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Two Kosher Champagnes I have tried recently – Feb 2022
This post will be quick but I also want to talk about sparkling wines. As I have posted a few times, people think of sparkling wines around either the Jewish New Year or the Gregorian New Year. However, Sparkling wine is great all year round! It is one of the few white wines that you can truly enjoy with a steak! It can literally be enjoyed throughout the meal and is one of the very few wines you can enjoy with a salad made with a vinegar vinaigrette. All great reasons to enjoy Sparkling wines more often! When I am in Israel and I go to a restaurant and I want to enjoy some wine and there is no Netofa or Vitkin I always go for Yarden Sparkling wines and am 100% happy no matter what I am enjoying.
I will not go into all the aspects of Sparkling wines and my feelings about all things Brut Nature/Zero Dosage, etc. You can read all about that and much more, like how Champagne is made here in this long post.
Now, on to the new wines at hand. I tasted two Champagnes over the past few weeks – one from Bonnet-Ponson and one from Barons de Rothschild. To be honest I have not been a fan of previous vintages from Barons de Rothschild. I do not know if it is the Mevushal process or the Champagne itself, but it often feels rushed, short, and lacking much in style. This tasted fresh, alive, and enjoyable, all around. Sadly, Rothschild does not use a disgorgement date like others so there is no easy way to see which batch you may be buying.
That leads me to the new Bonnet-Ponson Champagne, Extra-Brut which is very cool! Now, fear not this is not another Zero Dosage wine, we have all lived that and we can move on. This is a lovely, elegant, and refreshing Champagne that has a very fine attack of mousse, while also being quite citrusy and alive. The mouth is full and long and it is underpinned by lovely minerality and fruit. It is not as weighty as previous vintages but what I love the most is the elegance. Note – the wine is fine but there are fewer bubbles in the glass after a minute or so than I normally like. So, beware that I do not think this wine will last very long.
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
N.V. Bonnet-Ponson Champagne, Extra-Brut, Champagne – Score: 91.5 (QPR: WINNER)
WOW, this is unique, fun, and may well be the perfect balance of what we need in the Champagne kosher market. Look, we have said it over and over, Yarden has the grip on QPR forever until someone removes them from the king of kosher wine bubbles – period! However, as you can see, they are gone from the market, for now. I never place price, availability, or access in a wine quality score, so do not think what I stated affects the score, but in the world of Champagne, this is cool! We have had too many Brut-Nature, Zero-Dosage Champagne wines die on us over the past many years. This Champagne is extra dry, but it still has a sweet dosage, and that should hold it for a few years, I HOPE! Now, to the notes!
The nose on this wine is classic low ABV Champagne, tart citrus, apple, quince, green notes, but now you get to truly enjoy and appreciate the nuance of Champagne, what comes out is the yeast, lovely baked goods, wrapping a bushel of green and yellow stone fruit, floral peony notes, roasted almonds, white pepper, and baked Pear/apple pie. The mouth on this medium-bodied sparkling is layered, tart, acidic, and rich, while not being a beast like Yarden, but far more subtle, a wine geek’s joy, toasted apple, bruised pear, buttered brioche, wrapping Asian pear, with rich saline, great minerality, but what hits you is the tiny mousse bubbles that enrich and enliven the palate, a truly refreshing and joyous mouthful. This is not a wine for those looking for a full-bodied and rich sparkling wine, this is a balanced, well-made, and elegant wine that is mineral-driven, and quite fun! The finish is long, green, tart, and refreshing, with slate, tannin, yeast, and acid lingering long.
Personally, while this wine is a lovely wine it loses its bubbles fairly quickly, so while I love it, I would not hold on to it for too long. Drink until 2024. (tasted February 2022) (in San Jose, CA) (ABV = 12%)
N.V. Barons de Rothschild Brut Champagne, Champagne (M) – Score: 91 (QPR: EVEN)
The nose on this wine is the best one I have had yet with tart and bright fruit notes, citrus, lemongrass, baked apple pie, quince, yeast, and lovely minerality. The mouth on this medium-bodied wine brings to mind freshly baked and then toasted quince brioche with grapefruit, yeasty notes, with a lovely small-mousse mouthfeel, all wrapped in a very nice mineral-based and refreshing approach. The finish is long, tart, refreshing and bright, with slate, rock, and tart fruit lingering long. Nice! Drink now. (tasted February 2022) (in San Jose, CA) (ABV = 12%)
Wines I tasted over the past few weeks with five QPR WINNERS
My trip to Paris in November and in June showed me terroir is not enough to make good wine. There are endless shelves of useless wines, at equally high prices, just like here in the USA. Thankfully, there were a few good ones and those will be outlined over the next weeks.
However, I wanted to catch up on a few wines that people have been asking about. The new Yarden wines are all the rave. People are crowing about them, and while they are not classic Israeli Date juice, they are not very interesting at all. I opened a lovely 2018 Baron Herzog Zinfandel, and that was far more interesting, refreshing, and enjoyable, than the 2018 Yarden Cabernet Sauvignon.
There were also two lovely wines from California. First was the return of a kosher B.R. Cohn wine, this time it is not the Trestle Glen wine but a nice Cabernet Sauvignon, nonetheless. It was balanced, well made, and far more enjoyable than the Yarden, any day. Finally, I enjoyed the N.V. Hurliman Pinot Noir. It is a lovely wine made in honor of Joe Hurliman, head winemaker at Herzog Wine Cellars.
Finally, I need to once again highlight how much I like the 2020 Sheldrake Riesling, Dry, Finger Lakes, NY. It is a lovely wine, that may well be the most refreshing and enjoyable wine out there, at this moment. NO, I did not say the best wine out there. I said, refreshing and enjoyable. Some wines are elegant, unique, layered, and expressive, like the epic 2019 Chateau Pontet can’t or the almost equally impressive 2019 Chateau LaGrange. But, not every wine experience is about Pontet Canet. There are times where I want an enjoyable white wine to have during Shabbat lunch. In that case, I will either reach for sparkling wine or an acid-driven but equally refreshing white wine. Ari Lockspeiser’s 2020 Sheldrake Riesling is lovely and meets all of those requirements, nicely done buddy!
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2020 Sheldrake Point Riesling, Dry, Finger Lakes, NY – Score: 91.5 (QPR: WINNER)
This is the first year that Ari Wines has made this wine and it is a true joy! First, I love the fact that he makes clear what dryness the wine has. The wine label shows an RS (Residual Sugar of 0.7 which is a bit more than I would have liked but still not within the average person’s opinion of what is “dry”. Officially, 0.5% is off-dry, but that is crazy precise, to most people below .10% you are dry, but everyone has their opinions. Finally, IMHO, this wine is not the best Riesling I have this year, nor is it the most complex wine of this year. However, and this is of great importance, this wine may well be the most refreshing wine I have tasted this year! That could well be because of either the lovely acidity, the low ABV (Alcohol By Volume), or because I love Riesling!
From open until empty this wine is always ready, enjoyable, and fun! The nose on this wine is lovely, showing notes I crave with intense honeysuckle, peach, tart citrus, honeyed notes of apple and pear, more floral notes, spices, and great minerality! The mouth on this medium-bodied wine is where this wine goes into solid WINNER status, it starts with a wave of acid, followed by a wave of balanced mouthfeel, with a weight that is lovely, not oily, but lovely, with ripe peach, tart tangerine, crab-apple like nectarine, and intense acidity. The finish is long, ripe, yet layered and expressive, with an acidic backbone, mineral, flint, rock, and intensity of mineral that makes this wine a true joy! Bravo! Drink until 2024. (tasted Novemeber 2021) (in San Jose, CA) (ABV = 11.10%)
Kosher Sparkling wines for the end of 2020 – WINNERS from Drappier and Yarden
With 2020 coming to a close, I am posting the top sparkling wines, but to be clear, I drink sparkling wine all year round! We have been blessed recently with Yarden selling their Gilgal Sparkling wine for under 20 dollars a bottle! Honestly, there is no better deal out there and that is why they were the wines of the year last year! Yarden continues to impress with their 2014 entries and they are the sparkling wine producers to beat, for anyone entering this market.
How is Sparkling wine made?
There are many options – but the vast majority of sparkling wines fall into three categories:
- Le Méthode Champenoise (Méthode Traditionnelle)
- Methode Ancestrale
- The Charmat Method
Le Méthode Champenoise (Méthode Traditionnelle)
So, what is Champagne and how do we get all those cool bubbles? Well, it all starts with a grape of some sort, in most cases, Chardonnay, but we will get back to the other varietals further down. For now, like all wine on planet earth, Champagne starts with a grape. It is picked (often early to lower alcohol and increase acidity), then crushed, pressed, and allowed/encouraged to go through primary fermentation, exactly like all white wines on planet earth. At this point, most houses ferment the base wine in metal tanks or barrels. Some still use wood, but they are the minority.
Of course, like much of France (Bordeaux, Burgundy, Champagne), especially in Champagne, the wine can be chaptalized after racking, until an 11% ABV. Now before the heat waves that have covered much of this earth (call it what you wish), Bordeaux and Champagne prayed to hit their desired mark of ABV, and therefore they used to add sugar to bring up the ripeness on their fruit. Nowadays, Champagne is picking earlier and earlier, and Chaptalization is not a common thing anymore, as mother nature is taking care of the fruit’s ripeness all on her own!
Once the wine has been fermented the next question arises, should they let the base wine go through a wine’s second natural fermentation called Malolactic Fermentation? Most allow the fermentation to take place and require it, a fact that is easy nowadays with controlled winery environments, though some do not like it at all. Finally, the barrels/tanks are blended or in the rare case, kept aside as a Vintage Champagne, meaning the base wine used in it, is sourced from one vintage and not a blend of a few vintages.
So, at this point what we have is base wine, and while it may be an OK wine, it is far from what the final product will be like. Most base wines are nice enough, but it would be like licking on a lemon, these wines are highly acidic, and not normally well balanced at that point.
The next step is to bottle the wine, with yeast and basic rock sugar, which causes a second fermentation. The actual amount of the two added ingredients is a house secret. The wines are closed with a simple beer bottle cap. You will notice that ALL wines made in this manner have a lip around the top of the bottle, where the cap is attached to. Again, if the year is exceptional then the wine becomes vintage champagne and is aged for at least three years. If the vintage is normal then the bottle’s content is a blend of a few vintages and is aged for at least one and a half years.
All the while during this second fermentation process, the wine is aged and the wine becomes more complex from the yeast. The yeast breaks down as it eats the rock sugar, adding the effervescence, and while the yeast breaks down, it adds a lovely mouthfeel and rich complexity. This process is known as autolysis, releasing molecules that are slowly transformed as they interact with those in the wine.
The process is a dual transformational process. First, the yeasts are broken down, but if that occurred in a 100% hermetically sealed environment, we would have SERIOUS issues, like HS (Hydrogen Sulfide) and mercaptan (think nasty rotten eggs). Oxygen is a two-edged sword, with too much a wine oxidizes, and with too little, you get HS and nasty foul egg smell. So, the cap that covers the Champagne bottles as they rest for 18 months to 3 years in these cool racks, actually allow for a certain amount of oxygen to flow through, the caps are not hermetic seals. The special stoppers, AKA caps, allow the wine to mature on the lees, with a very slow feed of oxygen coming through, thereby allowing the wine to mature at a rate that is best for it. You can mature them quicker, with a different cap, but you would lose the value of a wine sitting long on the lees.
According to Wikipedia, the effects of autolysis on wine contribute to a creamy mouthfeel that may make a wine seem to have a fuller body. The release of enzymes inhibits oxidation which improves some of the aging potentials of the wine. The mannoproteins improve the overall stability of the proteins in the wine by reducing the number of tartrates that are precipitated out. They may also bind with the tannins in the wine to reduce the perception of bitterness or astringency in the wine. The increased production of amino acids leads to the development of several flavors associated with premium Champagne including aromas of biscuits or bread dough, nuttiness, and acacia. As the wine ages further, more complex notes may develop from the effects of autolysis.
Finally, it is at this stage, after the bottles have matured their proper time, based upon their label (blend or Vintage), we get to the final stage of Champagne, remuage (or “riddling” in English) and Dosage. To get rid of the lees (the dead yeast cells and other particulates), the bottles are hand or machine manipulated to convince the lees to move towards the cap. Then the neck of the bottle is frozen, and the cap is removed, the lees come flying out in a frozen format, and then the bottle is recapped with the famous champagne cork, but not before it is dosed with more sugar. This very last step is the reason for this post, but let’s leave that till further down in the post, for now, let’s talk varietals and color/style.
Color/style and Varietals
So, we have covered the how part of Champagne (well almost more on Dosage below), and now we need to talk color and grapes. The base grapes for Champagne are Pinot Meunier, and Pinot Noir, and Chardonnay. There are very few houses that also use Arbane, Petit Meslier, Pinot blanc, Pinot Gris. Champagne, like the rest of France’s wine industry, is controlled by the AOC (appellation d’origine contrôlée).
So, for Blanc de Blancs Chardonnay, which is white from white, Chardonnay is the only grape allowed. Meaning, that the juice from Chardonnay is 100% of a BdB Champagne, or in rare occasions from Pinot blanc (such as La Bolorée from Cedric Bouchard).
For Blanc de Noirs, the Champagne is made from either Pinot Noir or Pinot Meunier, or a blend of the two. Finally, for Rose Champagne, it can be a blend of the three grapes.
Late Disgorgement
This has been all the rave recently, LD or Late Disgorgement. All this means is that the house or winery (outside of Champagne) kept the bottles capped for a longer time. So the 2007 Yarden Blanc de Blancs was sold in 2014 or so. It is a lovely wine and recently Yarden released a 2007 LD Yarden Blanc de Blancs. It is the same wine, just held longer in capped format (another 4 years or so), and then recently they disgorged the wine, more on that below, and put in the dosage and the Champagne style cork and released it now. Essentially, for all intent and purpose, Yarden aged the Sparkling wine 4 more years and released it later on. The interesting thing will be to taste the two wines (the LD and normal 2007 Yarden BdB and see how 4 extra years of lying on lees helped/hindered/or did nothing). I will be doing that soon enough.
Read the rest of this entry
Guter Wein (Shlomo Corcos) Wine Tasting
The day after the Bokobsa tasting I sat down with Shlomo Corcos (Guter Wein) and Yoel Kassabi from YayinKosher to taste some of the recent wines from Corcos. Corcos has been the mashgiach behind many wines, including Falesco and some IDS wines, along with his own Guter Wein wines.
It was a short tasting, but there were some interesting and unique wines. Including a 7-year-old rose along with a newly bottled Champagne. The French wines were made at Michel Gonet, including the lovely Champagne and 4 Bordeaux wines. I was joined by a few of the French forum members, including Ari Cohen, Ben Sitruk, and Elie Dayan.
My many thanks to Mr. Corcos and to Yoel Kassabi for setting up the meeting, sharing his wines with us, and for taking time out of his incredibly busy schedule to meet with us. The wine notes follow below – the explanation of my “scores” can be found here:
2016 Champagne Michel Gonet, Les 2 Terroirs – Score: 91
Lovely nose of baked apple, yeast, with loads of mineral, pear, and pepper, and asparagus. The mouth on this medium-bodied wine is nice, well made, crazy acidity, with lovely yeast, baked and almost buttery ripe apple pie, with great minerality, lemon curd, with crazy grapefruit, rich salinity, and piercing focus, Bravo! The finish is super long, green, with crazy citrus, saline, lemongrass, and crazy tart clementine, lovely! Drink until 2022. Read the rest of this entry
The last round of winners and some more losers for 2019
So, I tasted a bunch of these at the KFWE in Miami and I spent my entire time there tasting through wines that made me cry. I mean they were so painful, all I could write was NO. Some I wrote nice and some I wrote good stuff. Overall, the Israeli wines were undrinkable and so painful that I had to go back to the French table just to clean my palate. It continues to make me sad to see such potential thrown out to meet the absolute lowest common denominator – fruity, loud, and brash wines.
Sadly, Cellar Capcanes continues its downward spiral. The 2018 Capcanes Peraj Petita is not very good at all. Far better than 2017 or 2016, but that is not saying much. So sad, to see such a storied franchise being thrown away for what I can only guess is the need for a new winemaker to make her mark.
Domaine Netofa continues to crush it and thank goodness it is selling well here in the USA, so that means I can stop schlepping Netofa from Israel! The 2015 Chateau Tour Seran was also lovely while the Chateau Rollan de By was OK, while the 2015 Chateau Haut Condissas showed far better than it did in France. The 2018 Pacifica Riesling, Evan’s Collection was nice but it was less of a WOW than the 2017 vintage, at least so far anyway.
At the tasting, the 2017 whites and 2018 roses were all dead, please stop buying them. Heck, even many of the simpler 2018 whites were painful.
So, here are my last notes before the year-end roundup and best of posts that I will hopefully post soon! These wines are a mix of wines I tasted at the KFWE Miami and other wines I tasted over the past month or so since my return from France. I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2018 Capcanes Peraj Petita – Score: 87
This wine is a blend of 50% Grenache, 20% Tempranillo, 15% Merlot, and 15% Syrah. This wine is ripe really ripe, with dark blackberry, with loads of dark brooding fruit, floral notes, and herb, and heather. The mouth on this medium-bodied wine is sweet, ripe, and date-like, with dark cherry, sweet candied raspberry, smoke, candied black fruit, and sweet notes galore. The toast, earth, sweet fruit, and smoke finish long. Move on.
2018 Capcanes Peraj Petita – Score: 89 (Mevushal)
This wine is a blend of 50% Grenache, 20% Tempranillo, 15% Merlot, and 15% Syrah. This wine is far better than the not-Mevushal version. This wine is actually showing less ripe, with dark blackberry, with loads of red fruit, floral notes, and herb, and oak. The mouth on this medium-bodied wine is much less sweet, with dark cherry, sweet raspberry, smoke, candied black fruit, with nice tannin, and good acidity. The finish is long, slightly green, smoky, and herbal, with toast and red fruit. Very interesting how the mevushal is less ripe, go figure. Drink now.
2018 Domaine Netofa Latour, White – Score: 92+ (Super QPR)
Wow, what a lovely wine, this wine is 100% Chenin Blanc aged 10 months in oak barrels. The nose on this wine is pure heaven, but it is slow to open, once it does, the wine is lovely with loads of floral notes, yellow flowers, orange blossom, rosehip, and lovely white fruit, pear, peach, and smoke/toast. The mouth on this medium-bodied wine is lovely, with great acidity, clear and present, with layers of sweet and dry fruit, with candied and toasted almonds, hazelnuts, with hay and straw, followed by floral notes, tart melon, lemongrass, citrus galore, yellow apple, quince, baked apple, and dry grass and earth, lovely! The finish is long, dry, tart, and butterscotch-laden, with toast, smoke, ginger, and marzipan, Bravo!! Drink from 2021 until 2025.
2018 Pacifica Riesling, Evan’s Collection – Score: 90 (QPR)
This is a drier wine than the 2017 vintage but it lacks the petrol level and funk of 2017, still a nice wine.The nose on this wine is almost dry, with lovely notes of floral notes and loads of melon, sweet fruits, and stone fruit. The mouth on this medium-bodied wine is nice with lovely pith, hints of saline, with hints of petrol, dry flowers, with lovely peach, guava, and loads of citrus and mineral. The finish is long, dry, with hints of sweet notes, funk, and pith that is fun. Nice. Drink by 2022. Read the rest of this entry
Tasting of Royal’s 2017 and some 2018 French wines in France
This is my third year tasting wines with Menahem Israelievitch in Paris and it is the first one that is not related to my visit to Bordeaux three years ago, almost to the date of this tasting (give or take two weeks). Three years ago, I was given the opportunity to taste many of the 2015 and 2016 wines from the barrel at each of the wineries in Bordeaux.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage is not like that at all. The 2017 vintage in Bordeaux, though this is a massive simplification and generalization of the 2017 vintage, was overall less ripe than the 2015/16 vintages and maybe even in some cases a drop less than the 2014 vintage. The 2017 vintage flowered early and then the frost came, which killed off a fair amount of the fruit from the vines (Grapevines are self-pollinating and as such the flowers are an all-or-nothing situation in regards to yield). Quality itself is not affected by the early frost which froze the flowers, while the rest of the season was mostly OK, except for the late rains that diluted some of the acidity, again this is an overall generalization, with varying degrees of difference between the Chateaus.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2017 vintage will be, the 2017 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Greysac, 2017 Chateau Chateau de Parsac, 2017 Les Lauriers, Des Domaines Edmond de Rothschild, 2017 Chateau Le Crock, 2017 Cuvee Hautes Terres, Chateau Fourcas Dupre, along with the whites wines, the 2018 Bourgogne Les Truffieres, Chardonnay, the 2018 Les Marronniers, Chablis, and the 2018 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. This year I was not alone in my tasting, I was joined by Avi Davidowitz from the Kosher Wine Unfiltered blog. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 30 wines. There was one missing wine, the 2018 Chateau Genlaire, Bordeaux Superieur and two of the wines were bad, I did taste them later in the week and they are listed here as if I tasted them at the tasting.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis – Score: 93 (QPR madness) (Mevushal)
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. This is so much better than the 2016 or 2017 vintage, this is so much fun! The mouth on this medium-bodied wine is crazy fun, intense acidity, incredible salinity, piercing, almost painful, with lovely layers of lemon, grapefruit, with quince, and pie crust, with Anjou pear, and quince. The finish is long, crazy long, almost oily, mostly creamy, with baked pear and apple, cinnamon, nutmeg, and loads of mineral, with slate, rock, and saline. Bravo!! Drink until 2023 maybe 2024.
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 92 to 93 (QPR)
The nose on this wine is closed, but it shows lovely notes of mineral, slate, blossom water, and loads of citrus, with apple, and smoke. The mouth on this medium-bodied wine is rich, layered, and impressive, with a rich oily mouthfeel, showing a lovely weight, with yellow apple, tart citrus, Asian Pear, and beautiful acidity that is well integrated with a strong mineral core, showing Orange pith, with tart citrus and slate and yellow plum, with saline, and more earth and hints of nectarines and orange. Lovely! Drink from 2020 to 2024 may be longer. Read the rest of this entry
My latest round of both new and old winners and some more losers for 2019
After my long hiatus, I am happy to say that this post brings me current to wines I want folks to know about, both good and bad. Thankfully for you, it does not include at least 45 roses, white, and red wines that were so horrible that I see no value in posting their NA scores here.
However, two wines that need warning are the 2017 Chateau Lacaussade Saint-Martin
and any wine from Capcanes Cellars made from 2015 and on, other than the 2015 Capcanes Pinot Noir and the lovely 2015 Capcanes Samso Carignan. To me, this is truly sad Capcanes was a rockstar and a perennial goto and QPR wine, other than there roses. Now, they have soldout to Parker’s view of wine and I cannot fathom for even a second what they gain from this. Their wines sold perfectly well so sales cannot be the reason. Yes, there is a new winemaker, Anna Rovira, who recently won the prestigious female winemaker of the year for the 2019 award from Selection magazine! Congratulations! She replaced the longtime winemaker of Capcanes Angel Teixidó. Sadly, from my perspective, the wines are far riper than they used to be, they also show less acid and less balance. They are wines that I no longer buy, the last Capcanes I bought was from the 2014 vintage. With that said, I hope this shift is a byproduct of some rough years and that the 2017 vintage will return to its old self, one can always hope!
On another aside, please folks – STOP drinking 2017 whites and 2018 roses – they are dead! I have had loads of 2018 roses recently, they are dead or on the way down from jumping off the cliff. Sure, there are whites that are still young from the 2017 vintage, like full-bodied Chardonnays or white Bordeaux, other than Lacussade. Sadly, many of the 2018 whites are on their way down as well. The 2018 Tabor Sauvignon Blanc is already losing its acid and so many others as well. Please be careful, taste before stocking up. The simple whites are like roses, drink them by fall.
On the good news side, the 2017 vintage from Bordeaux is so far so good! The much scorned 2017 vintage from Bordeaux so far is holding up very well. I really liked the 2017 Chateau Mayne Gouyon, which is simple and mevushal, and very tasty. The 2017 Chateau Moulin Riche was lovely, maybe even better than the 2016 vintage. I hear the 2017 Chateau Le Crock and the 2017 Chateau Royaumont are also showing very well, all-around great news for the much pooh-poohed 2017 vintage.
Finally, bravo goes to Herzog Wine Cellars, they continue to impress with their number one grape – Cabernet Sauvignon. They are predominantly Cabernet Sauvignon heavy, which makes sense given the current kosher wine market. When you go to KFWE and other wine events, just listen to people, their number one desire is the best Cabernet Sauvignon on the table or just whatever wine you have that is Cabernet Sauvignon-based. It is both sad and totally hilarious at times. So, sure Herzog goes where the money is. The accolades, at least from me, anyway, is for the raising of the bar and for the sincere effort that they put into making world-class Cabernet Sauvignon wines. Bravo!
I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2014 Chateau Haut Condissas – Score: 91
This wine is ripe, and really oaky, with nice mineral, green notes galore, but front and center is mounds of dark fruit, sweet oak galore, and lovely garrigue. The mouth is lovely, and rich, with medium-bodied structure, showing with lovely sweet fruit, earth galore, and lovely extraction, that gives way to green notes, layers of sweet but balanced fruit, with blackberry, cassis, dark raspberry, and rich forest floor. The finish is long and mineral-based, with intense tobacco, mineral, pencil shavings, and sweet fruit that gives way to dill, earth, forest floor, mushroom, and sweet oak. Drink from 2023 until 2028
2013 Chateau Grand-Puy Ducasse, Pauillac – Score: 91
To me, the 2013 Moulin Riche and 2013 3 De Valandraud were two of the best wines from the poor 2013 Bordeaux vintage, though this one always held potential.
This wine has evolved now to show even more tertiary notes than when I had this two years ago. The nose on this wine is lovely but still stunted, with clear and lovely notes of mushroom, dirt, and loam, followed by ripe fruit, showing red and black, with floral notes of heather and English lavender, with foliage and sweet notes. The mouth is nice on this medium-bodied wine but it is thinner than the younger 2015 (which is a superstar), with a balanced mouth, showing nice acidity, followed by cherry, raspberry, blackberry, with more foliage and forest floor, lovely garrigue, graphite, sweet tobacco, sweet dill, nice mineral, and mushroom. The finish is long, tart, yet very fruity, with great balance and attack, though showing little complexity, more like a dirty and green/garrigue/foliage and herb-infused fruit-forward wine, with mineral, acidity, and nice mouth-coating tannin bringing it all together. Drink by 2024. Read the rest of this entry
The latest crop of Kosher QPR wines and some losers
It has not been long since I last posted a new list of QPR (Quality to Price Ratio) Kosher wines. But I am always looking for more winners, and I am sure some of these will be on the QPR wine list of 2019.
To me, Terra di Seta continues to prove that Italian wines can go mano-a-mano with the rest of the kosher wine world. They continue to excel in delivering QPR wines and they continue to prove that you can create impressive to great wines for less than 40 dollars. I have yet to taste the 2015 Terra di Seta Riserva and sadly I was not a fan of the ALWAYS QPR worthy 2017 Terra di Seta Chianti Classico. The 2017 Elvi Rioja Semi, another perennial QPR winner was not my cup of tea but the 2018 vintage is a ripe wine, Mevushal, but still nice and QPR winner.
Another of those QPR superstars, in the sparkling wine world, is, of course, the Yarden Winery. Gamla is their second label behind the Yarden label, but when it comes to bubbly, the Gamla label is always well accepted. Of course, the stupid spat between Yarden Winery and Royal Wine means that we have a single wine called Gamla in Israel and Gilgal here. Why? Because these two wine businesses cannot make nice long enough to come to their senses and figure out a way to be civil with each other. I am so surprised that this is still going on today. The Gamla label, a wine made by originally by Carmel in Israel for this label in the USA, and now who knows who makes it, either way, it is not a wine worthy of this bickering, but sadly, here we are.
Now, back to the wine, I wrote about the new Gilgal Brut back in January, and the wine has moved beyond its insane acid lemon trip and it is now rounding out a bit, with some added complexity and richness.
Domaine Netofa was always on my QPR list, but sadly that was just for Israel, but thankfully Royal and Kosherwine.com have combined to bring the entire line back to the USA! I hear it is going well so get on these before they disappear!
Now, I also wanted to add a list of losers as people have been asking me what I thought of some of the newer wines and here is my response, so I have a QPR list and a NOT so QPR list.
I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2017 Domaine Netofa, Red – Score: 91 (QPR Superstar)
This wine is now exclusively imported by Kosherwine.com and I hope they are selling well. This has really stabilized now. It is a bit fruity still, but it also has some nice old-school style and swagger. The nose on this wine is nice and smoky, with great control and roasted animal. The fruit is blue and black and lovely. The mouth on this medium-bodied wine is layered and with nice blueberry, blackcurrant, great acid, and great control showing earth, raspberry, root beer, that give way to spice, vanilla, and loads of dirt. The finish is ribbons of mineral, charcoal, graphite and bitter coffee, Solid!! Drink by 2021.
2017 Domaine Netofa Latour, White – Score: 91 to 92 (QPR)
Crazy Oak nose with yellow pear and apple, quince and rich saline with hay and dry herb. The mouth on this medium-bodied wine is crazy good, layered, extracted and richly round, but tart, and saline bomb, with lovely tension and rich herb, and lovely sweet spices and sweet Oak. The finish off long, green, with vanilla, herb, and mint, and lemongrass, with tart lemon curd and spices. Drink by 2023.
2017 Domaine Netofa Latour, Red – Score: 91 (QPR)
The 2017 vintage is less austere than 2016, it is more accessible now and will still hold. The nose on this wine is really nice with rich black currant, blackberry, and blue notes that give way to smoke, Oak, toasty notes, and lovely tar. The mouth on this medium-bodied wine is super tart and really bright, with great acid, blackberry, blueberry, black currant, with garrigue, sweet but well-balanced note, with mouth-coating elegance and layers of concentrated fruit and earthy notes, with chocolate and sweet spices. The finish is long, bright, tobacco, mineral, pencil shavings, with tar, and root beer. Lovely! Drink now until 2022. (To be released soon I think)
2016 Domaine Netofa Latour, Red – Score: 92 (Crazy QPR)
This wine is a blend of 65% Syrah and 35% Mourvedre. The nose on this wine is lovely, ripe and balanced, with sweet oak, blueberry, boysenberry, with bright fruit, and loads of dirt. This wine is really still very young, showing great potential, with incredible tannin, great acid, rich layers of blue and black fruit with great aging potential, loads of chocolate and rich spice, dark fruit, and herb, all wrapped in a plush yet elegant mouthfeel. The finish is less green than past vintages, showing a more ripe fruit profile, but still clearly balanced, with foliage, tobacco, mint, and sweet spices and herbs. Bravo!! Drink from 2020 till 2024.
2018 Ramon Cardova Albarino, Rias Baixas – Score: 92 (QPR Superstar)
The 2018 vintage of this Albarino, in its second vintage, shows less tropical and ripe than the first vintage, 2017. This bottle also had the thermal active label, and it shows up when the bottle is at the proper drinking temperature. My only REAL and serious complaint is the cork, why would Royal waste the money and my money of a real cork? Use a Diam or any other amalgamated cork, like almost everyone else is. I really hope I do not hit a bad cork for the wines I have.
The nose on this wine is better than the 2017 vintage, Lovely nose of rich mineral, with loads of straw, with which salinity, and lovely peach and dry pear, with honeysuckle, gooseberry, along with green notes galore. Lovely! The mouth on this lovely green and acid-driven wine, has a more oily mouthfeel than the 2017 vintage, showing rich salinity, green olives, with lovely dry quince, green apples, more peach, green apple, but also with lovely lime and grapefruit, no sense of guava or melon-like on the 2017 vintage, with a tinge of orange notes. The overall mouth is lovely and it comes at you in layers. The finish is long, green, with gooseberry, tart fruit, with an incredible freshness, and orange pith, slate, rock, and incredible acidity lingering long. Incredible!! Bravo!! Drink until 2022. Read the rest of this entry
Four new French wines from IDS here in the USA
The year in regards to French wines has been nothing short of epic! From crazy 2014 wines that started the reboot of a full line of Royal wines from France, to the 2015 and 2016 vintages from Royal that essentially completed the full reboot of Royal’s French wine lineup.
With that said, shockingly, not all French wines are marketed through Royal or its friends (Taieb, Bokobsa, Rivière, and Rollan de by). Kosherwine.com has also brought in some French wines, more on that in a subsequent post soon. As has Red Garden (two of their wines is posted here as well, as I tasted them at the same time), as has Rashbi wines, which shockingly is NOT predominately French, Andrew Breskin and Liquid Kosher, which brings in the DRC wines, and Victor Wines (maybe the first to bring in French wines outside of Royal of course).
So, who is importing IDS now? That would be M & M Importers. I must say that IDS does not control a large number of wineries, but the amount they do control, are some of the most vaunted kosher French wines around! The granddaddy would be the epic, Smith Haut Lafitte! I have tasted almost all of the kosher vintages, 1995 and 2000 were brought in by Royal, with the 1995 vintage being made by Bokobsa. 2002 and 2009 – was never quite clear to me (wink wink). The 2014 vintage was brought in by M & M Importers. The only one of that list I have yet to taste is the 1995 vintage. I actually did “taste” it, but sadly it was corked.
IDS also makes the kosher runs at the fantastic Chateau Lafon Rochet, which has been made kosher so far in 2001, 2003, and 2010, and again in 2017. I have tasted them all, besides the 2017 vintage of course, and to me, the 2010 vintage is in a league of its own.
IDS also controls the relationship with Chateau Valandraud, to me maybe the most vaunted Grand Cru in the Saint-Émilion appellation. No, it is not Angelus or Cheval Blanc, but it is a very big win for the kosher wine drinking public. As an example, here were the top 10 wineries for the 2014 vintage, of the Grand Vin from the Saint Emilion wineries, scored by Decanter.
Sadly, the last kosher Grand Vin made from Valandraud was in 2005, and what a wine it is! Since then, they have made the second label of Chateau Valandraud kosher, the Virginie de Valandraud ( a 2nd label for the vaunted winery, that was started in non-kosher in 1992). This wine has been made kosher in 2004, 2011, and 2015. I have not tasted the 2004 Virginie, but I have tasted the 2011 and 2015, and it is a consistently impressive wine, but a bit richly priced, which is what you get when you talk about Valandraud.
Finally, there is Chateau Labegorce, a wine that used to be a killer QPR wine when it was first released. Now, the price here in the USA is a bit elevated, but the 2015 vintage is quite the winner, IMHO! There have been two wines from this winery, the Labegorce ‘Zede’ and the Labegorce Margaux, both are Margaux wines, with the Zede winery closing in 2008. Its fruit was merged into the Labegorce Margaux in 2008.
IDS has made other wines, but they have not produced more vintages, like the Chateau Matras (2002 and 2004), Chateau L’Hermitage, and Chateau Rauzan – Gassies, and others. Chateau Haut Condissas was originally made by IDS, but after 2005, it went under the control of Rollan de By, that also was made by IDS until 2003.
Essentially, after the 2005 vintages, IDS now fully controls four wineries, Valandraud, Labegorce, Smith Haut Lafitte, and Lafon Rochet. The rest has stopped being produced or is handled by Royal and others. Read the rest of this entry
A wine tasting of some incredible 2014 kosher French wines with Nathan Grandjean
When I last left off on the story of my trip to Israel and Europe, I had just ended with a classic run for the border to Weingut Von Hovel. After we returned from visiting Von Hovel we had a wine tasting. It included some new 2016 wines but it mostly involved French wines from the 2014 vintage and earlier.
As I posted here and here, I have been trying to get to all of the 2014 French wines and as many of the 2015 vintages that are released. With this last tasting, I have been able to get to most of the top 2014 kosher French wines that I know of. The two top 2014 kosher Bordeaux wines that I have been able to taste are the 2014 Chateau Pape Clement and the 2014 Smith Haut Lafitte (which I tasted here at this tasting). Right after those superstars come the 2014 Chateau Giscours, 2014 Chateau Malartic, the 2014 Chateau Tour Saint Christophe, the 2014 Chateau Soutard, and the 2014 Chateau Marsac Seguineau. In regards to Sauternes, the two winners are the 2014 Chateau Rayne Vigneau, 1er Cru Classe, and the 2014 Chateau La Tour Blanche, 1er Cru Classe.
I had not been able to taste the Smith Haut Lafitte or the 2014 Chateau La Tour Blanche, 1er Cru Classe, until this tasting and they were not a letdown in any manner. WOW, they were worth the trip and worth stocking up where and if possible.
If you are interested in these wines, they are mostly wines that are here or will be here eventually. If you cannot find them or do not want to wait – email Nathan Grandjean about how to get them: Contact@yavine.fr (I DO NOT work for wine stores, never have and never will. I get no kickback or payment for this). I state this here only as information. It also seems that kosherwine.com will soon have the 2014 Chateau La Tour Blanche, 1er Cru Classe as well.
We continued tasting these wines for more than a day, it was only after a long time that the great 2014 wines really opened up. Also, we tasted the Von Hovels throughout this time as well (I did not post the scores here again, as they are in their own post).
The rest of the wines at the tasting were either horrible, passable, or nice enough. My many thanks to JK, Nathan, and his family (for putting up with us). The wine notes follow below – the explanation of my “scores” can be found here:
2016 LI BI Rose, Cotes du Rhone – Score: 88
The wine is a rose made of 80% Grenache and 20% Syrah. Lovely nose of grapefruit, floral notes, with green apple, gooseberry, with nectarines, and good mineral. The mouth is nice enough, the acid is medium in nature, and while it is well balanced it is unidimensional, with good lemon, peach, and nice acid that does rise after a bit. The finish is long and floral with good saline, mineral, slate, and good spice. Drink up!
2016 Le Mourre de L’isle, White – Score: 87
The wine is a blend of 40% Roussanne, 30 Viognier, and 30% Grenache Blanc. Lovely nose of peach, and honeysuckle, floral notes, with green apple, and spice. The mouth is slow to open, with peach notes, good acid, and balance, with again little complexity but nice acid, with peach, grapefruit, and crazy floral notes. The finish is long with mineral and sweet spices, cinnamon, and cloves. Drink by 2018.
Read the rest of this entry
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