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Paris tasting of Royal’s 2019 and other French wines – November 2021
So, in June I made my way to Paris and I posted the Royal wines I tasted, they were mostly white, rose, and a few red wines as well. For the past many years I have been tasting the new releases from Royal wines with Menahem Israelievitch. Sadly, last year, because of COVID I tasted the 2018 vintage in my house. Thankfully, Paris was open in November, and I returned to taste more wines.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage was not ripe at all, with the 2018 vintage making the 2015 ripeness look tame! Well, I am happy to say that the 2019 vintage is far more in control, less heat is obvious, though it showed up in a few wines below. Now that is a very broad-stroke statement that cannot be used uniformly, for the most part, go with it! Thankfully, the 2019 vintage will be priced slightly lower than 2018, overall, more on that below.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and just ages the wine rather than ruining it.
The Mevushal wines from France for the 2018/2019/2020 vintages will be the
- 2020 Les Marrionniers Chablis, Chablis
- 2020 Chateau Les Riganes, Bordeaux
- 2020 Chateau Genlaire, Bordeaux Superieur
- 2018 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
- 2019 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
- 2018 Barons Edmond & Benjamin de Rothschild, Haut-Medoc
- 2019 Chateau Greysac, Medoc
- 2019 Chevalier de Lascombes, Margaux – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2019 Chateau Le Crock, Saint-Estephe, Bordeaux
- 2018/2019 Chateau de Parsac
- 2019 Chateau Gazin Rocquencourt, Blanc, Grand Vin – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2019 Chateau Gazin Rocquencourt, Red, Grand Vin – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2018/2020 Chateau Les Riganes, Blanc
- 2017/2019 Chateau Mayne Guyon
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! Same with the Chateau Le Crock, over the past few years. So, would I buy the mevushal versions of the wines I tasted below! The answer is yes! Would I age them? Yes, I would hold them for slightly fewer years. To me personally, it is very clear, if Royal had their way they would make the Pontet Canet Mevushal! Nothing to Royal is sacred and this will not stop with the list above, it will grow, proof is Chevalier and Gazin!
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.
The 2019 Pricing and access
When the 2019 wines were released “En primeur” the date was late May 2020. The world, at that time, knew nothing about COVID other than it was killing thousands and questions were all we had. Still, wineries in Bordeaux decided to plow on and the first of the virtual tastings took place on May 28th, 2020 – from Chateau Pontet Canet! This was the non-kosher tasting but at that moment when wines were shipped the world over, wineries decided to lower prices! Remember, we had been raising prices year over year, 2014 to 2015, to 2016, to 2018, it was time to reset. The pandemic allowed for that. Thankfully, and sadly, the world has slowly come back from the brink of death, and now, the 2020 vintage, which has the “En primeur“, in Bordeaux, June 2021, raised prices – so yeah, the 2020 Chateau Pontet Canet is more expensive than the 2019 vintage.
On top of that, the 2019 Chateau Pontet Canet is going to be impossible to buy. I have asked why certain wines in the past were not made more often or the such? Like why do we have Leoville every 2 or more years? Why can it not be more like Giscours? The answer I have received, from many at Royal is that folks still fear what happened during the last recession of 2007/2008. They had made too much of Leoville and Pontet Canet, in a short period, and well, sadly it sat. I get it, who wants to stare at walls of wine they cannot sell?
My issue with that is – well that was more than 15 years ago guys! Maybe a better way to say it is to channel Dorthy – Toto, I have a feeling we’re not in Kansas anymore.
Do we believe that another 100 cases would not sell?? The Malartic white is almost sold out! Malartic white! A wine no one thought they could sell 10 years ago. The world of the kosher wine consumer has moved in leaps and bounds – to continue to think like it is still 2008 is to belittle us and deny many what they want – more Pontet Canet! I will get off my soapbox, but it is truly time to stop with the kneejerk mindset. Like no 2019 Chateau Leoville Poyferre, why? Look at the famous 2014 Chateau Montviel story! It sold out in a week. Why? Because there was so little made. Again, the kosher consumer has moved past the days of old – I think it is time for Royal to do the same.
I understand that when Pontet Canet started up, again, with a new run of kosher wine, they created a separate sub-winery for the production. Further, they replicated the process, the varietal blend, and overall physical impact. The physical impact does define the total potential output, but it is time to start to grow the market. The market can and should support large output, especially in the trophy wine space, you can always control the output by skipping a vintage, in the end, Giscours and Leoville have proven it is doable, and I hope that Royal will continue to feel comfortable and grow Pontet and Leoville as we progress down the road.
Still, as always, we are indebted to the work of Menahem Israelievitch and Royal Wines for producing so many wonderful wines, even if they are in low supply. The 2019 Chateau Pontet Canet is a very different wine than the 2003 or the 2004 Chateau Pontet Canet. First of all, the system used to make those wines, back then, have changed drastically in the past 10 years, at the Chateau. Everything is now over the top, in regards to everything there. All production is done by hand and that adds to the cost. To me, the wine is also very different, stylistically, gone is the powerhouse, what we have now is a refined masterpiece. It may shock some people, and that is good, but to me, it is a classically styled and built wine for the future, and the best wines I have tasted this year, so far anyway.
Tasting in Paris
I landed in Paris, the day before this tasting and I met up with Avi Davidowitz from the Kosher Wine Unfiltered blog. It was a true joy to hang out with Mr. Davidowitz for a few days. It was so nice of him to fly from Israel to join me in the tastings. We also tasted over 70 wines – outside of the planned tastings. We thankfully had a great hotel room and it gave us loads of space to hang out and taste through those wines.
We had the chance to taste both the Mevushal and the non-Mevushal versions of two wines, side-by-side. Those were the 2019 Chevalier de Lascombes and the 2019 Chateau Le Crock. I missed the Chevalier de Lascombes but I got the Chateau La Crock. In my defense, both of the Chevalier de Lascombes are ripe, and differentiating the ripe from the riper was not obvious, but hey, I missed it!
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2019 Domaine Ternynck Bourgogne, Les Truffieres, Burgundy (M) – Score: 87 (QPR: BAD)
The nose on this wine is ripe apple, pear, melon, a bit of citrus, and spice. The mouth on this wine is nice but lacks the acidity to make it come together well, with melon, pear, mineral, and spice. The finish is a bit short with hints of nectarine, orange, mango, and sweet mint. Drink now. (tasted November 2021) (in Paris, France) (ABV = 13%)
A lineup of the available 2018 kosher Pinot Noirs from around the world
In the past few months, there have been many releases of Pinot Noir from the 2018 vintage. For the most part, there are no real winners here, QPR and otherwise, except for two – the Herzog Pinot Noir, Reserve, and the Herzog Eagle’s Landing Pinot Noir (though the Eagle’s Landing is the only QPR WINNER).
The tasting included all the wines I could find though I left out two, the 2018 Barkan Pinot Noir and the 2018 Tura Pinot Noir. Both of them are Mevushal, and they do a HORRIBLE job on Mevushal, so I did not want to waste my money. My love for all things Pinot is well known, and I had such high hopes. I also seemed to have missed tasting the 2018 Vitkin Pinot Noir, as well.
It is funny how the media can change people’s perspectives, and in some cases twist them in a way that we would not expect. Say Pinot Noir and most wine drinkers will think of the enigmatic anti-hero Miles Raymond, and his explanation on his love for Pinot Noir; “…It’s, uh, it’s thin-skinned, temperamental, ripens early. It’s, you know, it’s not a survivor like Cabernet, which can just grow anywhere and thrive even when it’s neglected. No, Pinot needs constant care and attention. You know?…“. Pinot is a complicated grape – but not to its detriment. Listen to Miles throughout Sideways and you may come to think that Pinot is fleeting, flinty, thin, and complicated. In the end, as you watch that horrible movie, you quickly realize that Miles was simply projecting in a fire fueled rambling and using Pinot Noir as his conduit.
To the French, Pinot Noir is called Burgundy – following the tradition of French wineries to name their wines after the region where the grapes are grown. Americans have had success with Pinot – in California, Oregon, and Washington State. New Zealand, has taken the lead in bringing the grape into the 21st century. The French Burgundy has its terroir (earthy dirt flavors, sometimes barnyard flavors as well). The New Zealand and American Pinots show characteristics that are more akin to Syrah than Burgundy – fruit-forward, meaty wines with soft caressing tannins. The rest of the world is choosing sides. Though true terroir flavors are hard to replicate outside of Burgundy, many countries have been successful at bringing out the true fruit characteristics that the land is willing to share and are creating wonderful Pinot Noirs. Israel was starting to come into its own with Pinot Noir, now all I would buy from Israel, in regards to Pinot would be from Gvaot. Yes, Vitkin does a nice enough job, but Gvaot does a better one. Right now, the best bet is France and the USA, with a drop from Israel, and after that, we are on empty. Sadly, 2018 was not a great year for Four Gates and what I had was not great, it was never officially bottled, but we have 2019 coming soon!
Sadly, Pinot Noir to me is one of those wines that is so badly mangled in the kosher wine world, that it is no shock that most kosher oenophiles, turn face when u say Pinot Noir. Not on account of the Pinot Noir grapes themselves, but rather on account of the pathetic state of kosher Pinot Noir wine on the market.
Say, Pinot Noir to me, and sadly I can only think of:
- Four Gates Winery
- Gvaot Winery
- Eagle’s Landing Pinot Noir (2016 and 2018 are great)
- 2014, 2015, 2017 Chantal Lescure Burgundy from Pommard (I hope there is a 2018 vintage, I disliked 2016)
- 2017 Jean-Philippe Marchand Burgundies (2019 vintage was just released)
- 2018 Jean Luc & Paul Aegerter Burgundies
- 2010 Domaine Gachot-Monot Beaune 1er Cru Les Cent Vignes (this is the last of good “cheap” Burgs)
- 2016 Maison Roy & Fils Shai Pinot Noir, Willamette Valley (Sadly it was a ONE and done deal)
- Hagafen and Vitkin have left me wanting more, and forget the rest of Israel’s Pinot Noirs. The same goes for Pacifica, which has also been lacking, other than one vintage.
Pinot Noir is one of my favorite wines, NO NOT because of sideways! I loved the wine long before that horrific cult movie hit the theaters. I love PN for what it stands for – complexity through things other than fruit! A well made Pinot Noir, in my humble opinion, needs to be of medium body, medium fruit structure, accompanied by mounds of dirt, mushroom, barnyard, and earthy goodness. The ultimate aspect of a great PN is the secondary flavors, not the fruit, not cherry cola, and for the LOVE OF GOD not OAK! It is all about the secondary and old age notes that come with time and love.
Sadly, look at that list. Four Gates is tough to get in quantity. The Gvaot Pinot is available, but they are more Cab and rich than a pure ethereal wine, though very impressive. The Eagle’s Landing 2013 vintage is still available at the winery, and the 2016/2018 vintages rocked! The real winners are the French options, but they are NOT cheap.
So, where are we? Some like the Galil Pinot and other such structured wines, but to me, they are just bad Cabernet in a Pinot’s clothing. This is a shortlist. Heck, there are HUNDREDS of Cabernet, Merlot, Syrah, even many Cabernet Franc options. But say Pinot and numbers dwindle in the blink of an eye. Further, many of the options here are vintage based. For the true Pinot lover, Four Gates and France are your sure bets. Sadly, only the last one is pumping out wines consistently.
PSA: What is wrong with you all?? The Eagle’s Landing Pinot Noir has consistently been a high-rated wine and one that lasts for a very long time, improving along the way with great panache. Yet, you can still buy the 2013 and 2016 vintages of this wonderful wine!! I bought a bunch of 2013 from Herzog. I get NOTHING to tell you this other than pleasure. BUY the wine and enjoy one bottle now and save the others for a rainy day in 2026. Buy this now!!
Sadly, there were no surprises here, the 2018 Gvaot was nice, the Eagle’s Landing was great, and the Herzog Reserve Pinot (a return after many years of non-production) was also very nice. That is about it. The 2018 Jean Luc & Paul Aegerter Burgundies were tasted previously (the notes added here for completeness).
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Herzog Eagle’s Landing Pinot Noir, Santa Rita Hills – Score: 93 (QPR: WINNER)
Let me start by saying buy this wine, buy lots of this wine, I mean a LOT! OK, now this wine is a bigger and richer version of the 2013 Eagle’s Landing Pinot Noir, in other words, this wine is a beast, a winner, and yes – get this wine! My only comment is that this wine is not a classically styled Pinot Noir. This wine is full-bodied and not so much about cherry and raspberry and more about blackberry and spice, I would not have initially guessed this was a Pinot Noir, still this a wonderful wine. My only real complaint is the strangely small cork used as its closure, when the Cabernet Franc has a much longer cork, just not sure why. Anyway, I do not care about corks, as long as they last long enough to meet the drinking window.
The nose on this wine is pure heaven, coffee and chocolate, and fruit madness, with dirt, mushroom, loam, and spice, all wrapped in dark and brooding fruit, showing control, spice, earth, and sheer umami notes, wow!! The mouth on this full-bodied wine is wow! the mouth starts very softly, almost like a leopard crouching before it pounces upon its prey, this wine is beautifully structured to last, and so well made it is almost difficult to get all the thoughts out of my head, layers of fruit, acid, tannin, salinity (that is incredible), black olives, with epic fruit structure and concentration, with clear and bold and jammy blackberry, raspberry, dark cherry, with intense saline, forest floor, searing acidity, and layers of dark jammy brooding but well-controlled fruit. With time the cherry and raspberry fall behind the intense black and intense brooding fruit. The finish is equally impressive with layers of chocolate, coffee, leather, spices, nutmeg, cloves, rich earth, lovely smoking tobacco leaves, sweet and jammy fruit, all wrapped in mineral, spice, and earth. Bravo!!! Drink from 2024 until 2033 or longer.
Tasting of Royal Wine’s 2018 and some 2019 French wines in California
Well, it is official, 2020 continues to take, and though my annoyances are minor in comparison to the pain others are feeling, it still has impacted my routine, which I guess is the story of 2020. For the past three years, I have been tasting Royal’s latest wines with the man in France for Royal, Menahem Israelievitch. Sadly, this year, no matter how much I planned and tried, it is a no go. So, for the first time, in a long time, the tasting will be here in Cali and it will only be a small part of the 2018 and 2019 wines, such is life.
So, no there will not be a picture with all the wines, and some of the wines from last year are still not here right now! But, I will post here what I did taste so far, and my overall feeling of the 2018 and 2019 vintages.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, and the 2017 vintage was not ripe at all, the 2018 vintage makes the 2015 ripeness look tame! Now that is a very broad-stroke statement that cannot be used uniformly, but for the most part, go with it!
I see no reason to repeat what Decanter did – so please read this and I will repeat a few highlights below.
For a start, the drought came later in 2018,’ says Marchal, pointing out that early July saw less rain in 2016. ‘But when it came in 2018, it was more abrupt, with the green growth stopping across the whole region at pretty much the same time’. He sees it closer to 2009, but with more density to the fruit. … and high alcohols!
Alcohols will be highest on cooler soils that needed a long time to ripen, so the Côtes, the Satellites, and the cooler parts of St-Emilion have alcohols at 14.5-15%abv and more. I heard of one Cabernet Franc coming in at 16.5%abv, but that is an exception. In earlier-ripening areas, such as Pessac-Léognan and Pomerol, alcohols are likely to be more balanced at 13.5% or 14%abv, as they will have reached full phenolic ripeness earlier.
‘Pessac-Léognan did the best perhaps because it’s an early ripening site,’ said Marie-Laurence Porte of Enosens, ‘so they were able to get grapes in before over-concentration. If you had to wait for phenolic ripeness, that is where things could get difficult’.
The final averages per grape, according to Fabien Faget of Enosens, are Sauvignon Blanc 13.5%abv, Sémillon 12.5%abv, Merlot 14.5%abv, and Cabernet Sauvignon 14%abv’.
The Mevushal push, from Royal wines, is continuing for the USA labels, a fact I wonder about more and more. Look, if you are going to force Mevushal wine down our throats, why not import BOTH? If you look at the numbers for wines like we will taste in the post, the majority of the buyers are not restaurants or caterers. Sorry! No matter how much Royal Wines wants to fool itself into thinking. Throw in COVID and FORGET about this INSANITY, please! I beg of you!
There is no denying that it affects the wine, it does. I have tasted the Chateau Le Crock side by side, the Mevushal, and non-Mevushal and while I feel that Royal does a good job with the boiling, it is still affected. If you want to have Mevushal wines in the USA, then bring them BOTH in! Royal does this for Capcanes Peraj Petita and the undrinkable Edom and others in Israel. So what Royal is saying is – that could not sell the Chateau Le Crock numbers that they import into the USA without boiling it? Why else would they feel forced to boil it and import it if not otherwise? To me, it makes me sad, and in a way, it disrespects what Royal is trying to do to its French wine portfolio, IMHO. They should, at minimum, import both! Allow for the caterers and restaurants (like anyone needs that nowadays – HUH???) to have the Mevushal version and sell the non-mevushal version to us, as you do with Edom and Petita. There I have stated my peace, I am 100% sure I will be ignored – but I have tried!
The Mevushal wines from France for the 2018/2019 vintage will be, the 2018 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2018 Chateau Greysac, 2018 Chateau Chateau de Parsac, 2018 Les Lauriers, Des Domaines Edmond de Rothschild, 2018 Chateau Le Crock, 2019 Chateau Les Riganes, Red, 2018 Chateau Genlaire, along with the whites wines, the 2019 Bourgogne Les Truffieres, Chardonnay, the 2019 Les Marronniers, Chablis, and the 2019 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof of. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – yes! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.
The “other” wines not here yet or I have not had
There is the just-released 2018 Château Cantenac Brown Margaux (will post that when I get it), along with these yet unreleased wines. The 2019 Chateau Gazin Blanc (2018 was/is INCREDIBLE), 2018 Chateau Fourcas Dupre, 2018 Château Meyney Saint Estèphe, 2018 Chateau Giscours, 2018 Chateau Lascombes, 2018 Chatyeau Tertre, and 2018 Chateau Royaumont.
I understand this is a sub-optimal situation and blog post. It does not cover Royal’s 2018/2019 European wine portfolio. Still, it covers what has been released (or very close to it), here in the USA, and hopefully, it will help you. One day soon, I hope and pray, things will return to some semblance of normalcy, and we will all travel around again. Until then, this is the best I can do. Stay safe!
Final comments, disclaimer, and warnings
First, there are a TON of QPR winners but there are also a LOT of good wines that I will be buying. Please NOTE vintages. The 20016 Haut Condissas is a disaster while the 2017 vintage is fantastic! So, please be careful!
These wines are widely available in the USA, so support your local wine stores folks – they need your help! If you live in a wine-drinking desert, like California, support the online/shipping folks on the side of this blog. They are folks I buy from (as always – I NEVER get a bonus/kickback for your purchases – NOT MY STYLE)!
Sadly, there was no plane trip, no hotels, no restaurants, nothing. So, no trip to talk about – just the wines and my lovely home! Stay safe all and here are the wines I have had so far. I have also posted many scores of 2015, 2016, 2017, and 2018 wines which are still for sale here in the USA. My many thanks to Royal Wine for their help in procuring some of these wines. The wine notes follow below – the explanation of my “scores” can be found here:
Tasting of Royal’s 2017 and some 2018 French wines in France
This is my third year tasting wines with Menahem Israelievitch in Paris and it is the first one that is not related to my visit to Bordeaux three years ago, almost to the date of this tasting (give or take two weeks). Three years ago, I was given the opportunity to taste many of the 2015 and 2016 wines from the barrel at each of the wineries in Bordeaux.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage is not like that at all. The 2017 vintage in Bordeaux, though this is a massive simplification and generalization of the 2017 vintage, was overall less ripe than the 2015/16 vintages and maybe even in some cases a drop less than the 2014 vintage. The 2017 vintage flowered early and then the frost came, which killed off a fair amount of the fruit from the vines (Grapevines are self-pollinating and as such the flowers are an all-or-nothing situation in regards to yield). Quality itself is not affected by the early frost which froze the flowers, while the rest of the season was mostly OK, except for the late rains that diluted some of the acidity, again this is an overall generalization, with varying degrees of difference between the Chateaus.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2017 vintage will be, the 2017 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Greysac, 2017 Chateau Chateau de Parsac, 2017 Les Lauriers, Des Domaines Edmond de Rothschild, 2017 Chateau Le Crock, 2017 Cuvee Hautes Terres, Chateau Fourcas Dupre, along with the whites wines, the 2018 Bourgogne Les Truffieres, Chardonnay, the 2018 Les Marronniers, Chablis, and the 2018 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. This year I was not alone in my tasting, I was joined by Avi Davidowitz from the Kosher Wine Unfiltered blog. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 30 wines. There was one missing wine, the 2018 Chateau Genlaire, Bordeaux Superieur and two of the wines were bad, I did taste them later in the week and they are listed here as if I tasted them at the tasting.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis – Score: 93 (QPR madness) (Mevushal)
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. This is so much better than the 2016 or 2017 vintage, this is so much fun! The mouth on this medium-bodied wine is crazy fun, intense acidity, incredible salinity, piercing, almost painful, with lovely layers of lemon, grapefruit, with quince, and pie crust, with Anjou pear, and quince. The finish is long, crazy long, almost oily, mostly creamy, with baked pear and apple, cinnamon, nutmeg, and loads of mineral, with slate, rock, and saline. Bravo!! Drink until 2023 maybe 2024.
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 92 to 93 (QPR)
The nose on this wine is closed, but it shows lovely notes of mineral, slate, blossom water, and loads of citrus, with apple, and smoke. The mouth on this medium-bodied wine is rich, layered, and impressive, with a rich oily mouthfeel, showing a lovely weight, with yellow apple, tart citrus, Asian Pear, and beautiful acidity that is well integrated with a strong mineral core, showing Orange pith, with tart citrus and slate and yellow plum, with saline, and more earth and hints of nectarines and orange. Lovely! Drink from 2020 to 2024 may be longer. Read the rest of this entry
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