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We have a new white wine QPR WINNER and some other roses
Another week and another batch of white and rose wines to enjoy. The summer is quickly approaching and while we have yet to find a single QPR WINNER in the world of kosher 2019 roses, we have some new entries.
QPR (Quality to Price Ratio) is the non-qualitative score I have been giving to wines recently. In my last update to QPR, a week after I posted the QPR revised methodology, I defined the QPR score of WINNER. A QPR score of WINNER is defined as a wine that scores a qualitative score of 91 or more, a score I define as a wine I would buy happily while also being a wine that is cheaper than the respective median wine category.
This week we have a mix of 7 wines 3 whites and 4 roses. One of the whites I have already posted about, a winner of the QPR GREAT score, the 2018 Koenig Riesling, Alsace. The wine is lovely and well worth the effort to find it and buy it.
However, the absolute clear QPR WINNER of this week’s post is the FIRST 2019 wine that gains the QPR WINNER title! Bravo!!! The wine is the 2019 O’Dwyers Creek Sauvignon Blanc. The 2018 O’Dwyers Creek Sauvignon Blanc was not a wine I liked while the 2017 O’Dwyers Creek Sauvignon Blanc was a solid WINNER, even when we did not have the WINNER QPR category at that time.
NOTE: I state the 2019 O’Dwyers Creek Sauvignon Blanc is the FIRST 2019 WINNER because even though the 2019 Herzog Sauvignon Blanc, Lineage, I listed in my last post, it is not actually available yet.
The 2019 Domaine Netofa Rosado, Latour, is another wine that got close to WINNER status, yet sadly, it did not. A nice wine, but with the price and score it received a solid QPR score of GOOD.
In an interesting twist, the Domaine Netofa Rose, which comes in at 7 dollars below the Latour Rose price, is not as good but given its price is below the Median for rose wines it has a better QPR score. There lies the issue of cost! Either we are going to bend to the needs of higher quality at all costs or we will go with slightly lower quality for less money. Sadly, for 2019 Roses that is LITERALLY our story! There are NO QPR WINNER roses, at least so far, 2019 is one of those years. The rest is a hodgepodge of QPR scores.
I continue to stand by my opinion that 2019 is one of the very WORST vintages for white and rose wines in the last 10 years for Israeli wines. I continue to dream of the 2013/2014 vintage for Israeli whites. Some of the very best Israeli whites came from the 2013/2014 vintages. Yes, I have not had as many of the 2019 whites and roses from Israel, as I would normally have had by now, sadly, the current circumstances do not let me do that. There are many roses still in France and Israel that I have not had, but of the ones I have had from Israel so far, I am fine with my statement.
Roses, so far this year have been an absolute letdown and honestly, without a SINGLE QPR WINNER in roses and 8 QPR winners in whites, it is clear as day to me that white wines are the way to go this summer (and the 19 days from now before that)!
The wine note follows below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2019 O’dwyers Creek Sauvignon Blanc – Score: 91+ (QPR: WINNER)
This wine is in the 2nd quintile of quality scoring and it is below the median price line, so this wine SHOULD get a score of GREAT for QPR. However, it is ALSO one of the few white wines that score at least a 91, and that has a price that is below the median price line, so this wine gets the coveted score of WINNER for QPR. Bravo!!!
Lovely notes of passion fruit, incredible cat pee, gooseberry, and loads green notes for the cat to pee on, with incredible saline, such a wonderful and classic New Zealand nose. This is a very fruity, yet extremely well-balanced New Zeland Sauvignon Blanc, it is more tropical than the 2018 Goose Bay Sauvignon Blanc, but also more New Zeland – in nature. The mouth on this medium-bodied wine is lovely. well balanced, with good acidity, extremely refreshing, with loads of grapefruit, guava, passion fruit, lemon/lime, and lovely loads of crazy tart gooseberry, and incredible slate. The finish is long, green, with lovely salt, intense saline, rock, and more citrus. Bravo! Drink until 2024. Read the rest of this entry
Easy drinking white wines for 2020 – better than I expected
Well, the roses from the 2019 vintage, so far, are not inspiring, and initially, I thought the same for the white wines, thankfully, as I tasted through the last 15 bottles of wines things shifted. There is a reason why I have been pushing Price in relation to its quality, AKA QPR (Quality to Price Relationship).
For this tasting, I tasted more than 70 wines, however, I posted only some 49 wine notes here. Rest assured, the others were either not worthy or I did not have detailed enough notes to make it here on this post.
Interestingly, initially, I had zero hope for the white wines, much as I felt about the roses. However, all of this is data-driven and other than my wines notes, the rest is all prices defined by the USA market. The more, I tasted, the more I felt that there are options in the simple white wine category. I was really ready to give up hope, but thankfully, folks like Shirah, Kos Yeshuos, and other Europen wines really pulled their weight. Sadly, of the top 27 wines, there were a total of 11 from 2019. Of them, only two were from Israel. The rest hailed from California, France, and New Zealand. In the end, so far, the vast majority of the Israeli white wines I have tasted from 2019 are also highly uninspiring.
With that said, the median price for the wine category of non-aging white wines is going up! There lies in my over-arching issue, prices keep going up!! The median price for non-aging white wines, here in the USA, is now 24 dollars! Seriously!! COME ON!! This is crazy! As the kids say, total Cray Cray! Turned around, the total number of wines below the median price of 24 dollars that received a 90 or higher was 12, and many of those are our QPR WINNERS. Overall, 2019 is still a dud in Israel, of those that have made their way to the USA, and Califonia is saving the day, so far.
All the wines here are scored both quantitatively, AKA using my classic wine score described here, and using the newly revised QPR score described here. So, yes, there will be more of the QPR discussion that will arise from this post. Thankfully, we have a good number of wines, 7 from my count, that received the QPR score of WINNER, sadly, they are mostly from 2018. Therefore, I repeat again, I am highly unimpressed with how many 2019 white wines I had and how many are subpar. Please be careful with the ones you buy.
Finally, in order of price, the first of the 7 QPR WINNER wines come in at wine #38, sorted by price! That means there are loads of other wines far less interesting than the 2018 Ramon Cardova Albarino, the most expensive of the 7 WINNER QPR wines. This is the kind of data that makes me scream. This is what needs to change! Wineries are willing to produce wines that are more expensive and less interesting, than more than HALF of the wine I tasted! This is what needs to change, kosher wine has gotten out of control, price-wise.
Do yourself a favor, check the price, you do it for everything else you buy! Check the wine, check the price, and then decide!
The wine note follows below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2018 Ramon Cardova Albarino, Rias Baixas – Score: 92 (QPR: WINNER)
This wine is in the 2nd quintile of quality scoring and it is just below the median price line, so this wine SHOULD get a score of GREAT for QPR. However, it is ALSO one of the few white wines that score at least a 91, and that has a price that is below the median price line, so this wine gets the coveted score of WINNER for QPR. Bravo!!!
The 2018 vintage of this Albarino, in its second vintage, shows less tropical and ripe than the first vintage, 2017. This bottle also had the thermal active label, and it shows up when the bottle is at the proper drinking temperature. My only REAL and serious complaint is the cork, why would Royal waste the money and my money of a real cork? Use a Diam or any other amalgamated cork, like almost everyone else is. I really hope I do not hit a bad cork for the wines I have.
The nose on this wine is better than the 2017 vintage, Lovely nose of rich mineral, with loads of straw, with which salinity, and lovely peach and dry pear, with honeysuckle, gooseberry, along with green notes galore. Lovely! The mouth on this lovely green and acid-driven wine has a more oily mouthfeel than the 2017 vintage, showing rich salinity, green olives, with lovely dry quince, green apples, more peach, green apple, but also with lovely lime and grapefruit, no sense of guava or melon-like on the 2017 vintage, with a tinge of orange notes. The overall mouth is lovely and it comes at you in layers. The finish is long, green, with gooseberry, tart fruit, with an incredible freshness, and orange pith, slate, rock, and incredible acidity lingering long. Incredible!! Bravo!! Drink until 2022.
2018 Hagafen Dry Riesling – Score: 91 (Mevushal) (QPR: WINNER)
This wine is in the 2nd quintile of quality scoring and it is below the Median price line, so this wine gets a GREAT score for QPR. However, it is ALSO one of the few white wines that score at least a 91, and that has a price that is below the median price line, so this wine gets the coveted score of WINNER for QPR. Bravo!!!
The nose on this wine is tropical and sweet fruit-focused, with pineapple, guava, melon, peach, but now THANKFULLY the petrol is in full gear, and it commands your attention, with the tropical fruit still very present, along with some nice mineral. The mouth on this medium-bodied wine is fun, tart, nice acidity, with more petrol funk, showing nice balance, with good acidity, still, the mouth is sweet and ripe, the petrol and tart notes help, with green apple, tart grapefruit, tart stone fruit, and slate galore, with waxy notes, and tart pineapple. The finish is long, green, with intense mineral, slate, flint, and lovely petrol that gives way to nice acidity, and hints of tannin. The wine has indeed come around and now petrol is more present and the hole in the middle is gone. Drink until 2024. Read the rest of this entry
Kos Yeshuos Winery’s new U.S. releases for 2020
A couple days ago, Josh Rynderman, “The California Kid“, and Chana, “The Joburg Girl”, came by and we tasted this year’s new wines. As, I stated in last year’s post, doing this dual-hemisphere winemaking is a real drag on life. Besides the crazy flying, you never really feel at home, where is home? I could never find myself living that kind of life, but Josh and Chana both find joy in this life and wine – one underpinned by the art of winemaking and the passion that drives it.
To see more about the story and life of Kos Yeshuos and the Ryndermans, you can read my post here about last year’s wines, and this post about the wines made under ESSA Wine Co.
2019 vintage in Northern California
This vintage Josh tried some brand new varietals for him and honestly, a new varietal for the kosher wine world, from what I know anyway. There is the 2019 Falanghina, which to me is the only kosher wine from that varietal. It is a crazy acid bomb and two days later it is still an acid bomb, though the mouth rounds out well underneath that bed of acidity.
Besides that, the Viognier has returned, but it is an oaked version this time. I am crazy for white wines, and Viognier has been a passion, but the oaked ones, while nice in their oaky peach perfume, lacked what Josh got out of last year’s oak-free Viognier. Who knows, maybe this will come around, but for me, while this wine is absolutely solid, it is a slight step back from last year’s yumminess.
Finally, there are two new oaked wines as well. The blend called The Joburg Girl, which is a nod to Chana, and it is a really fun wine. The oak does not take over and the acidity really shines. The final one is the Pinot Gris, which was macerated for a few days. Now, this is not an Orange wine, though it does show some of the nuttiness and sherry-like notes, far in the background, that you find in the longer macerated wines, like Yaacov Oryah’s masterpieces. For those that fear that kind of wine, I stress, the note is far in the background, and I pick it up having cut my teeth now, on a few years of enjoying Oryahs wines. It is perfectly balanced and one that you will truly enjoy.
If you look at the image below you can see the impact of oak and extended maceration on the wines. The lightest color belongs to the Falanghina, which was unoaked and had little to no maceration. The next one, the Viognier in 2019 had oak aging, while the next two, in degrees, had both oak aging and extended maceration, on account of the Pinot Gris is a large part of The Joburg Girl. It is truly fascinating to see the color progression on such young wines. Read the rest of this entry
Kos Yeshuos and ESSA Wine Co. creating wines in each Hemisphere
Before the Rosh Hashanah (the Jewish New Year) Josh Rynderman from Kos Yeshuos wines and his wife who owns ESSA Wine Co. swung by to taste the new wines from their inaugural vintage from the Southern Hemisphere. Josh and Chana Rynderman are dear friends and as I posted here, we went to their wedding in South Africa.
I have written a couple of times now about Kos Yeshuos and the wines that Josh has made here in Califonia. The wines they brought over were the new 2018 wines from South Africa and the 2018 wines from California.
The two 2018 white wines had changed some from the last official tasting last year, with the Califonia Kid showing incredibly well and the Viognier losing some of its flint madness and turning into a wonderful glass of true peach-driven wine.
The new wines were the red wines that will be made available under the name of ESSA Wine Co. For the 2018 vintage, they made three red wines in South Africa. They are almost all Bordeaux grapes, excepting for the small amount of Cinsault in the red blend. That said, they are not made in the Bordeaux style, these wines are far more New-World in style, but still well controlled and impressive for their first wines from South Africa.
There is no real name yet for the red blend, that is made from Cabernet Franc, Cabernet Sauvignon, and Cinsault. The wine starts off quite austere in style, but that blows off and becomes a truly New-World wine in style. It should be ready in a couple of months and will last for a couple of years. The wine is the ripest of the batch and while I liked the wine it is not built to last. The bigger brother, in terms of style and elegance, is the 2018 Essa Wine Co. Collaborative, a mix of fruit from ESSA Wine Co. and Alex Rubin’s winery, that is unnamed as of this point. It is a beautiful wine that shows just how wonderful New-World wines can be the incredible potential of what can be made in South Africa!
Finally, there is the beast of the group, the 2018 Malbec. This wine is a true beast, ripe but with wonderful acidity to make it all come together. Yes, it is a new-world wine, however, I still enjoyed it much like I enjoy Cali New-world wines. It is ripe, but the blue and black fruit meld together wonderfully, with juicy fruit, acidity, smoke, and loads of animal. A truly enjoyable new-world wine.
Now, before you ask, when will these wines be available here in the USA, I have no idea. This is the issue with posting about wines that are not generally available. Still, to me this is the chicken and egg problem, folks need to know they exist and hopefully, a desire for them to be here will create enough of a market for them to be brought here. So, I am trying to help make that a reality. Still, as stated above, Josh is a good friend, so my notes should always be understood with that in mind.
I hope they make their way to our hemisphere. Until then, get some of the California Kid which I have enjoyed recently and is showing beautifully now.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Kos Yeshuos California Kid – Score: 91 to 92
Ok, so this is the fifth time I have had this wine and it really ready to go. Also, the sweeter side of the wine has moved to a drier side, the orange and nectarines are gone, with more passion fruit, and citrus galore lingering.
This wine is a blend of Viognier and Sauvignon Blanc. The nose on this wine starts to show like a 100% Sauvignon Blanc, showing crazy gooseberry, fresh-cut grass, cat pee, with herbal notes, and nice peach in the background, lemongrass, and really fun and bright citrus notes, with loads of green notes, with peaches and creme in the background! The mouth on this medium plus bodied wine is rich and acidic, with a lovely acid core, followed by more peach, grapefruit, and more lovely gooseberry, with salinity that is off the charts, now the orange and nectarines are gone, and now what we have is more lemongrass, more saline, and hints of melon. The finish is long, green, tiny hint of orange, and tart. Bravo!!! Drink by 2021 Read the rest of this entry
My recent visit with Yaacov Oryah and the white and orange wine factory
Anyone who has enjoyed an old white wine from Yaacov Oryah’s mind and hands can understand my choice of title. As long as you were not born in this century, of course (OMG, do not bring up the abomination that was the remake).
Yaacov Oryah has had many wineries that he has worked for, made wines for others, and/or consulted with. The official list that I know of is Asif Winery, Midbar Winery, Yaakov Oryah, Ella Valley, and now Psagot, where he is the head winemaker.
For the longest time, as long as I have known the man when we first met at Midar Winery in 2013, I have been struck by his passion, drive, and single-mindedness in creating great white wines in Israel.
Yes, Mr. Oryah can make fine red wines, like the 2011 Yaacov Oryah Iberian Dream, Gran Reserva, and Reserva, the Claro wines he makes for a restaurant called Claro, and others. Still, what I really crave and admire are the white and orange wines.
I have already spoken at length about Mr. Oryah here so I will concentrate on the 2019 releases. Also, if you think that the names of Yaacov Oryah wines are a bit whimsical, then good for you! You are starting to get a glimpse into the operation that is Yaacov Oryah Winery, a blend of whimsical genius, alchemy, great winemaking, and downright unique color all wrapped into a unique lineup of wines that define Mr. Oryah himself.
Orange wine factory
Mr. Oryah keeps saying that the white wines on the market today are a stripped down version of what a white wine should be. Sure, Europe has superstar white wines that can last decades, but that requires unique soil, fruit, terroir, and of course, history. In Israel, where the only thing that really sells well is date juice, that kind of wine is a dream. Still, Mr. Oryah thinks that he can create wines that are still quite unique indeed.
I have had the 2009 Midbar Semillon, and though the tasting in 2016 did not show well, that wine continues to blow me away in tasting after tasting. A Semillon that is 10 years old, and may now finally be reaching its limits. It is not a white wine covered in oak makeup, it is a wine that is pure and truly professional. It is what Mr. Oryah thinks can be done in Israel with white varietals. Yet, each and every year he makes more and more crazy wines. Each one is a data point for a growing list of wines that he sees as potential suitors for the wines he dreams of building.
Until he creates the perfect wine, the wines and data points he is building along the way, are getting better and better. The map and path he is building are not pointing towards another mass produced winery. The data points point towards a more precise and surgically built winery. Where plots or even rows of vines may well define the data point for his dream wine.
Factory of the future
When I heard that Mr. Oryah was creating 10 Orange wines (only 9 are publically available, the other is for a restaurant), four white wines (the varietal Semillon is for a later date), and one rose wine, I thought – I need to taste these!
So, Avi Davidowitz of Kosher Wine Unfiltered, and I made our way to the only real place to taste wine in Jerusalem, the Red and White Wine Bar. Yes, I have spoken about Mark and the bar before. It is still kitty-corner from the beautiful Mamilla hotel (8 Shlomo HaMelech Street at the corner of Yanai Street). Mark is still the ever present and mindful host, and while we tasted through 20+ wines, Mark was there with us through every wine, with food, heady music, with an uncanny ability to feel the room and timing throughout it all. I really feel horrible that I never had the time to go back to the bar and hang with Mark for an evening and watch him ply his trade, teaching the world about the world of Kosher Wine while serving great food and playing really fun music. Hopefully, next time!
I have spoken about orange wines in the past. Orange wine is simply the process of leaving white grapes to ferment on their skins, like red wine. To Mr. Oryah it is the truest expression of a white varietal and one that Israel can use now to create great white wines, while it searches for more data points on the path for Israel’s white varietals of the future. He calls the wine line Alpha Omega (AO) because it is greek for A to Z, to represent that this wine has it all, skin, pulp, and seed, not juice white juice, like most white wines are made.
The skins add more than just a bit of color, they add a huge amount of natural phenolics, along with tannin (yes tannin in white wine), and then it adds a few extracurricular notes, that some could find challenging. Notes that are defined as nuts and other aspects of reduction or oxidation. The point though is that the Alpha Omega line is a showcase of control and experimentation. Many of the wines show the proper and incredible next step beyond white wines we all know. The rich and layered complexity that skins add without some of the extracurricular notes. Some of the wines show those notes and many will find them wonderful, like myself, but in all, it is a show of control, experimentation, and more dots on the plot to a richer future. Read the rest of this entry
Les Vins de Vienne and Pliny the Elder – kosher style
When Nathan Grandjean from Yavine.fr told me that he was making wines from a winery called Les Vins de Vienne I went blank. Come on we all have dreams of Lafite Rothschild or Cheval Blanc being made kosher, but who is Les Vins de Vienne was all I could think of. I wanted to ask him if he meant he was making Austrian wine, but that would have been Vienna, not Vienne, one vowel makes a big difference. In this case, Les Vins de Vienne is a winery in the Rhone region, and they are quite famous for what they have achieved indeed!
Les Vins de Vienne
Pliny the Elder, no not the beer, the Roman author, saw the future and present 2000 years ago in the Rhone Valley. He said that there was a very successful vineyard, during his time, that was near the town of Seyssuel, on the east side of the river, and north of the city called Vienne. he said that the Romans greatly enjoyed the wines, they tasted of tar, and apparently, there were three types of Seyssuel wines called Sotanum, Taburnum, and Heluicum. Well, that answers the Vienne question, but where do the name and story come from?
Well 2000 years after Pliny wrote his statement, winemaker Pierre Gaillard found this successful vineyard, deserted. Sadly, the vineyard was destroyed by Phylloxera some 100 years before Pierre showed up. But remembering what Pliny had said he took samples and found that the makeup of the vineyard was perfect for wine and would indeed be a great location.
The problem though was the AOC (Appellation d’origine contrôlée)! You see, the west side of the river, opposite Seyssuel, in the Rhone, had an appellation, Cote Rotie, but sadly that only covers the western side of the river, not the eastern side, where Pierre was looking to revive Pliny the Great’s vision of old.
So, Pierre called two men he knew and asked if they would join in on making Pliny the Great’s vision a reality? The men he knew of were, Yves Cuilleron and Francois Villard. They were the first to bring the Seyssuel winegrowing area back to life.
They started in 1996 with 10 acres where they planted Syrah along with some Viognier. In 1998 the first wine from Seyssuel came to life and it was called Sotanum in homage to Pliny and the Romans of the past. Then came Taburnum in 2000, a Viognier. Finally, in 2004 the dream of rebuilding Pliny’s vision came into full reality with the release of Heluicum, a second red wine from Seyssuel.
Since then, some 100 acres have been planted in an area that has no official region recognition, yet it humorously it may have some of the greatest recognition of all the wines in the Rhone Valley, with thousands of years of proof that it deserves more love from the AOC! Since 1996, and the 100 acres, Seyssuel has been proving its worth, but as I stated above the AOC is where the money is. Here is a GREAT research post from the folks at GuildSomm on the work and issues with an AOC being bestowed on Seyssuel. Like which AOC would you choose? How long does it take, and who actually bestows the coveted AOC upon regions? A great read!
Growth and Kosher
Well, 21 years after the first vintage was released, the name of the cooperative – Les Vins de Vienne should really be changed to Les Vins de Rhone, because even though they make wines from near Seyssuel, the vast majority of their wines now come from all over the Rhone. They now make more than 460,000 bottles of wine per year, and source their grapes from as north of the Northern Rhone as you can get, which is Seyssuel, to the bottom of the Southern Rhone, namely Cotes-Du-Rhone.
The 2017 vintage was the first one that was made kosher and while I think these are exceedingly young wines, they are very Cali in nature. They seem very ripe and control is really not a requirement from Les Vins de Vienne. Just looking at the wines, you can see they let the fruit speak for themselves. The Crozes-Hermitage was probably the only red wine where the winemakers took action and made the wine with whole clusters, to allow the stems to add tannin, structure, and most importantly green and balancing notes to the very ripe and Cali-like fruit structure of these wines. Read the rest of this entry
Kos Yeshuos Winery’s new U.S. releases for 2019
In a few days, Josh Rynderman, “The California Kid“, and family will once again fly to the Southern Hemisphere as he continues his successful push towards being just the second dual-hemisphere kosher winemaker.
Last night Josh brought me his newly bottled 2018 Viognier and California Kid, which is a blend of Sauvignon Blanc and Viognier. The next time we see Josh, hopefully, he will be coming with a couple of bottles of his red wines that he is making in South Africa.
The concept of making wine in two separate hemispheres may sound cool but think about for more than 10 seconds. Wine is not created in a week! Actually, even if a winemaker were to trust the vineyard manager about the status of the grapes, without checking it him/herself, the entire process of the pick, crush, press (listed here as Josh only makes whites in the USA), fermentation, and transfer to tank, can take up to two months, given the state of affairs at Four Gates Winery. That along with helping Benyamin Cantz during Four Gates Winery’s harvest, and coming back in November through January to bottle the white wines, and you have a very hectic wine life and family life.
Making wines on both hemispheres requires incredible determination, timing, precision, along with the ability to handle flying on a plane for 25 hours to get from South Africa to California. The only other kosher Dual Hemisphere winery would be Goose Bay (Spencer Hill Winery as its called in New Zealand) and Pacifica. Even they have it much better, their trip is 14 hours, plus a quick change in SFO to Portland airport. Josh has a 25-hour pair of flights, I know I did it once, for his wedding and yeah, I am happy to not do it again anytime soon!
It is quite incredible how it all works out. The harvest in South Africa runs from January for whites, through April for reds. By the time the work is done for the wines harvested in South Africa, it may be a month off, and then back to California for harvest here! August to November. Back to ZA to bottle the previous year’s wines. Then back to California to bottle this year’s wines and so on. Lots of travel, little rest, especially doing TWO harvests, and all this for the love of wine! Sadly, given the fact that white wines are picked in January in South Africa, timewise it makes it almost impossible to produce white wines in both locations. Red grapes are picked later, so timewise, and organizationally, things work out better.
Well, as you know Josh is a friend, and as always I make sure to disclaim things like that before posting my notes, like with Benyamin Cantz of Four Gates Winery. So, with that my many thanks to Josh for coming by with the new wines to taste and safe travels and best of luck on the 2019 Harvest in South Africa! Remember to bring me those South African reds when you are back in July!
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Kos Yeshuos The California Kid – Score: 91
This wine is a blend of Viognier and Sauvignon Blanc. The nose on this wine is 100% Sauvignon Blanc, showing crazy gooseberry, fresh cut grass, cat pee, with herbal notes, and nice peach in the background, lemongrass, and really fun and bright citrus notes, with peaches and creme in the background! The mouth on this medium plus bodied wine is rich and acidic, with a lovely acid core, followed by rich peach, grapefruit, and more lovely gooseberry, with salinity that is off the charts, followed by lovely orange and tangerine notes, with nectarines in the background. The finish is long, green, orange, and tart. Bravo!!! Drink by 2020.
2018 Kos Yeshuos Viognier, Sentinel Oak Vineyard, Shenandoah Valley – Score: 91 to 92
I really like the wine, the score shows you that, but I wanted to be clear, this is not one of those peach perfume kind of Viognier wines. These grapes were picked earlier, as such the perfume is not there, but the incredible flint is awesome, and there is loads of peach, just not that kind of ripe/floral peach nose that people immediately associate and expect with Viognier! If you had asked me blind, I would have said Pouilly Fume, for sure, especially with all the flint and the gooseberry at the end of the finish – SO GOOD!
The nose on this wine is awesome, so fun, so unique, a peach and flint firebomb, there is no oak on this wine, showing rich smoke and incredible gunflint, with bowls of bright peach, and apricot. The mouth on this medium-bodied wine is so fun, rich, layered, and really more than just a sipping wine, it shows good weight and mouthfeel, with a solid core of acid, tart fruit, with a really nice herbal structure followed by green apple, quince, and more bright and tart fruit, so nice! The finish is green, with loads of more flint, slate, along with passion fruit, gooseberry, citrus, and creamy notes. So nice! Bravo!! Drink by 2021.
Top kosher 2017 white wines from around the world
Ok, let’s start with the obvious, I have been so busy this year that I have had zero time to work on these posts. So, ahead of the High Holiday Crescendo, I wanted to post a quick note about the 2017 vintage and my hopes for a great new year, filled with joy, success, health, and lots of great wine to all.
2017 Vintage
So far the 2017 vintage has been much akin to the 2016 vintage – last year. The 2017 roses have been a letdown overall, much akin to the 2016 vintage of roses that were a letdown after the epic 2015 vintage. Sure, we have a few rose winners, like the lovely 2017 Les Lauriers de Rothschild Rose, and the nice 2017 Covenant Blue C Rose, and 2017 Netofa Latour Rosado.
Still, the whites have been a real letdown, much akin to what happened in the 2016 vintages. We have not had a GREAT vintage out of Israel since the INSANELY good 2014 vintage.
So, Israel has been a letdown white wine-wise and rose overall these past few years. But there are some winners as usual. I have yet to taste the 2017 Tzora wines. The Netofa whites are lovely, along with the fun and very enjoyable 2017 Covenant Israel Viognier. There is also some nice Dalton Sauvignon Blanc wines.
The true savior is once again, the old-world region. France has a few great whites! Yes, I said whites! Throw in California, and we have enough whites, just not a bounty.
I hope you enjoy these great white wines in your Succah and with your family. Wishing you all a healthy year signed and delivered!
The wine notes follow below – the explanation of my “scores” can be found here:
2017 Chateau Lacaussade Saint-Martin, Vieilles Vignes – Score: 90
The wine is a blend of Semillon and Sauvignon Blanc. This wine is very slow to open, it may need a quick decanting, for an hour or so. The nose is slightly tropical in nature with lovely with melon, guava, and hints of passion fruit to start, over time it recedes to show lemongrass, straw, mineral, grapefruit, citrus, and honeysuckle notes. Just like the nose the mouth also starts off with crazy tropical notes that also recede with time, to show a very different wine. After some time, the mouth on this wine is not complex, but very nice, with rich acidity, showing a good balance of fruit, green apple, heather, tart pear, and mineral. The finish is long, super long, with southern tea, and rich acidity, and lovely pith. Drink by 2021.
2017 Chateau Guiraud ‘G’, Sec – Score: 92
Finally, a French white I can really appreciate! This is really fun, the wine is a blend of Semillon and Sauvignon Blanc, showing notes of pure funk, wax, green notes, with cucumber, mineral, old-world notes, showing honeysuckle, and floral notes, with green apple, quince, lovely straw, and rich minerality. The mouth on this medium bodied wine is fun, with more funk, nice complexity, with rich salinity, followed by rich dry and tart Asian pear, with nice gooseberry, and graphite. The finish is long and green, with lemongrass, stone, rock, with more wax and flint. Bravo! Drink by 2021.
2017 Jean-Pierre Bailly Pouilly-Fume, Sauvignon Blanc – Score: 92
WOW! This wine has quite the nose, screaming with fresh orange blossom, ripe yellow grapefruit, with hints of nectarines, cat pee, and lovely citrus. The mouth on this unoaked Sauvignon Blanc is dry, bone dry, not quite a Sancerre, but impressive, with lovely weight, and great fruit focus with a crazy core of acid that keeps going long after the wine is gone, followed by rich mineral, slate, saline galore, and a lovely core of lie and lemon that mingle well and play with each other. The finish is long, crazy long, with more mineral, floral notes, lovely bitter notes of citrus pith, and just fun, tart citrus that lingers forever. BRAVO!!! Drink till 2021 Read the rest of this entry
Seven Kosher Viognier Wines
Viognier (pronounced Vee-Ohn-Yay) is a very special grape and one that must be handled with great care. The Viognier grape/wine is a special treat. It is a wine that has distinct characteristics: perfume, floral notes, and acidity, but it is also a very picky grape. It is very easy to lose to mold and because of this wineries will plant roses next to the grape vines to act as a canary for detecting mildew early on. The grape needs to be picked late otherwise; it does not generate the classic perfume that we are used to seeing in Muscat and Riesling wines. The winemaker has many choices with how he/she wants to manage the grapes. The winemaker can allow the wine to go through malolactic fermentation (to give it a bit more weight) or let the wine lie in the must (to give it more perfume) or to let it have a bit of wood to give it roundness. With all the choices and difficulties that Viognier wines have, they rarely meet expectations and are, therefore, not one of the current popular white wines. Finally, Viognier is not meant for long storage – hence the VERY early release dates on these wines, also the wine should have the acidity, fruit, and perfume to make it a real winner. By default, the Viognier grape is lower in acidity than other white varietals, which makes for a wine that is not meant for cellaring, at least not yet in the kosher market.
The most famous of Viognier wines come from Condrieu AOC and though they are highly desired, even there they are not always winners. The climate in Condrieu is colder than much of the Rhone, and its soil is made up of a porous, drainable granite, chalk, mica, and deposits of gneiss. The area is known as the original mother of Viognier and in the AOC, the only legal grape is Viognier.
While I really liked the 2016 Psagot Viognier last year, now it is losing its steam and it acid is falling off, making for a fetter more round wine. Dalton, in the past, threw so much oak at the wine that it was built to last longer. Psagot and Kos Yehuos both do not throw that much oak at the wines and they release them early on. Psagot has a fascinating way to get acidity and perfume. Yaacov Oryah, picks around 80% of the Viognier early, for acid, minerality and low alcohol, and 20% later in the season, for perfume.
I really enjoyed the 2017 Covenant Israel Viognier, it was varietally true, and really lovely. The sad fact was that I could not find it in Israel, the week before Passover, and I tried almost every wine store in and around Tel Aviv and Jerusalem! I had to come to the USA to taste it, and it is a lovely wine indeed!
Still, of all of them, the Kos Yeshuos Viognier is showing a more old world and mineral style than the perfume madness of the Israeli options. It is sad that there are so few options in the world of Viognier. Galil has some, and they are OK but pretty average. Same with the 2016 Yatir Viognier, it was muted to me. The 2016 Dalton Viognier was nice, but it is an oak monster, and that is an acquired taste.
Now I stated that there were 7 Viognier wines here in the title, and while there are 5 varietal Viognier wines, the other two are blends. The first of the blends is the 2017 Shirah Vintage Whites which is a blend of 55% Viognier and 45% Chardonnay, from the Murmur Vineyard in Santa Maria Valley. The last of the blends is the 2017 Teperberg Fermitage White, Inspire.
The wine notes follow below – the explanation of my “scores” can be found here:
2017 Covenant Israel Viognier, Blue C – Score: 90
Classic viognier notes with crazy rich floral notes, with rich saline, lovely peach, and some oak. The mouth on this medium bodied wine is really fun and showing a lovely oily texture, with rich weight and more fun saline, followed by apricot rolled in the grass, with floral notes. The finish is sweet and ripe and fresh with tart notes of stone fruit, with lemongrass and flint. Bravo!
2017 Psagot Viognier: 89 to 90
This year’s vintage is leaner than last year’s vintage, but also more light in style and focus. The wine starts off very ripe and needs time to come around, give this wine time. The nose starts off with ripe fruit notes of pineapple juice, honeycomb, really ripe, with cloves, allspice, peach marmalade, and apricot, and stone fruit. With time the nose turns to nice mineral notes, backed by peach marmalade, wonderful peach jam, and lovely hay, quince jam. The mouth is more round and fat than I would have hoped, with orange and nectarines, still, it is well structured. With slate, saline, and pith galore. Nice.
2017 Kos Yeshuos Viognier – 92 (QPR)
Do not cool this wine too much, it likes 30 min in the fridge and no more.
This wine has evolved over the past 6 months. Gone is the fruity nose and now the nose is pure flint, yeast, smoke, and really fun straw and mineral, with peach and honey in the background. The mouth on this medium bodied wine is ripe for sure, but really well balanced and showing lemongrass, with a rich oily coat that covers the mouth, well focused with rich acidity, nice mineral, great fruit pith, apricots, peach, and lemon, with rock, and grass. The finish is long and acidic, with enough complexity to grab your attention and keep it throughout the finish with lovely white rose tea, sweet spices, notes of fresh lavender, crazy saline lingers super long, with cinnamon, and cloves. Bravo!
2016 Psagot Viognier – Score – 88
So last year this wine was very ripe, now the nose is showing nice funk, with hay, straw, and honeyed notes. last year this wine was an acid bomb, now the wine has lost that rich acidity and now it is well balanced, with good fruit pith, and green notes, and not much else. Sadly, this wine is losing its grip and should be drunken ASAP. DRINK UP!
2017 Teperberg Destitage White, Inspire – Score: 89
This wine is a blend of Viognier, Sauvignon Blanc, and French Colombard. The nose on this wine is very floral and classically inclined to Viognier with its intense peach bomb notes, with white cherry notes, and sweet Oak. The mouth on this medium bodied wine is oily and tactile, with a rich weight from the Viognier and Colombard fruit, with sweet Guava and nectarines, followed by with orange notes, The finish is sweet and tart and fun overall, with good acid and floral notes. Nice!
2017 Shirah Vintage Whites – Score: 91 (QPR)
Another winner from Shirah with a blend of 55% Viognier and 45% Chardonnay. The nose on this wine starts off really fun and funky, showing straw and rich mineral, with sweet peach, rich ripe guava, and apricot. The mouth on this wine is really fun, rich, layered, well balanced, oily and textured, and so professionally made, with lovely smoke, oak, with rich apple, dried quince and with fresh focus and lovely weight and viscosity. The finish is crazy and dry, with sweet notes of fig, sweet lemon tea, with intense mineral and lovely pith with a citrus background. Bravo!!
2016 Dalton Viognier, Reserve – Score: 89
The nose is classic Viognier, with peach, too much oak, showing good apricot, sweet rose hips, and a perfume of honeysuckle, and orange blossom. The mouth is medium bodied, with a nice almost oily mouthfeel, showing nice weight, with good notes of summer fruit, with just enough acid, wish there was more, with lovely pear and nectarines. The finish is long and balanced with less acid than before, still too much oak, lovely mineral, slate, and more floral notes. Drink up!
