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A Domaine Roses Camille (AKA DRC) tasting in Paris with Christophe Bardeau – November 2021
I return to my tastings on my trip to Paris in November and this post focuses on wines we enjoyed from Domaine Roses Camille. I have posted often about wines from DRC, including my most recent post on DRC wines. My post here, tells of the story of DRC and this one tells of a lovely gathering I was invited to with DRC wines.
The day before the Royal wine tasting, in November, Avi Davidowitz, from the Kosher Wine Unfiltered blog, and I jumped in a cab and made our way to the center of Paris to meet with Christophe Bardeau, the winemaker of Domaine Roses Camille. To be 100% transparent, I had already tasted these wines, and as I will post in my notes, this will be the 3rd tasting of some of these, but I was waiting until I tasted them in Paris to post. I have been seeing a fair amount of travel issues with some wines from outside of the USA, recently, as such, I wanted to be sure of my notes before I posted them. In this case, there was no change in score or notes, which made me very happy indeed.
We arrived at a nondescript address in Paris on a cold but clear blue sky day and made our way through a few doors to meet with Christophe. We were meant to meet with Ben Sitruk as well, but he was not feeling well that day. Since Mr. Sitruk was unavailable, his location was also not an option, and as such, Christophe, who lives in Pomerol, was kind enough to find us a host, who turns out to be the owner of Chateau Marquisat de Binet. It was his home that we entered into on that lovely Parisian day. The home was just about being finished, in regards to some renovations, and the first thing I noticed was the paint smell. There was no way I could stay indoors and smell those wonderful DRC wines. Thankfully, both Christophe and Avi were down with an outdoor tasting, and the clear sky was truly inviting, with the sunlight starting to warm the cool November morning.
We started with the La Folie D’Elie, a wine I had earlier with Yossie and Andrew, in my driveway, in October, and I like this wine. No, this is not a wine for the ages, it has a short window, but it is fun, simple, and a wine I hope will be available at a reasonable price, soon enough, in the USA. The name La Folie D’Elie – is an ode to the child of the owners of Chateau Marquisat de Binet, who shall we say, is slightly rambunctious!
Then we enjoyed the 2015 Chateau Marquisat de Binet, Cuvee Abel, a wine I have now had 3 or so times, and it continues to impress each time. The 2014 vintage is in the drink-now stage – so please do not hold on to those any longer than you have to. Abel is another child of the owners of Chateau Marquisat de Binet, who I can surmise, is slightly less unruly! Though I must say I love the colors and the peacock on the La Folie D’Elie label, just a fun, and joyous expression.
The weather cooperated with us and as the morning sun grew closer we got to tasting the 2015 Echo. This is a wine I have tasted three times and one that still feels closed at the start. It is not as absurd a baby like the 2014 Domaine Roses Camille but it needs time to shine. The conversation with Christophe was mostly in English and it revolved around the winery, the kosher restaurant that Christophe wants to open during the summer months, and the vision of growing the winery, within reason, as they are still constrained by the number of vines that they have in their vineyards.
We then got to taste the 2015 vintage of Domaine Roses Camille Grand Vin de Bordeaux, Pomerol, which I tasted in May alongside its older brother, the 2014 vintage. The 2014 vintage is so closed, so young, it does not even have clothing on yet, a true baby that would be horrible to open at this time. The 2015 vintage is also very closed, a fact I stated in my notes when tasting it again in Paris. Still, it is a drop less closed than 2014 and a riper wine overall, which makes sense given the vintage. I like the 2014 vintage more than 2015, by a drop, but time will tell, if 2015 loses its baby fat and becomes more elegant, like the 2011 and 2012 vintages.
Domaine Roses Camille wines are available from Ben Sitruk’s site and other online sites throughout Europe, while the wines are available in the USA from Andrew Breskin and his site – Liquid Kosher.
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Paris tasting of Royal’s 2019 and other French wines – November 2021
So, in June I made my way to Paris and I posted the Royal wines I tasted, they were mostly white, rose, and a few red wines as well. For the past many years I have been tasting the new releases from Royal wines with Menahem Israelievitch. Sadly, last year, because of COVID I tasted the 2018 vintage in my house. Thankfully, Paris was open in November, and I returned to taste more wines.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage was not ripe at all, with the 2018 vintage making the 2015 ripeness look tame! Well, I am happy to say that the 2019 vintage is far more in control, less heat is obvious, though it showed up in a few wines below. Now that is a very broad-stroke statement that cannot be used uniformly, for the most part, go with it! Thankfully, the 2019 vintage will be priced slightly lower than 2018, overall, more on that below.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and just ages the wine rather than ruining it.
The Mevushal wines from France for the 2018/2019/2020 vintages will be the
- 2020 Les Marrionniers Chablis, Chablis
- 2020 Chateau Les Riganes, Bordeaux
- 2020 Chateau Genlaire, Bordeaux Superieur
- 2018 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
- 2019 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
- 2018 Barons Edmond & Benjamin de Rothschild, Haut-Medoc
- 2019 Chateau Greysac, Medoc
- 2019 Chevalier de Lascombes, Margaux – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2019 Chateau Le Crock, Saint-Estephe, Bordeaux
- 2018/2019 Chateau de Parsac
- 2019 Chateau Gazin Rocquencourt, Blanc, Grand Vin – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2019 Chateau Gazin Rocquencourt, Red, Grand Vin – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2018/2020 Chateau Les Riganes, Blanc
- 2017/2019 Chateau Mayne Guyon
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! Same with the Chateau Le Crock, over the past few years. So, would I buy the mevushal versions of the wines I tasted below! The answer is yes! Would I age them? Yes, I would hold them for slightly fewer years. To me personally, it is very clear, if Royal had their way they would make the Pontet Canet Mevushal! Nothing to Royal is sacred and this will not stop with the list above, it will grow, proof is Chevalier and Gazin!
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.
The 2019 Pricing and access
When the 2019 wines were released “En primeur” the date was late May 2020. The world, at that time, knew nothing about COVID other than it was killing thousands and questions were all we had. Still, wineries in Bordeaux decided to plow on and the first of the virtual tastings took place on May 28th, 2020 – from Chateau Pontet Canet! This was the non-kosher tasting but at that moment when wines were shipped the world over, wineries decided to lower prices! Remember, we had been raising prices year over year, 2014 to 2015, to 2016, to 2018, it was time to reset. The pandemic allowed for that. Thankfully, and sadly, the world has slowly come back from the brink of death, and now, the 2020 vintage, which has the “En primeur“, in Bordeaux, June 2021, raised prices – so yeah, the 2020 Chateau Pontet Canet is more expensive than the 2019 vintage.
On top of that, the 2019 Chateau Pontet Canet is going to be impossible to buy. I have asked why certain wines in the past were not made more often or the such? Like why do we have Leoville every 2 or more years? Why can it not be more like Giscours? The answer I have received, from many at Royal is that folks still fear what happened during the last recession of 2007/2008. They had made too much of Leoville and Pontet Canet, in a short period, and well, sadly it sat. I get it, who wants to stare at walls of wine they cannot sell?
My issue with that is – well that was more than 15 years ago guys! Maybe a better way to say it is to channel Dorthy – Toto, I have a feeling we’re not in Kansas anymore.
Do we believe that another 100 cases would not sell?? The Malartic white is almost sold out! Malartic white! A wine no one thought they could sell 10 years ago. The world of the kosher wine consumer has moved in leaps and bounds – to continue to think like it is still 2008 is to belittle us and deny many what they want – more Pontet Canet! I will get off my soapbox, but it is truly time to stop with the kneejerk mindset. Like no 2019 Chateau Leoville Poyferre, why? Look at the famous 2014 Chateau Montviel story! It sold out in a week. Why? Because there was so little made. Again, the kosher consumer has moved past the days of old – I think it is time for Royal to do the same.
I understand that when Pontet Canet started up, again, with a new run of kosher wine, they created a separate sub-winery for the production. Further, they replicated the process, the varietal blend, and overall physical impact. The physical impact does define the total potential output, but it is time to start to grow the market. The market can and should support large output, especially in the trophy wine space, you can always control the output by skipping a vintage, in the end, Giscours and Leoville have proven it is doable, and I hope that Royal will continue to feel comfortable and grow Pontet and Leoville as we progress down the road.
Still, as always, we are indebted to the work of Menahem Israelievitch and Royal Wines for producing so many wonderful wines, even if they are in low supply. The 2019 Chateau Pontet Canet is a very different wine than the 2003 or the 2004 Chateau Pontet Canet. First of all, the system used to make those wines, back then, have changed drastically in the past 10 years, at the Chateau. Everything is now over the top, in regards to everything there. All production is done by hand and that adds to the cost. To me, the wine is also very different, stylistically, gone is the powerhouse, what we have now is a refined masterpiece. It may shock some people, and that is good, but to me, it is a classically styled and built wine for the future, and the best wines I have tasted this year, so far anyway.
Tasting in Paris
I landed in Paris, the day before this tasting and I met up with Avi Davidowitz from the Kosher Wine Unfiltered blog. It was a true joy to hang out with Mr. Davidowitz for a few days. It was so nice of him to fly from Israel to join me in the tastings. We also tasted over 70 wines – outside of the planned tastings. We thankfully had a great hotel room and it gave us loads of space to hang out and taste through those wines.
We had the chance to taste both the Mevushal and the non-Mevushal versions of two wines, side-by-side. Those were the 2019 Chevalier de Lascombes and the 2019 Chateau Le Crock. I missed the Chevalier de Lascombes but I got the Chateau La Crock. In my defense, both of the Chevalier de Lascombes are ripe, and differentiating the ripe from the riper was not obvious, but hey, I missed it!
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2019 Domaine Ternynck Bourgogne, Les Truffieres, Burgundy (M) – Score: 87 (QPR: BAD)
The nose on this wine is ripe apple, pear, melon, a bit of citrus, and spice. The mouth on this wine is nice but lacks the acidity to make it come together well, with melon, pear, mineral, and spice. The finish is a bit short with hints of nectarine, orange, mango, and sweet mint. Drink now. (tasted November 2021) (in Paris, France) (ABV = 13%)
Final Tasting from my trip to Paris – June 2021
As stated in my previous post, I was in Paris in June, and while it took forever to post these notes, I am happy to finally be getting to them at this point. I must start by thanking Ari Cohen, yet again, because all the wines tasted here, other than the wines from Elvi, were managed by Ari. The total number of boxes in my hotel room, still makes me laugh!
Moises Cohen from Elvi Wines sent me the Elvi wines tasted below while the rest of the wines either I or Ari bought.
As I stated, in my previous post, I kept to my hotel room for much of the trip. Even vaccinated, I was worried, and am still worried, as such I kept to myself, where possible. Almost all the wines below were tasted alone in my room other than the last few wines which were tasted at IDS’ offices.
Magrez wines continue to be a horrible mess
Besides the 2017 Chateau Fombrauge, Blanc, which was an oxidized disaster, I also tasted five more Magrez wines and they all continue to be a shadow of what the 2014 vintage was for this winery. Truly unfortunate for all of us kosher wine drinkers.
Memorias del Rambam
These were also not very impressive. I had them over a few days and they never turned the corner. They stayed very much a ripe ball of oak and fruit, classic parker style. The Yunikko was interesting, without the oak overpowering the wine, it has potential, but it also never came together.
Elvi Wines
I got the chance to enjoy the 2016 Elvi Wines Herenza Reserva and it is quite a joy. It should be coming to the USA soon, definitely a wine worth stocking up on!
Languedoc & Savoie Wines
Overall not a bad batch of wines though there is a clear WINNER in the 2019 Château de Marmorières Les Amandiers, La Clape, Languedoc. WOW!! if that was available in the USA, for that price, I would drink it every week!! Much like the Maison Sarela White, I enjoyed in Paris as well. The 2020 Jean Perrier & Fils Pure, Savoie was nice, much better than the Blanc which was not useful!
Overall, IMHO, the 2019 Château de Marmorières Les Amandiers, La Clape, Languedoc is such a WINNER it is a shame it is not here in the USA. Again, I understand import prices, extra layers of costs, so I doubt it makes sense here in the USA. But, for all of those in Paris/Europe – BUY IT!
Various Bordeaux Wines
This group was a total loser, other than the Cru Ducasse family of wines and the two Taieb wines. The two Taieb wines were nice and documented here. The rest were a total mess.
The 2012 Château Cru Ducasse, Haut Médoc and the 2012 Chateau Moutinot, Saint-Estephe are two more WINENRS and they were incredible! The price and the quality – WOW! The 2012 Château Cru Ducasse was imported into the USA a long time ago and then it disappeared. It is available in Paris/Europe – BUY IT!! WOW!!
Wines enjoyed at IDS’ Office
Ari gathered all the wines we tasted that day and Ben Uzman from Les Vins IDS shared a bottle of the 2020 Chateau Sainte Marguerite Cuvee Symphonie Blanc, Cotes de Provence. That is a lovely wine, a bit expensive, but a lovely wine indeed!
Besides the lovely Vermentino, we had the complete set of kosher Chateau Trianon that is for sale, at this time. The early 2017 vintage – the petite was not very good. However, the 2018 and 2019 vintages were lovely!
Thoughts on this tasting
Overall, these wines were unimpressive, but wow did we find some real sleepers! The 2019 Château de Marmorières Les Amandiers is a no-brainer for those in France/Europe. The Elvi is coming here soon, and the Trianon while lovely, is not yet been imported, and when it does, I doubt the price will stay near where it is today to stay a WINNER.
Overall, many great WINNER wines will stay in Europe or may come here to the USA but will not be WINNERs here. Still, again, for those in Europe/UK – enjoy! Thanks again to Ari and IDS for their help!
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2016 Chateau Tour Blanche, Medoc – Score: 80 (QPR: BAD)
The nose on this wine is flat as is the mouth, it is not a fruit bomb, it is just boring. The nose on this wine shows black and red fruit, a bit of dirt, heat, and loam. The mouth on this medium-bodied wine is flat, it has no acid, it is lifeless, and not interesting. Next! Drink now. (tasted June 2021)
2016 Chateau La Tour Carnet, Grand Cru Classe en 1855, Haut-Medoc – Score: 89.5 (QPR: POOR)
This wine is far less fruity than the 2015 vintage, showing notes of deep loam, fresh dirt, sweet oak, sweet dill, milk chocolate, nice green notes, foliage, smoke, anise, tar, and ripe fruit, interesting. The mouth on this full-bodied wine is ripe, but controlled, with proper acidity, elegance, layers of big bold blackberry, blueberry, raspberry, with lovely mouth-draping tannin, dark chocolate, rich saline, lovely graphite, all wrapped in a rich plush mouthfeel, dense yet balanced with sweet oak, sweet tobacco, and nice mineral. The finish is long, sweet, balanced, with green notes, bell pepper, foliage, leather, rich earth, and lovely clean fruit on the long finish. Drink from 2024 until 2030. (tasted June 2021)
2016 Chateau Fombrauge, Saint-Emilion Grand Cru – Score: 86 (QPR: BAD)
This wine, much like the Tour Blanche, is empty, it is not unbalanced or a fruit bomb, rather it is none of the above and free of anything that will grab my attention. The nose on this wine is red and black, with green notes, sweet oak, and anise. The mouth on this medium-bodied wine is empty, free of acidity, life, or fruit, it has a bit but all I get is oak, sweet fruit, and smoke. The finish is long, with mouth-draping tannin, sweet fruit, leather, and more sweet oak on the long finish. Drink by 2027 (tasted June 2021)
2017 Chateau La Tour Carnet Grand Cru Classe en 1855, Haut-Medoc – Score: 85 (QPR: POOR)
WOW, I am confused the 2015 vintage was overripe, the 2016 vintage was balanced, now the 2017 vintage is lifeless with hints of ripe fruit in the far background, like what??? The nose on this wine is empty, hints of ripe black fruit, overripe blue fruit, sweet oak, sweet dill, and not much else. The mouth on this medium-bodied wine is ripe, with mouth-draping tannin, and not much else, blackberry, raspberry, all trying to cover up the glaring hole in the middle, with not enough acid to get this all around. The finish is a bit short, with more milk chocolate, smoke, green notes, and leather. Drink until 2027. (tasted June 2021)
2017 Chateau Magrez la Peyre, Saint-Estephe – Score: 83 (QPR: BAD)
Another Magrez and another wine without any life, I guess 2017 Magrez = empty lifeless wines. The nose on this wine is ripe, unbalanced, and empty, again, with notes of milk chocolate, sweet oak, ripe black fruit, a bit of earth, and that is it. The mouth on this medium-bodied wine is empty, it has nice mouth-draping tannin, it has no holes, but it has no acid, and it lacks life, the fruit is nowhere, with a bit of blackberry, raspberry, and green notes. The finish is long, green, red, and ripe, with milk chocolate, leather, sweet spices, more oak, and good mineral. Drink until 2027. (tasted June 2021)
Kosher Mid-Range aging red wines may well be the sweet spot for the kosher wine market – lots of WINNERS.
We are working our way through the QPR 2.1 and 2.0 wine categories and so far, outside of simple white wines, there has not been a lot of love or WINNERS to talk about. However, things start to change with the 2nd red wine category.
These wines are drinkable now but will improve a bit with time. They are not the undrinkable wine category, which will be next, but rather these wines are good now and may garner some of those tertiary notes we all love so much, with a bit of time in the bottle. These kinds of wines are normally more expensive, but this is where the QPR (Quality to Price ratio) sweet spot exists, IMHO.
As explained in my last post, the wine categorization is impacted by what I think the wine will last. Meaning that a poor wine will not be more enjoyable in 5 years if it is a painful date juice now. Nor will the wine be more ageable depending on the price of the wine. The length of time wine can live in the bottle is not scientific in any manner, it is subjective, much like the wine’s score, still, it is based upon this that the wines are judged for their QPR.
Mid-range aging Reds (4 to 11 years) – cellar saviors
As I have stated enough times now, the fact that a wine can “live” for 10 or so years, tells you that the wine is good to start with, or at least professionally made. Still, the next level up, High-end Red wines (11 and more years), come at a much higher price range. Yes, there are sweet spot wines there as well, but there are more here in the mid-range options. Also, these are the wines that will save your cellar. Look, I like wines like the 2019 Chateau Les Riganes, or the 2017 Chateau Mayne Guyon just fine! But when you want something with a bit more polish or elegance and you do not want to raid your high-end wines early, THIS IS the category to go to!
If you want that next level is quality but not the next level in price, per se, this is the category to hit. Here you will find wines like the 2017 Chateau Greysac, Medoc, the 2015 Louis Blanc Crozes-Hermitage, and the 2018 Terra di Seta Chianti Classico, which all scored 92 or higher and are all priced at 30 dollars or lower. While I would say these wines will improve with more time, they can at least be enjoyed now, without robbing the cradle of wine like 2015, 2017, or 2018 Chateau Fourcas Dupre.
On a Facebook post, I and many others were asked over and over about this wine or that wine, wines that were still far too young to be appreciated now. My response was the same over and over, stop opening bottles so early! I opened a bottle of 2007 Four Gates Cabernet Franc, 2 weeks ago, it was an absolute joy but also, a wine that was so young it was truly a crime! STOP opening wines early folks. Let the wines come to you! This wine category is where you will find the richer, more complex options, for a higher price than the Simple reds, but still at a lower price point overall than the higher-end reds. There are 20+ WINNERS here, between USA and France, BUY them and SAVE YOUR CELLAR!!!
Shirah Wines Post
If one takes even a cursory look at this post and the wine notes below, the predominant winery/producer you will find is Shirah Wines. I got all the current wines in May of this year. It took me a bit of time to finally post them. As I stated last year, in my year in review, California had indeed turned its direction towards riper fruit and wines. Shirah contacted me and I bought the current wines to make 100% sure that my notes were in line with my comments, you can make your mind up from the notes.
I will stress THREE points here AGAIN, as I have done over a long time already:
- I crave the 2010 (AKA NV) /2012/2013/2014 Bro.Deux and the 2013 Syrah, and I FONDLY remember the old days of the One-Two Punch. Those were and still are VERY different wines than what is being sold now. I have had all of them recently and still have some bottles. They are wonderful, but they are not what the 2016 or 2017 Bro.Deux is like today.
- I strongly believe in Shirah Wines, I think the wines they produce are professionally made and are perfect for the bigger/flashier/riper palate that is the cornerstone of today’s kosher wine-buying public. They are just not the wines I want.
- Finally, there has been a clear and very big shift in the palate of the wines being made in California, today. Even Four Gates wines are getting riper. The issue here is all about balance. If I feel fruit is overripe and sticking out, to a point where I do not enjoy the wine, but rather think about the ripe fruit, I will move on. I understand this is a subjective way of seeing wine. I get that, and that is what makes wine so fascinating. Like all of art, it is not what is true or false as much as it is what one likes or dislikes.
WINNERS and other demarcations
As stated above, some wines will be winners in France/Europe and others will be WINNERS in the USA. I do not know the pricing in Israel or the wines or really anything about Israel for the last year+. Maybe Avi Davidowitz of Kosher Wine Unfiltered can make a post or two on this subject! HINT HINT!
Also, there are strange prices, distributions, and edge cases throughout Europe, and as such what is a good price in Paris may not be in London. Worse is wine in Belgium may be a better price than in Paris or London. The idea of “Europe” being a single country for commerce is a MASSIVE sham in the kosher wine market, in Europe anyway. In the USA it is equally messy, in regards to pricing throughout the states, L.A.’s wine prices are either non-existent (because there is no wine) or it is sky-high. I have seen better prices for California wines in NYC than in California! Like what now??? So, yeah, pricing is not as crisp, all the time, as I make it out to be here with my QPR posts, but I do the very best I can.
So, WINNER means USA (sorry this is a USA dominant blog), WINNER (F) means a WINNER in France. I will denote as well, in the wine post if the wine is only available in France or Europe, which is the same for me here, as London is the main outlier and it is not part of Europe anymore – sorry London! Enjoy the train!!! On a total aside, I did love taking the train from London to Paris, a few days AFTER they left the union! Moving on now.
So, without too much more delay – let’s get to it! Here is the list of cellar saviors and mid-level red wines. There are many WINNERS for buyers here in the USA and those in France! The wine notes follow below – the explanation of my “scores” can be found here:
2018 Terra di Seta Chianti Classico – Score: 92 to 93 (QPR: WINNER)
This is a fantastic wine, and with my new QPR scoring it is still is not as expensive as the median and its score is also above the median, so it is a GREAT QPR. This is a no brainer GREAT QPR wine and will sell out quickly BUY NOW!
This wine is incredible, it is better than the 2016 vintage and much better than 2017. It is even a bit better than the massively epic 2015 vintage. Bravo Daniella and Maria!!!
The nose on this wine is ripe, but the balance on it is incredible, the fruitiness exists but it hides behind a redolent garden of fresh mushroom, grass, dirt, loam, and lovely earth, with hints of barnyard, forest floor, and dark fruit, with balsamic vinegar, and roasted herbs galore. The mouth on this medium to full-bodied wine is incredible, layered, rich, extracted, and so balanced, with incredible acidity, intense saline, dark sour cherry, coffee, all balanced and plush, with rich blackberry, cherry, strawberry, salami, with lovely mouth draping tannin, with minerality, graphite galore, and a lovely tannin structure. The finish is long, green, and ripe but perfectly balanced, with lovely acidity, roasted coffee, graphite, scarping mineral, loads of smoke, and sweet tobacco on the long finish. Bravo!! Drink until 2027 maybe longer.
2017 Tassi Aqua Bona Toscana Rosso, Bettina Cuvee – Score: 92 (QPR: BAD)
This wine is meant to be bottled under the D.O.C.G. Rosso di Montepulciano, but because of some strange requirements that were not met to meet the body’s requirements it only has the I.G.T. Toscano Rosso moniker.
This wine producer/winery is quite famous in the non-kosher world. The wine is made from 100% Sangiovese.
The nose on this wine starts with a crazy cedar box, followed by a mound of fresh Cuban Cigar tobacco, followed by loads of anise, licorice, smoked meat, followed by black and red fruit, foliage, forest floor, and more sweet cedar/oak. The mouth on this medium-bodied to full-bodied wine is not as extracted as I expected though this wine is richly expressive with loads of smoke, earth, rich tannin, nice green notes from what I can imagine is what I would get from whole-cluster and stems fermentation, with loads of rich spice, heady roasted herbs, and lovely blackberry, dark cherry, rich umami notes of balsamic and mushroom, with loads of mineral, graphite, and rich fruit-structure and focus with lovely elegance and control. The finish is long, rich, layered, and smoky, with nice control, lovely acidity, and smoke, roasted herbs, smoked meats, and soy sauce followed by more cigar smoke, and freshly tilled earth. Nice!!! Drink from 2021 until 2026.
Tasting of Royal’s 2017 and some 2018 French wines in France
This is my third year tasting wines with Menahem Israelievitch in Paris and it is the first one that is not related to my visit to Bordeaux three years ago, almost to the date of this tasting (give or take two weeks). Three years ago, I was given the opportunity to taste many of the 2015 and 2016 wines from the barrel at each of the wineries in Bordeaux.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage is not like that at all. The 2017 vintage in Bordeaux, though this is a massive simplification and generalization of the 2017 vintage, was overall less ripe than the 2015/16 vintages and maybe even in some cases a drop less than the 2014 vintage. The 2017 vintage flowered early and then the frost came, which killed off a fair amount of the fruit from the vines (Grapevines are self-pollinating and as such the flowers are an all-or-nothing situation in regards to yield). Quality itself is not affected by the early frost which froze the flowers, while the rest of the season was mostly OK, except for the late rains that diluted some of the acidity, again this is an overall generalization, with varying degrees of difference between the Chateaus.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2017 vintage will be, the 2017 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Greysac, 2017 Chateau Chateau de Parsac, 2017 Les Lauriers, Des Domaines Edmond de Rothschild, 2017 Chateau Le Crock, 2017 Cuvee Hautes Terres, Chateau Fourcas Dupre, along with the whites wines, the 2018 Bourgogne Les Truffieres, Chardonnay, the 2018 Les Marronniers, Chablis, and the 2018 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. This year I was not alone in my tasting, I was joined by Avi Davidowitz from the Kosher Wine Unfiltered blog. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 30 wines. There was one missing wine, the 2018 Chateau Genlaire, Bordeaux Superieur and two of the wines were bad, I did taste them later in the week and they are listed here as if I tasted them at the tasting.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis – Score: 93 (QPR madness) (Mevushal)
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. This is so much better than the 2016 or 2017 vintage, this is so much fun! The mouth on this medium-bodied wine is crazy fun, intense acidity, incredible salinity, piercing, almost painful, with lovely layers of lemon, grapefruit, with quince, and pie crust, with Anjou pear, and quince. The finish is long, crazy long, almost oily, mostly creamy, with baked pear and apple, cinnamon, nutmeg, and loads of mineral, with slate, rock, and saline. Bravo!! Drink until 2023 maybe 2024.
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 92 to 93 (QPR)
The nose on this wine is closed, but it shows lovely notes of mineral, slate, blossom water, and loads of citrus, with apple, and smoke. The mouth on this medium-bodied wine is rich, layered, and impressive, with a rich oily mouthfeel, showing a lovely weight, with yellow apple, tart citrus, Asian Pear, and beautiful acidity that is well integrated with a strong mineral core, showing Orange pith, with tart citrus and slate and yellow plum, with saline, and more earth and hints of nectarines and orange. Lovely! Drink from 2020 to 2024 may be longer. Read the rest of this entry
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