This is my third year tasting wines with Menahem Israelievitch in Paris and it is the first one that is not related to my visit to Bordeaux three years ago, almost to the date of this tasting (give or take two weeks). Three years ago, I was given the opportunity to taste many of the 2015 and 2016 wines from the barrel at each of the wineries in Bordeaux.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage is not like that at all. The 2017 vintage in Bordeaux, though this is a massive simplification and generalization of the 2017 vintage, was overall less ripe than the 2015/16 vintages and maybe even in some cases a drop less than the 2014 vintage. The 2017 vintage flowered early and then the frost came, which killed off a fair amount of the fruit from the vines (Grapevines are self-pollinating and as such the flowers are an all-or-nothing situation in regards to yield). Quality itself is not affected by the early frost which froze the flowers, while the rest of the season was mostly OK, except for the late rains that diluted some of the acidity, again this is an overall generalization, with varying degrees of difference between the Chateaus.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2017 vintage will be, the 2017 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Greysac, 2017 Chateau Chateau de Parsac, 2017 Les Lauriers, Des Domaines Edmond de Rothschild, 2017 Chateau Le Crock, 2017 Cuvee Hautes Terres, Chateau Fourcas Dupre, along with the whites wines, the 2018 Bourgogne Les Truffieres, Chardonnay, the 2018 Les Marronniers, Chablis, and the 2018 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. This year I was not alone in my tasting, I was joined by Avi Davidowitz from the Kosher Wine Unfiltered blog. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 30 wines. There was one missing wine, the 2018 Chateau Genlaire, Bordeaux Superieur and two of the wines were bad, I did taste them later in the week and they are listed here as if I tasted them at the tasting.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis – Score: 93 (QPR madness) (Mevushal)
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. This is so much better than the 2016 or 2017 vintage, this is so much fun! The mouth on this medium-bodied wine is crazy fun, intense acidity, incredible salinity, piercing, almost painful, with lovely layers of lemon, grapefruit, with quince, and pie crust, with Anjou pear, and quince. The finish is long, crazy long, almost oily, mostly creamy, with baked pear and apple, cinnamon, nutmeg, and loads of mineral, with slate, rock, and saline. Bravo!! Drink until 2023 maybe 2024.
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 92 to 93 (QPR)
The nose on this wine is closed, but it shows lovely notes of mineral, slate, blossom water, and loads of citrus, with apple, and smoke. The mouth on this medium-bodied wine is rich, layered, and impressive, with a rich oily mouthfeel, showing a lovely weight, with yellow apple, tart citrus, Asian Pear, and beautiful acidity that is well integrated with a strong mineral core, showing Orange pith, with tart citrus and slate and yellow plum, with saline, and more earth and hints of nectarines and orange. Lovely! Drink from 2020 to 2024 may be longer. Read the rest of this entry
After my long hiatus, I am happy to say that this post brings me current to wines I want folks to know about, both good and bad. Thankfully for you, it does not include at least 45 roses, white, and red wines that were so horrible that I see no value in posting their NA scores here.
However, two wines that need warning are the 2017 Chateau Lacaussade Saint-Martin
and any wine from Capcanes Cellars made from 2015 and on, other than the 2015 Capcanes Pinot Noir and the lovely 2015 Capcanes Samso Carignan. To me, this is truly sad Capcanes was a rockstar and a perennial goto and QPR wine, other than there roses. Now, they have soldout to Parker’s view of wine and I cannot fathom for even a second what they gain from this. Their wines sold perfectly well so sales cannot be the reason. Yes, there is a new winemaker, Anna Rovira, who recently won the prestigious female winemaker of the year for the 2019 award from Selection magazine! Congratulations! She replaced the longtime winemaker of Capcanes Angel Teixidó. Sadly, from my perspective, the wines are far riper than they used to be, they also show less acid and less balance. They are wines that I no longer buy, the last Capcanes I bought was from the 2014 vintage. With that said, I hope this shift is a byproduct of some rough years and that the 2017 vintage will return to its old self, one can always hope!
On another aside, please folks – STOP drinking 2017 whites and 2018 roses – they are dead! I have had loads of 2018 roses recently, they are dead or on the way down from jumping off the cliff. Sure, there are whites that are still young from the 2017 vintage, like full-bodied Chardonnays or white Bordeaux, other than Lacussade. Sadly, many of the 2018 whites are on their way down as well. The 2018 Tabor Sauvignon Blanc is already losing its acid and so many others as well. Please be careful, taste before stocking up. The simple whites are like roses, drink them by fall.
On the good news side, the 2017 vintage from Bordeaux is so far so good! The much scorned 2017 vintage from Bordeaux so far is holding up very well. I really liked the 2017 Chateau Mayne Gouyon, which is simple and mevushal, and very tasty. The 2017 Chateau Moulin Riche was lovely, maybe even better than the 2016 vintage. I hear the 2017 Chateau La Crock and the 2017 Chateau Royaumont are also showing very well, all-around great news for the much pooh-poohed 2017 vintage.
Finally, bravo goes to Herzog Wine Cellars, they continue to impress with their number one grape – Cabernet Sauvignon. They are predominantly Cabernet Sauvignon heavy, which makes sense given the current kosher wine market. When you go to KFWE and other wine events, just listen to people, their number one desire is the best Cabernet Sauvignon on the table or just whatever wine you have that is Cabernet Sauvignon-based. It is both sad and totally hilarious at times. So, sure Herzog goes where the money is. The accolades, at least from me, anyway, is for the raising of the bar and for the sincere effort that they put into making world-class Cabernet Sauvignon wines. Bravo!
I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2014 Chateau Haut Condissas – Score: 91
This wine is ripe, and really oaky, with nice mineral, green notes galore, but front and center is mounds of dark fruit, sweet oak galore, and lovely garrigue. The mouth is lovely, and rich, with medium-bodied structure, showing with lovely sweet fruit, earth galore, and lovely extraction, that gives way to green notes, layers of sweet but balanced fruit, with blackberry, cassis, dark raspberry, and rich forest floor. The finish is long and mineral-based, with intense tobacco, mineral, pencil shavings, and sweet fruit that gives way to dill, earth, forest floor, mushroom, and sweet oak. Drink from 2023 until 2028
2013 Chateau Grand-Puy Ducasse, Pauillac – Score: 91
To me, the 2013 Moulin Riche and 2013 3 De Valandraud were two of the best wines from the poor 2013 Bordeaux vintage, though this one always held potential.
This wine has evolved now to show even more tertiary notes than when I had this two years ago. The nose on this wine is lovely but still stunted, with clear and lovely notes of mushroom, dirt, and loam, followed by ripe fruit, showing red and black, with floral notes of heather and English lavender, with foliage and sweet notes. The mouth is nice on this medium-bodied wine but it is thinner than the younger 2015 (which is a superstar), with a balanced mouth, showing nice acidity, followed by cherry, raspberry, blackberry, with more foliage and forest floor, lovely garrigue, graphite, sweet tobacco, sweet dill, nice mineral, and mushroom. The finish is long, tart, yet very fruity, with great balance and attack, though showing little complexity, more like a dirty and green/garrigue/foliage and herb-infused fruit-forward wine, with mineral, acidity, and nice mouth-coating tannin bringing it all together. Drink by 2024. Read the rest of this entry
Like last year, I wanted to make this post short and sweet – so the criteria are simple I could care less about price, color, or where it was made. All that matters is that it is/was available this year sometime to the public at large and that I tasted it in a reliable environment, not just at a tasting, and that it was scored a 93 or higher. Also, there are a few lower scoring wines here because of their uniqueness or really good QPR. I also included some of the best wines I tasted this year – they are at the bottom.
We are returning with the “wine of the year”, and “best wine of the year”. Wine of the year will go to a wine that distinguished itself in ways that are beyond the normal. It needs to be a wine that is easily available, incredible in style and flavor, and it needs to be reasonable in price. It may be the QPR wine of the year or sometimes it will be a wine that so distinguished itself for other reasons. This year, it is one of the QPR Kings of 2018. Yes, last year, we had a single QPR King, this year, there are a few. Why? Because as I will discuss in my year in review, 2018 was about having more solid wines than having GREAT wines. Sure there is a clear Best wine of the year, which is revealed below, but 2018 will be remembered for having MANY very enjoyable wines, rather than a few GREAt wines.
Also, yes, the Wine of the year and the Best wine of the year, both made by Royal wines, such is life, and I could care less for the most part.
Again, the list is missing wines I have yet to taste, like the 2015/2016 Chateau Pape Clement, which I am sure would have been on this list if I had tasted them. There are also interesting wines below the wines of the year, think of them as runner-up wines of the year. There will be no rose wines on the list this year – blame that on the poor crop or rose wines overall, they did not even crack the interesting list. Also, this year, we were given a bounty of top wines and finding the list this year was really a task of removing then adding.
The supreme bounty comes from the fact that Royal released the 2015 and 2016 French Grand Vin wines a bit early! Throw in the incredible number of kosher European wines that are coming to the USA and being sold in Europe and this was truly a year of bounty for European kosher wines.
Now, separately, I love red wines, but white wines – done correctly, are a whole other story! Sadly, in regards to whites, we had no new wines from Germany. Thankfully, we had Domaine Netofa and Yaccov Oryah Wines to come to the rescue. On top of that, we had another EPIC year for 2016 Herzog Chardonnay, Reserve, Russian River. This year, quite deservedly, it cracked the top 25 wines of the year! The new Chablis is also nice, but the winner in the “very close” section has to be the 2016 Koenig Riesling – Bravo guys!
Some of these wines are available in the USA, some only in Europe, and a few only available in Israel.
Finally, some of these wines are hard to find and they may have different siblings – but they are worth the effort. The wine notes follow below – the explanation of my “scores” can be found here:
The 2018 kosher wine of the year – we have a TIE!
This one was a NOT a no-brainer to me this year. It was really hard. I wanted to give it to the 2016 Chateau Larcis Jaumat, Saint-Emilion Grand Cru, straight up, but it is already sold out, between me and Gabriel Geller, we sold that wine out in no time. So, instead, we will share the winner with the almost impossible to find, aforementioned Larcis Jaumat, along with another from Europe, the 2015 Cantina Terra di Seta Chianti Classico, which is also QPR superstar as well! Congratulations to Cantina Terra di Seta and Royal Wines, and to Chateau Larcis Jaumat, along with an elevated nod of the chapeau to Menahem Israelievitch for finding and curating this wonderful QPR winery tucked into a corner of Saint-Emilion! Bravo!
2016 Chateau Larcis Jaumat, Saint-Emilion Grand Cru – Score: 92 (Crazy QPR)
This wine starts off open and then closes so tight like an oil drum, this thing is nuts. The wine is made of 90% Merlot and 10% Cabernet Franc, a classic right bank wine from Saint-Emilion. The nose on this wine is really bright, ripe, and intense, with rich intensity, mushroom, earth, but so much redolence, the nose is far more open than the mouth, showing rich blackberry, dark plum, and rich vanilla, followed by herb, mint, rosemary, and green notes galore. The mouth on this medium to full-bodied wine is crazy rich, it does at times remind me of Benyo’s Merlots with a fair amount of blackcurrant thrown in, which is never found on Benyo wines, but the mad acid, rich mouthfeel, closed tight fruit structure has me reminded often of a Four Gates wine, with intense notes, they scream because of the acid, that gives way to rich tannin structure that is searing and yet inviting, with rich cranberry, cherry, and crazy earth, that will give way to mushroom and forest floor with time. The finish is long, really long, lingering, and intense, with gripping tannin, acid, tobacco galore, mounds of blackcurrant, vanilla, herb, foliage, and green notes, that give way to a gripping mouthfeel that will crush anything, with tar, menthol, and more earth. OMG, this Benyo in France! Wow!! Drink from 2021 to 2030.
2015 Terra di Seta Chianti Classico – Score: 92
The nose on this wine is ripe, at first, the wine starts off with heat, but that blows off, but it is also well balanced, with lovely earth, mineral, dirt, with dark cherry, coffee, and lovely dark fruit. The mouth on this medium to full-bodied wine is beautiful, complex, well layered, with rich concentration, nice extraction, all balanced and plush, with rich blackberry, currant, lovely mouth draping tannin, with lovely foliage, and some nice earthy and fruit bite. With time, it shows its ripeness, but also intense minerality, saline, graphite galore, and lovely tannin structure. The finish is long, green, and ripe but balanced, with lovely acid, great texture, that gives way to more coffee, graphite, scarping mineral, and light almond bitterness on the long finish. Bravo!! Drink 2019 to 2023.
The 2018 best kosher wine of the year!
This one was really tough. First of all, the one I chose is not available yet for purchase in the USA. Also, in terms of score, it did not beat out the 2016 Chateau Giscours, 2016 Chateau Lascombes, 2016 Chateau Du Tertre, Margaux, 2016 Chateau Montviel, or 2014 Chateau Tour Seran, Medoc (NOT Mevushal), or the 2014 Chateau Cantenac Brown, which I somehow missed from last year’s top wines. In the end – for its sheer awesomeness it beat out a very crowded field. In the end, the winner of the BEST kosher wine of 2018 goes to the 2016 Chateau Malartic, and it deserves the crown – bravo!!
2016 Chateau Malartic Lagraviere, Pessac-Leognan, Grand Cru Classe – Score: 94
The 2016 Malartic-Lagraviere is a blend of 53% Cabernet Sauvignon, 40% Merlot, 4% Cabernet Franc and 3% Petit Verdot (at least in the non-kosher version). Wow, the nose is really ripe, not what I expect from a Malartic, but still lovely, with chocolate, black fruit, earth, and lovely hints of umami, with sweet oak, earth, and sweet blue fruit. The mouth on this full bodied wine is rich, layered, and concentrated with nice control, expressive, with blackberry, blueberry, and what a change, Malartic with blueberry! Showing more raspberry, earth, and rich fruit, with a truly incredible plushness, that gives way to a rich mouth coating tannin that drapes and lifts the mouth, showing a precision, and an incredible professional touch, with plush fruit, loam, and lovely saline. The finish is long, and plush, with more blue, green, and red fruit, with leather, and power that belies its youth, a wine that will push long into its life, with tannin, licorice, and graphite/mineral that lingers long, Bravo!! Drink from 2025 until 2035. Read the rest of this entry
As I stated recently in my original post about my most recent trip to Israel, the reds of Israel are really not impressive, but thankfully I ended my trip by going to France to meet with Menahem Israelievitch and taste through all of Royal’s new 2016 and 2017 wines from France in Paris.
2016 Royal Europe French wines
Two years ago, I was given the opportunity to taste many of these wines from the barrel at each of the wineries in Bordeaux. Now, the 2015 wines were a bit more akin to the barrel notes when I tasted through the 2015 wines last year in Paris, but the 2015 wines were already in barrel for a year. However, since the trip was in 2016, the 2016 wines were barely finished fermenting and most had yet to even go through malo, but man even then it was easy to tell that the 2016 vintage was going to be something very special.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They are also FAR cheaper. Then you had the 2015 wines which are more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker of the 2016 vintage will be the Chateau Malartic wine, get ready to see that at 170 or more a bottle! That will be close to double the 2014 vintage.
In a previous post about the most recent French wines that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
Also, the 2015 vintage may have been ripe to many, but the 2016 right bank wines are even riper. That appears in the right bank because of the Merlot that was super ripe in 2016, but other wines with lots of Merlot also show that way, even on the left bank.
The interesting change this year for these wines is that more of them will be coming to the USA in Mevushal format. Will that be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2016 vintage will be, the 2016 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Mayne Guyon, 2016 Chateau Greysac, 2016 Chateau 2016 Chateau de Parsac, 2016 Les Lauriers, Des Domaines Edmond de Rothschild, along with the two whites wines, the 2017 Bourgogne Les Truffieres, Chardonnay and the 2017 Les Marronniers, Chablis.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years. The only wine listed below that will be mevushal in the USA and that is NOT mevushal in France is the 2016 Chateau Le Crock. I will post my notes on the mevushal version when it is released here in the USA, they are currently selling the 2015 Chateau Le Crock, so that needs to sell out before the 2016 vintage is released.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 29 wines. The only wine missing wines were the 2016 Les Lauriers, Des Domaines Edmond de Rothschild and the 2016 Chateau Greysac.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for making the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2017 Ramon Cardova Albarino, Rias Baixas – Score: 91
Lovely nose of rich mineral, with loads of straw, with which salinity, and lovely peach and dry apricot, with honeysuckle, lemongrass, with green notes galore. Lovely! The mouth on this lovely green and acid-driven wine, showing rich salinity, green olives, with lovely dry quince, green apples, but also with lovely lime and grapefruit, with a bit of sweet fruit of guava and rich acid that comes at you in layers. The finish is long and green, with gooseberry, passion fruit, and lovely round and tart with freshness and orange pith, and incredible acidity lingering long. Drink until 2021.
Interesting note on this wine, there is a thermosensitive logo on the label that shows ONLY when the wine is at the correct temperature, on the bottom right-hand corner of the front white label. This is a lovely wine and one that is worth the effort to enjoy at the correct temp. Cool!
2017 Chateau Lacaussade Saint Martin, Vignes Vignes – Score: 90
The wine is a blend of Semillon and Sauvignon Blanc. This wine is very slow to open, it may need a quick decanting, for an hour or so. The nose is slightly tropical in nature with lovely with melon, guava, and hints of passion fruit to start, over time it recedes to show lemongrass, straw, mineral, grapefruit, citrus, and honeysuckle notes. Just like the nose the mouth also starts off with crazy tropical notes that also recede with time, to show a very different wine. After some time, the mouth on this wine is not complex, but very nice, with rich acidity, showing a good balance of fruit, green apple, heather, tart pear, and mineral. The finish is long, super long, with southern tea, and rich acidity, and lovely pith. Drink until 2021. Read the rest of this entry
As I stated recently in my original post about my most recent trip to Israel, France, and Germany, I had the opportunity to sit with Menahem Israelievitch and taste through all of Royal France’s new 2015 wines in France. So, I am going to take a break from my Israel wine trip posts and skip to the France portion (chronologically speaking) to post my notes on the French wines that are slowly making their way to the market now.
2015 Royal Europe French wines
Last year I was given the opportunity to taste these wines from the barrel at each of the wineries in Bordeaux. Since then, some have changed, with some improving, and some not so much. The wines were only recently bottled and I am sure they will change more now, and of course, as the wines evolve and age they will change in very different ways along the way, mostly for the positive.
In my last post about the most recent French wines that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
The interesting changes this year for these wines is that more of them will be coming to the USA in mevushal format. Will that be an issue? You will see below that there are two notes for the 2015 Chateau La Crock – one was tasted from the non-mevushal 750ml bottle and one was from a 375ml mevushal bottle. Clearly, they are not an apple to apple comparison, as bottle format affects the aging of wine, as I described here. However, these wines were only recently bottled and as such, it was far more of an apple to apple comparison than it may seem at first blush. The mevushal wine was clearly different, but it did not taste flawed, it was just further aged than the non-mevushal bottle. We have found so far from history, that Royal wines know how to do mevushal well already. The perfect proof of that is the wonderful 2010 Rothschild Medoc wine that was luscious and beautiful and mevushal.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition wine that wine was mevushal and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, but one of the byproducts of the mevushal process is to make them more accessible earlier. So, when the mevushal wines come to the USA, I will taste them and post the notes – then you can make your own opinions after that.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. Which should be obvious, but just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here, at least based upon the 2014 wines I tasted in France and in Here in the USA.
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 20 wines. The only wine missing was the 2015 Rothschild Haut Medoc. It was a lovely wine from the barrel and it was a shame that it was not available in time. The real shame is that I will not get to taste that wine for a long time still. Why? Because of what I explained already in my previous post of French wines and Bordeaux. The 2013 vintage was a mess and there is still far too much of the 2013 vintage left for them to start selling the 2014 vintage here in the USA. So before we see the 2015 vintage, the 2014 vintage would need to be sold out. That is two full vintages that need to disappear before I will get to taste the 2015 vintage. The 2014 vintage, which I tasted last year was lovely, and it has very little to do in comparison to the half bottles of 2014 that are available here in the USA. The 750ml version of the 2014 vintage was lovely, the half bottles of the 2014 vintage that is available here in the USA, felt flat and hollow.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. As in Israel, the wineries all around Europe were deep in the throes of harvest and it was really very kind of Mr. Israelievitch to make them available in the first place, and secondly, to make time to taste the wines with me. The wine notes follow below – the explanation of my “scores” can be found here:
2016 Les Marronniers Chablis – Score: 92 (mevushal)
Finally! A reasonably (not cheap but reasonable) priced white wine that is more mineral than fruit focused – nice! The nose on this wine is lovely, with green apples, ripe melon, green notes, with nice mineral and lovely herbs galore. The mouth on this medium bodied wine is lovely, it is really well balanced, showing lovely mineral, nice grapefruit, nice acid that is citrus in nature, as it gives way to a lovely round and yet tart mouth with yellow plum and good herb. The finish is long and really tart, lovely citrus pith, with lemon fraiche, lemongrass, with slate, saline, tart fruit, and nice floral notes lingering long. Bravo! Drink by 2021.
2015 Ramon Cordova Rioja – Score: 88 (mevushal)
The nose on this wine is ripe, very ripe, with ripe blueberry, nice red berry, garrigue, menthol, green notes, roasted notes, and lovely herb. The mouth is medium bodied and round with good sweet oak, sweet dill, tobacco, mint, eucalyptus, that gives way to mouth coating tannin, good spice, mounds of earth, sweet raspberry, mineral, and nice graphite. I just wish it had more acid. The finish is long and salty, with rich saline, nice spice, pepper, and mineral that lingers extremely long. Nice. Drink by 2019. Read the rest of this entry
Bordeaux, the cradle of the modern wine revolution, for both the kosher and nonkosher worlds, is a beautiful realization of the past and present coming together to build a fabulous future. The world of true kosher wine, started before Hagafen, before Herzog, though maybe not before Carmel, who made a beautiful kosher wine in 1901 and then again in 1976, one that I tasted, but one that is now a shadow of its former self. Still, before Carmel’s rebirth, there were kosher wines being made in the 1970s, and those were the first kosher wines, that were not sacramental wines. Koenig was making kosher wines in the 1960s, and there were kosher Bordeaux wines being made in the 1970s as well.
The story of Carmel starts with a wonderful man, whose philanthropic desires led to the largest outside investment into the former Palestine in the 19th century, and his history is deeply intertwined in the world of kosher wine, since the 80s. Winemaking in Israel had enjoyed a long and successful run in biblical times. Wine presses used thousands of years ago are still visible today. However, during the Roman conquest of Judea in 70 A.C., many vineyards were destroyed, and the remaining vines were destroyed during the period of Muslim rule that began in 636 C.E. The Muslim rule led to a 1,200-year halt in local wine production. Wine production returned to Israel in 1882, when Baron Edmond de Rothschild funded the creation of vineyards and a few wineries – one of which we know today as Carmel. However, after the massive success of Carmel’s Cabernet Rishon (#1) (where it won a Gold Medal) at the Paris World Fair of 1900, Carmel winery went into a long and deep slumber. It re-awoke for a brief moment in 1976, and then again in 1979 when the Carmel Special Reserve wines again made history. The shocking fact is that the Baron spent less money in France to buy Lafite (4.4 Million Francs), than he invested in Israel, a shocking 11 Million Francs. His shocking generosity was not lost, even if Carmel did fade for almost a century, it was his rallying cry to not forget our brethren, who threw caution to the wind to rebuild Israel, that helped bring focus to their need and was the first true power behind the future land of Israel! In many ways, he was one of the founding fathers of present-day Israel.
Seeing how close Bordeaux touches the lives of all kosher wine drinkers, one has to stop and ponder what if? What if Baron Edmond (Benjamin) de Rothschild had simply made Lafite kosher instead of investing in Carmel? Does that question offend you? I hope it does! If you track the sheer amount of money that has been invested in Carmel, it is staggering! Mind-blowing! Is this post about Carmel? Of course not! What I am offering is a clear reminder that kosher wine, is a three-legged stool of complexity. Please look at my post about the myriad and complex web of kosher winemaking requirements to refresh yourself. But as a reminder, the main three-legged stool, is Religious Jews touching the wine, kosher for Passover ingredients, and the hardest one of them all, the one that should be clear, but one that is often forgotten, these two restrictions, and all of the other ones, start from the very beginning. Meaning that if you walk up to a winery and taste their wine and like it – that means the EARLIEST you can make a kosher version of that wine is next year (unless you taste an earlier vintage and it is still before harvest).
I have spoken about this subject before, really, when talking about Flam, and others that have moved from the non-kosher market to the kosher market in Israel. The issue here is that it is a minimum of a three-year investment for good reds before you see the money. If it involves vineyards, then that is a minimum investment of 6 years for good reds in Israel! You could make them inside of four years, outside of Israel, but really? Who would want wine from a two-year-old vine? Not many! Throughout my time in Bordeaux, the terroir was a common theme, an obvious one of course, but one that shows itself more in wine than in the conversations. Why? Well, most people already know that the land of Bordeaux is hallowed ground for great wines. People make yearly pilgrimages to the storied En Primeur, where the likes of Robert Parker used to cast his shadow, and where Neal Martin till does, along with many of the top Negociants who come to set up shop for the three-day event.
Kosher Bordeaux Wine – the state of affairs
A side topic about the state of kosher Bordeaux wine. People often wonder why there is not a kosher vintage of the most famous chateau every year? Why did we miss out on the famous 2009 Leoville Poyferre? Why is there no 2009 Malartic? Sadly, the answer is that as much as French kosher wine is growing in popularity, it is not that popular.
The issue lies around the cost to make these wines, the knowledge that people have of them, along with the fact that they are well, old world! Also, there is the supply and demand vector that I will keep throwing in along the way.
So let’s start with the last and go backward, old world wines are what I crave, and many of the wine nuts I know. However, it is NOT what the wine drinkers crave in the kosher wine market. OK, cue broken record, ok it is on, the kosher red wine palate is punch drunk on sweet overripe wines, wines that I abhor. Look at the average kosher wine tasting event, one that has french wines, and you will see that the table fills up quickly, and then is empty as the night progresses. Why? Because French wines are a curiosity to the kosher wine palate, and not much more. Now that is a gross oversimplification, yes I agree. Still, it is far closer to the truth than many are making it out to be. Read the rest of this entry
Well, I hope all of you enjoyed the Passover respite (some see it as a stressful time, I see it purely as a joyous time, and yes I do a lot of cleaning as well). This post I wanted to talk about the kosher French wines that I have tasted recently.
Now I must stress that these are the wines that I have tasted, not ALL the wines that are available. There are hundreds of kosher French wines, and the vast majority of them never make it to the USA. With that said, I really LOVE the new crop of 2011 and 2012 wines that have made their way to the US and around the world. But before we jump into the nitty gritty and the tastings we need to take a step back and talk about French wines for a second.
Let us start with some very basic concepts around France and its wines. To start it is one of the oldest wine making locations in the world. Sure, Israel, may well be the oldest, but it stopped making wine for a very long time – till around the 1870s or so. Even then, they did not start making real world class wines till the 1980s (ignoring the 1901 and 1970 successes of Carmel).
France is once again the largest wine producer in the world, as of 2014, and most of it is quality wine. It is hard to find another country that makes so many good wines, so many vastly different wines – each from their own terroir – with such a long and storied history. The wines I will be talking about today are mostly from Bordeaux, the home of the “noble grapes of the world” – Cabernet Sauvignon, Merlot, and Cabernet Franc (not on the official noble list), and Sauvignon Blanc. To be fair there are other noble grapes not in Bordeaux, like Pinot Noir and Chardonnay from Burgundy. Riesling – mostly from Alsace and Sauvignon Blanc again from Upper Loire. Toss in Syrah and Grenache from the Rhone and that comprises the wines that I am noting today.
I did not write Pinot Noir notes – I did that recently here and you can read my French wine notes there.
I have written often about the wines of the Rhone – because many of my favorite wines from California (Shirah and Hajdu) make most of their wines that comprise the region called Rhone. Those would be Syrah (as noted previously), Grenache, and Petite Sirah (not really Rhone at all, but the Rhone Rangers love it). With some Grenache Blanc and Viognier thrown in.
In case you have not yet realized it, but I have pretty much listed many of my own favorite varietals, and they all come from France. Truly France is the cradle of the wine world. Sadly, there was little to no kosher options in the 1980s, even though France itself was producing 10s of millions of cases of wine at that time.
Of course of all the varietals – Cabernet Sauvignon and Merlot tend to grab all the headlines. Rightfully so to some, but to many the wines of the Rhone and Burgundy are of more interest. So, how does all of this work? France long ago decided to control what varietals would be planted and within the regions of its country that would produce the best wines possible. It is a foreign thought to many still, even here in the USA. Terroir defines France. Essentially the 300 or so appellations d’origine contrôlee (AOC) within the country are so designed and controlled to allow for creating the best wines possible. Planting Syrah in Bordeaux can be done – but why? Syrah requires far more heat and sun that Bordeaux can dish out – so Syrah was defined as a southern grape location – AKA Rhone, where it can flourish in all of its glory. Read the rest of this entry
These past two weeks have been what the Jews call the 9 days that are rather famous for the infamous events that have occurred in this specific span of time. Thankfully, once they were passed Herzog Cellars and Royal Wines put on an encore event of the IFWF (International Food and Wine Festival), this time in the Herzog Winery itself, to celebrate the winery’s 25th year in the industry! What an event and celebration it was! It brought back memories of the old IFWF events that were held in Oxnard, since the inaugural IFWF event in 2008.
Sure there were some 200 or so in attendance, but with the fully expanded setup, including an enclosure in the back that housed the French wine table, dessert table, and room to hunker down, it felt spacious and very comfortable.
In many ways, this event felt like an almost exact replay of the first International Food and Wine Festival. The crowd size was perfect, there was room for you to hunker down and taste wines and there was room for you to huddle up and talk with friends or people of like or dislike opinions.
Besides the layout and crowds, the food was absolutely fantastic, just like in previous events here. Once again, Todd Aarons and Gabe Garcia created wondrous delights that were so wrong in all the right ways! Of course, I came to the food area too late to partake of all of the goodies, but I still got to taste many fantastic culinary treats, including the absolutely stunning puffed chicken nuggets topped with incredibly tasty barbecue sauce.
Unfortunately, I came a bit late to this event because of what I came to call parking lot A and B (405 and 101 respectively). Whenever, I watch the Dodgers or the Angels, I can now understand why the crowds are so empty for the first three innings, because everyone is parked on one or more highways! My guess to why they all leave by the 7th inning is that after the folks get so aggravated waiting in the traffic, they get tired and want to go home. Quite clearly getting to and from any event in LA adds a few hours to the overall time and that is aggravating and tiring. However, like I, once the guests arrived they had to almost physically throw us out. The place did start to peter out in the last hour, but the place was still humming and drinking until the last second. Read the rest of this entry
This past weekend we had friends and family around the table to enjoy some great food and some pretty good wines. This week there was no wine theme, actually to be more precise, the theme was that there was no theme. The theme was Drink up or let die. I say this as I have far too much history and track record in this area, and it has been my sworn duty going forward that I would embrace and channel the work of Dorothy J. Gaiter and John Brecher and attempt to always open that bottle in its time. To meet this need I attempt to create wine themes when there is no pressing wine to get to, otherwise, I drink the wines that are up next.
I use drink by dates of the late Daniel Rogov, Cellar Tracker, and of course, my own personal notes. This week it was time to get to some bottles that I have been worried about. I got to a couple of them, but missed out on the 2005 Ella Valley Pinot Noir, which we last tasted on some 3 years ago. We did get to enjoy some wine that we have not tasted in a couple of years, the 2001 Yarden Merlot, Ortal Vineyard, one of the finest Merlot that Yarden has ever produced, along with the 2006 Recanati Cabernet Franc, both of which have a year or maybe more left on them. Both are drinking lovely now, but if you too wish to live the motto “no good wine will be left to die“, drink it now and you will not be sorry.
I often laugh when people ask me when they should drink a particular bottle. In the kosher wine world more and more wines are being created that are built for cellaring. All that means is that the bottle you buy is not quite ready to drink, and the wine maker and winery have decided to diversify their risk and have you cellar the wine rather than them. For the most part, most wine (kosher or not) is made to be drunk within the year or two. There are reserve wines that are built to age a few years maybe 4 years at most. Then there are the a fore mentioned high-end wines that are truly not enjoyable at all from release, and need time to come into their own/peak.
The Recanati Cabernet Franc is at its true peak and can be left for another year or so, but why? Unless you have more pressing wine to enjoy – drink it now! There is only one sure thing, other than taxes, and that is – that the wine will eventually die. Why not enjoy it now. There is rarely a perfect time to drink a wine. There is just the acceptable and peak time to enjoy the wine and the rest is what you make of it! Read the rest of this entry
Went to friends for dinner and lunch, so I brought some wine over. It was fascinating to taste a bunch of these wines within a short period of time – not like the wine tasting we had a few months ago – but still very fun indeed.
Chateau Le Crock, Saint Estephe 2002 – Score: A-
This is a thick and tasty wine. Very complex with layers, full in the mouth, and it still is quite tannic. The color of this wine is a dark blue to purple. The nose is full of black fruit – blackberries, plums, and coffee, with some green vegetal aromas. The mouth on this massive full-bodied wine is velvety and complex. The black fruit flows in the beginning, with a mid palate of chocolate and something green, and a finish of spice and oak. This wine is a winner and at its current price now online – it is a winner.
Yarden Chardonnay 2003 – Score: A-
The nose on this dark straw colored wine has aromas of peach, citrus, butter, and TONS of oak. This is a classic California Chardonnay. The mouth on this full-bodied Chardonnay is full of oak, butter, and citrus. The finish is nice and spicy – which makes the wine feel complex. The wine is really not very complex – but the shift of the flavors makes it quite enjoyable. The fullness of this chardonnay makes it feel ripe and a bit fat – but is balanced nicely with the acidity and spice.
Chillag Orna Cabernet Sauvignon 2005 – Score: A-
The nose on this dark and almost impenetrable black colored (unfiltered) wine is strong with earthy aromas, cranberry, blackberry, a bit of green, and a fair amount of oak. The mouth on this wine changes often from when we opened it to when it was finished a couple of hours later. The wine starts almost cold to the touch – like a first date; not very talkative and almost boring. The wine wakes to a strong-minded woman very quickly and it is quite enjoyable to say the least (disclaimer – no meaning to my comparison – just the first thing that came to my mind Smile). The mouth of this full-bodied wine is not complex – but fun nonetheless. The flavors are fruit forward and the wine’s tannic nature comes through loud and clear. The tannins have yet to integrate – but when they do this wine will be nicer. My question will be whether the wine has much body behind that tannin – time will tell. The mid palate is nice but the finish of mint and spice makes it fun. This is the first release Carmel did with Orna (acting as a guest wine maker). Orna has a very successful Israeli boutique winery on her own called Chillag Winery – though, unfortunately it is not kosher.
Segal’s Cabernet Sauvignon, Unfiltered 2002 – Score: A-
This was the winner of the day – hands down. The nose on this wine explodes – like a geyser throwing aromas in every direction. Really quite a joy. The nose on this impenetrable black colored wine was filled with blackberry, cranberry, coffee, chocolate, oak, along with a strong sweet flavor – almost date like in nature, and some allspice thrown in as well. When smelling this wine at the start I said this is a hot wine. A wine, which has zero green flavors in it, and the mouth, solidified that thought. This was a fruit and spice wine – with zero green flavors to be found. The mouth on this nice complex wine is really fun. It starts with a strong attack of fruit that is complex by the nature of the many fruits that come at you along with the layers of the fruits as well. Blackberry, cranberry, raspberry hit you first, the mid palate comes with a strong attack of coffee and chocolate. The finish is laced with what I first thought was tar along with leather and oak. The tar flavors dissipated quickly – but I swear it was there – weird for a cab to display tar flavors – but who knows. Totally wild ride and the true winner of all the wines tasted this past weekend.