! Remember, we had been raising prices year over year, 2014 to 2015, to 2016, to 2018, it was time to reset. The pandemic allowed for that. Thankfully, and sadly, the world has slowly come back from the brink of death, and now, the 2020 vintage, which has the “En primeur“, in Bordeaux, June 2021, raised prices – so yeah, the 2020 Chateau Pontet Canet is more expensive than the 2019 vintage.

On top of that, the 2019 Chateau Pontet Canet is going to be impossible to buy. I have asked why certain wines in the past were not made more often or the such? Like why do we have Leoville every 2 or more years? Why can it not be more like Giscours? The answer I have received, from many at Royal is that folks still fear what happened during the last recession of 2007/2008. They had made too much of Leoville and Pontet Canet, in a short period, and well, sadly it sat. I get it, who wants to stare at walls of wine they cannot sell?
My issue with that is – well that was more than 15 years ago guys! Maybe a better way to say it is to channel Dorthy – Toto, I have a feeling we’re not in Kansas anymore.
Do we believe that another 100 cases would not sell?? The Malartic white is almost sold out! Malartic white! A wine no one thought they could sell 10 years ago. The world of the kosher wine consumer has moved in leaps and bounds – to continue to think like it is still 2008 is to belittle us and deny many what they want – more Pontet Canet! I will get off my soapbox, but it is truly time to stop with the kneejerk mindset. Like no 2019 Chateau Leoville Poyferre, why? Look at the famous 2014 Chateau Montviel story! It sold out in a week. Why? Because there was so little made. Again, the kosher consumer has moved past the days of old – I think it is time for Royal to do the same.

I understand that when Pontet Canet started up, again, with a new run of kosher wine, they created a separate sub-winery for the production. Further, they replicated the process, the varietal blend, and overall physical impact. The physical impact does define the total potential output, but it is time to start to grow the market. The market can and should support large output, especially in the trophy wine space, you can always control the output by skipping a vintage, in the end, Giscours and Leoville have proven it is doable, and I hope that Royal will continue to feel comfortable and grow Pontet and Leoville as we progress down the road.

Still, as always, we are indebted to the work of Menahem Israelievitch and Royal Wines for producing so many wonderful wines, even if they are in low supply. The 2019 Chateau Pontet Canet is a very different wine than the 2003 or the 2004 Chateau Pontet Canet. First of all, the system used to make those wines, back then, have changed drastically in the past 10 years, at the Chateau. Everything is now over the top, in regards to everything there. All production is done by hand and that adds to the cost. To me, the wine is also very different, stylistically, gone is the powerhouse, what we have now is a refined masterpiece. It may shock some people, and that is good, but to me, it is a classically styled and built wine for the future, and the best wines I have tasted this year, so far anyway.

Tasting in Paris

I landed in Paris, the day before this tasting and I met up with Avi Davidowitz from the Kosher Wine Unfiltered blog. It was a true joy to hang out with Mr. Davidowitz for a few days. It was so nice of him to fly from Israel to join me in the tastings. We also tasted over 70 wines – outside of the planned tastings. We thankfully had a great hotel room and it gave us loads of space to hang out and taste through those wines.

We had the chance to taste both the Mevushal and the non-Mevushal versions of two wines, side-by-side. Those were the 2019 Chevalier de Lascombes and the 2019 Chateau Le Crock. I missed the Chevalier de Lascombes but I got the Chateau La Crock. In my defense, both of the Chevalier de Lascombes are ripe, and differentiating the ripe from the riper was not obvious, but hey, I missed it!

My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.

The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:

2019 Domaine Ternynck Bourgogne, Les Truffieres, Burgundy (M) – Score: 87 (QPR: BAD)
The nose on this wine is ripe apple, pear, melon, a bit of citrus, and spice. The mouth on this wine is nice but lacks the acidity to make it come together well, with melon, pear, mineral, and spice. The finish is a bit short with hints of nectarine, orange, mango, and sweet mint. Drink now. (tasted November 2021) (in Paris, France) (ABV = 13%)

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Kos Yeshuos Winery’s new U.S. releases for 2020

A couple days ago, Josh Rynderman, “The California Kid“, and Chana, “The Joburg Girl”, came by and we tasted this year’s new wines. As, I stated in last year’s post, doing this dual-hemisphere winemaking is a real drag on life. Besides the crazy flying, you never really feel at home, where is home? I could never find myself living that kind of life, but Josh and Chana both find joy in this life and wine – one underpinned by the art of winemaking and the passion that drives it.

To see more about the story and life of Kos Yeshuos and the Ryndermans, you can read my post here about last year’s wines, and this post about the wines made under ESSA Wine Co.

2019 vintage in Northern California

This vintage Josh tried some brand new varietals for him and honestly, a new varietal for the kosher wine world, from what I know anyway. There is the 2019 Falanghina, which to me is the only kosher wine from that varietal. It is a crazy acid bomb and two days later it is still an acid bomb, though the mouth rounds out well underneath that bed of acidity.

Besides that, the Viognier has returned, but it is an oaked version this time. I am crazy for white wines, and Viognier has been a passion, but the oaked ones, while nice in their oaky peach perfume, lacked what Josh got out of last year’s oak-free Viognier. Who knows, maybe this will come around, but for me, while this wine is absolutely solid, it is a slight step back from last year’s yumminess.

Finally, there are two new oaked wines as well. The blend called The Joburg Girl, which is a nod to Chana, and it is a really fun wine. The oak does not take over and the acidity really shines. The final one is the Pinot Gris, which was macerated for a few days. Now, this is not an Orange wine, though it does show some of the nuttiness and sherry-like notes, far in the background, that you find in the longer macerated wines, like Yaacov Oryah’s masterpieces. For those that fear that kind of wine, I stress, the note is far in the background, and I pick it up having cut my teeth now, on a few years of enjoying Oryahs wines. It is perfectly balanced and one that you will truly enjoy.

If you look at the image below you can see the impact of oak and extended maceration on the wines. The lightest color belongs to the Falanghina, which was unoaked and had little to no maceration. The next one, the Viognier in 2019 had oak aging, while the next two, in degrees, had both oak aging and extended maceration, on account of the Pinot Gris is a large part of The Joburg Girl. It is truly fascinating to see the color progression on such young wines. Read the rest of this entry

2019 Bokobsa Sieva Wine tasting just outside of Paris

So, let’s start from the beginning. As I posted here, about the coming wine events of 2019, there were many options for you to get out and taste great wines almost across the globe. Well, recently, as you know well I have been focusing more on Europe, so I was in Paris later last year again to taste the new 2016 Bordeaux, and now I wanted to return to Bokobsa’s tasting, which is not officially part of the KFWE franchise. Avi Davidowitz, of kosher wine unfiltered, did every KFWE this year, Tel Aviv on the 4th of February, London on the 6th of February, and then on to NYC and L.A. I decided that I did not need to go to Sommelier this year and instead just focused on Bokobsa’s tasting which was on the same day as the KFWE Tel Aviv in Israel.

As I return home, Paris and London KFWE, NYC KFWE, and L.A.’s KFWE are in the rearview mirror. I will be posting on them separately, so I start with Bokobsa Paris.

To start the Bokobsa Tasting, from the company known in France as Sieva, happened in Paris (well not exactly Paris, more on the very outskirts of Paris to be exact) on Monday, Feb 4th, on the stunning grounds of the Pavillon des Princes in the 16th district. I arrived early and after taking a bunch of pictures I just relaxed and waited for the event to start. One of the issues from the tasting in past years was the wine glasses, but this year, Bokobsa had lovely glasses to truly appreciate the wines.

The ambiance and space were both far improved from the previous location, which was the basement of the Intercontinental Hotel in Paris. The table layout was far improved, it was truly a lovely event. The food was a bit mediocre, with it being essentially cold food, like Sushi and elegant salads on crackers, though they had warm chicken further along into the event.

The wines and the setting were the clear stars of the event, and with the lovely glasses, the wines did shine. My main issue with that some of the wines were the old and not showing well, which degrades the very purpose of a show/tasting like this. For example, they poured a 2013 Covenant Sauvignon Blanc and a myriad of older roses that were far over the hill and not showing well. Though at the same time, they poured some lovely Covenant Cabernet Sauvignon and Lavan, along with many of the top Royal Wines from France and Spain, and the new Champagne from Rothschild. There were a few older vintages of the French Royal wines that I do not remember now that were out of place, but they were still showing well. Read the rest of this entry