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My top 25 kosher wines of 2022, including the Wine of the Year, Winery of the Year, the Best Wine of the Year, and the Best Mevushal wines of the year awards
Like last year, I wanted to make this post short and sweet – so the criteria are simple. I could care less about price, color, or where it was made. All that matters is that it is/was available this year sometime to the public at large and that I tasted it in a reliable environment, not just at a tasting, and that it scored a 93 or higher.
We are returning with the “wine of the year”, “best wine of the year” “Winery of the Year”, and “Best White wine of the year”, along with a last year’s new addition the – “Best Mevushal wine of the year”. Wine of the year goes to a wine that distinguished itself in ways that are beyond the normal. It needs to be a wine that is easily available, incredible in style and flavor, and it needs to be reasonable in price. It may be the QPR wine of the year or sometimes it will be a wine that so distinguished itself for other reasons. The wines of the year are a type of wine that is severely unappreciated, though ones that have had a crazy renaissance, over the past two years. The Best Wine of the year goes to a wine well worthy of the title.
The Mevushal wine of the year is something I dread. I understand the need for a wine that can be enjoyed at restaurants and events, but when we start seeing Château Gazin Rocquencourt and Chevalier de Lascombes go Mevushal – we know we have a problem. As I have stated in the past, if this is what needs to happen, then please sell both options as many do with Peraj Petita/Capcanes, Psagot wines, and many others. Still, it is a wine and as such, it needs a best-of-the-year moniker, so we do it once again!
This past year, I tasted more wines than I have ever, in the past. Now to be clear here, I did not taste many Israeli wines as they have proven to me over and over again, even with the much-ballyhooed 2018 vintage that they are not worth my spending my money on. Still, I did taste a large number of Israeli wines both in my home and at KFWE events. I spent a fair amount of time tasting all the French and European wines I could get my hands on and I feel that is where I added the most value, IMHO. For those that like the Israeli wine style – other writers/bloggers can point you in some direction. This past year, was a return to an above-average year but not as good as last year’s list because last year’s 2019 wines were incredible and precise.
Last year’s list was star-studded and was driven by the incredible 2019 vintage. This year’s list is solid and will highlight a few top 2020 wines, but the clear winner will highlight a 2019 wine that missed making last year’s list because it was released later.
There are also interesting wines below the wines of the year, think of them as runner-up wines of the year. There will be no rose wines on the list this year. If last year, I thought the roses were pure junk, this year, you can add another nail in the coffin of rose wines, IMHO. Last year’s list was stronger with some 123 WINNER wines, this year we had 95. Still, another overall solid year.
Royal Wines continues to impress with the wines they make or import. However, slowly, more lovely wines are being made from other sources though they are harder to find in the USA or outside of Europe.
Now, separately, I love red wines, but white wines – done correctly, are a whole other story! Sadly, in regards to whites, we had no new wines from Germany, still. Thankfully, we have some awesome entries, from the incredible 2020 Chateau Malartic Blanc to the lovely 2021 Covenant Solomon Blanc, to the beautiful 2021 Jean-Philippe Marchand Meursault.
Finally, this year is the year of the Clos! Between the awesome Wine of the Year – the 2018 Clos Mesorah and the Clos Lavaud from Domaine Roses Camille, the Winery of the year, long live the Clos!!!
The wines on the list this year are all available here in the USA, and in Europe, and a few can be found in Israel, as well. The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
The 2022 Kosher Winery of the Year
This award continues to get harder and harder each year. The sad cold, hard truth is that there are too few great kosher wineries. When I started this award, some 4 years ago I thought it would only get easier. Sadly, there are a few truths that limit my ability to give out this award.
First, as much as we have been blessed with great Kosher European wines, in the past 6 years, most of those blessings come under the auspices of single-run kosher wines. Chateau Leoville Poyferre, Château Smith Haut Lafitte, you name it, are all based upon kosher runs. What we have in Europe, kosher-winery-wise, is Terra di Seta, Cantina Giuliano, and Elvi Wines (including Clos Mesorah). Along with this year’s winner, Domaine Roses Camille. Officially, Domaine Roses Camille only became 100% kosher in 2020, but for all intent and purpose, they have been producing the vast majority of their wines in kosher, since 2011.
The requirements to receive this award are simple, the winery must be kosher, not a kosher-run, the quality must be consistent, and the wines must be readily available. The last requirement is the main reason why Four Gates Winery has yet to win the award, but at this point, it is only a matter of time, as kosher wine availability is becoming less of an issue overall, given the sheer number of cult-like kosher wineries that exist today.
Domaine Roses Camille was one of those cult-like wineries at the start when they produced a stunning 2005 Pomerol. It hit that cult status when the late Daniel Rogov called it the best kosher wine he had ever had, at that point, anyway.
As always, my disclaimers. The U.S. importer of Domaine Roses Camille is Andrew Breskin, of Liquid Kosher, and a person I call a friend. This past week I spent two days with him tasting many a wine, that post will follow my year-in-review posts, along with the Four Gates Winery new releases post.
Domaine Roses Camille’s winemaker is Christophe Bardeau. I have had the honor of meeting him a few times and he always comes across as a kind and professional person. While the main two wines, Domaine Roses Camille and the Echo Roses Camille come from Pomerol, he also makes wines from other regions in Bordeaux, like the Clos Lavaud (Lalande de Pomerol), Chateau Moulin de la Clide (a wine that took on its cult-like status as it was sadly a one and done run), Chateau Marquisat de Binet, and others.
Now, to be clear, the Domaine Roses Camille, Echo Roses Camille, and Clos Lavaud – which are all in Pomerol are made in Domaine Roses Camille winery, the 2022 Winery of the year. The one-off Moulin de la Clide and the lovely Chateau Marquisat de Binet were/are made in those Chateaus. Christophe Bardeau made/makes all the other wines but I named them here for completeness.
Pomerol is a lovely location and the wines of Domaine Roses Camille continue to impress. The Clos Lavaud is a year-in-year-out QPR WINNER along with the Echo Roses Camille. They are both perennially great wines and wines we all are very lucky to have in the kosher wine market! The flagship wine, Domaine Roses Camille has never had a bad year, it is the model of consistency, and the only years it was not made kosher was during the lean years of the kosher wine market in France, 2007 – 2010 (inclusively). It does come in at a higher cost than other kosher Pomerol wines but the high-end quality of Domaine Roses Camille matches the prices and longevity potential of other high-end quality kosher wines that cost much more than the DRC does. Yeah, there, I slipped, we all call the Domaine Roses Camille, our kosher DRC, but yeah, we all know what the real DRC is and that is a different wine region and price, all together!
So, with mad props and great happiness, and hope for even more success, I say Bravo to Christophe Bardeau and Andrew Breskin for all the hard work and lovely wines. The quality of the wines that are here and will be coming, in the future (I tasted many of them over this past week), are impressive and I wish them only continued success!
Read the rest of this entryAnd the winner of KFWE NYC and L.A. 2019 goes to the City of Angels
If you have been keeping up with my travels around the world to visit the KFWE venues, you will know that I really was impressed with what Bokobsa did in Paris and I was split over the London KFWE, given its posh settings and solid wine selection, though it has where to grow.
Before I go further, I wanted to define to you my criteria for grading a wine tasting:
- The Venue, of course, its ambiance, and setup
- The wine selection
- The wine glasses
- The number of humans at the tasting
- the food served
- Finally, the reactions of the participants, though for me that is less important to me, as I judge the tasting based more upon the body language of the participants than what they say.
Now, some of these variables are subjective, rather than just objective. Take for example #1, the venue, it is a highly subjective though also objective variable. Pier 60 is a nice place, but in comparison, the Peterson museum of the past few years in Los Angeles was far better. Now, again, this is subjective, some people hate cars. They hated how big the Peterson was, and how spread-out the food and wine was. I loved the Petersen, loved the cars, and while the food and wine were spread out and difficult to find, the roominess and vast space to sit and enjoy art and wine at the same time, was truly impressive.
App and its data needs serious work
One more thing, as I stated in my KFWE recommendation list – the KFWE App is a disaster. It rarely worked. When it did, it was so annoying it was hopeless. Take for instance the go back button went back to the main wine list. So if you wanted to go through the list of Elvi or Capcanes wines, you had to go back and forth OVER and OVER. Worse, and I mean far worse, was the data behind the app, the data was all wrong. The wines at the event did not match the wines in front of you at the tables.
I really hope that next year, Royal Wines puts in more effort into building a proper app, with proper data. Even if the wines that are delivered are different than the wines on the app, change the data! Make sure the data matches reality instead of dreams and rainbows.
Mother Nature took kindly to KFWE in NYC and LA (well mostly)
A quick footnote here, before we dive into the highly contested and dispassionate discussion around which KFWE is the best KFWE, we need to thank the good mother! Mother nature really threw us a pair of bones this year! Yes, I know that flying from NYC to LA was a bit torturous for some, and yes, I sat/slept in my middle seat all the way to LA, but come on, it was that or we get 6 inches of snow a day EARLIER and KFWE NYC would have looked more like a Flatbush Shtiebel during the summer, AKA empty!
Sure, traveling to LA was a pain, but it all worked out, even those who flew to LA on the day. Further, while mother nature opened the skies on the day following KFWE L.A., with what the meteorologists loved to call an atmospheric river, it was the DAY AFTER KFWE L.A. On the day of KFWE L.A. there was a light smattering of rain here and there. The next day, God opened the heavens, when we were driving in our Uber to the airport the streets were almost flooded, and this is L.A. which has a massive concrete drain snaking its way through Los Angeles, with which to dump and maneuver billions of gallons of rainwater.
Further, if we had been at the Petersen this year, the VIP and Trade would have been a mess. There was not so much rain, as it was just not nice outside, this is an El-Nino year in Califonia, and that means more rain than normal here in Cali! So, all in all, God was kind to Royal and the KFWE circuit. The weather was just right, along with some intelligent decisions, turned out to be true blessings for all, especially us Californians who really need the rain! Read the rest of this entry