The first organized wine tastings that Avi Davidowitz, from the Kosher Wine Unfiltered blog, and I went to, during our last trip to Paris, in November 2021 was with IDS. IDS is officially called Les Vins IDS and IDS, stands for International Distribution Service. On a lovely Monday morning, Avi and I jumped in an Uber and made our way to go see Ben Uzan at IDS’s offices.
As stated, Avi and I made our way to the offices, and there laid out on the table were nine Domaine Aegerter wines from the 2020 vintage, along with one bottle of 2020 Chateau du Bosquay, Bordeaux Superieur, a perennial QPR WINNER for France. Sadly, with the economics of French kosher wine, it would not be worth importing it to the USA, but that is a discussion for another post.
In 2018 there were no Premier Cru from Domaine Aegerter, in 2019 there was one Premier Cru and a Grand Cru! In 2020, they made 4 Premier Cru, but no Grand Cru, as there was simply not enough fruit to go around. The 2020 vintage report for Burgundy was not as sad as previous vintages, or 20201, which was a disaster. There were few stories of frost destroying vine buds, except for in Chablis, but even that was not horrible. Overall, 2020 was a hot and dry season in Burgundy. There were some losses from the high heat but overall, it looked to be another successful vintage.
Nine wines from Burgundy is quite an impressive lineup, add in that they are from the same vintage, and wow, that is a lot of labels for one year. There is one Meursault and 8 red Burgundies, really impressive.
Throughout the tasting, I could not help but sense that the red wines felt overly acidic, like VA. VA (Volatile Acidity) is a common aspect of wines. It is defined as a flaw but many find it adds to the wine’s acidic profile. As stated in the Wine Spectator:
In small measures—most wines have less than 400 mg/L of acetic acid; the human threshold for detecting it is about 600 to 900 mg/L—volatile acidity imparts a racy, balsamic edge to a wine. It’s also likely to be present anytime you see “high-toned” fruit flavors in a tasting note. It can offer a tangy edge that works well with dishes that could use a little oomph, say pasta with red sauces. It stretches the flavors, and some vintners encourage a touch of VA to do just that. (WS, 2017)
Overall, the wines showed differently than in previous vintages, which is of course common. They were richly floral, again common for Burgundy. The clear winner of the tasting was the incredible Meursault, which showed very differently than the 2019 Jean-Philippe Marchand Meursault. The 2019 Jean-Philippe Marchand Meursault is riper and shows more of the oak influence while the 2020 Domaine Aegerter Meursault is more refined, at this time, and shows more mineral and control, overall. Just lovely!
We also tasted the 2018 Chateau Trianon, a wine I tasted with Ari Cohen in June, also at the IDS office, and the lovely 2020 Chateau Sainte Marguerite Cuvee Symphonie Blanc, Cotes de Provence. My notes for them are identical to what I wrote in June. IDS will be distributing the kosher Chateau Trianon wines in Europe. Until now, the kosher wines were only available from the winery. Now, they should have a better distribution within Europe, I hope, as they are lovely wines indeed.
My many thanks to Ben Uzan for setting up the meeting, sharing his wines with us, and for taking time out of his busy schedule to meet with us. The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2020 Domaine Aegerter Meursault, Meursault – Score: 94 (QPR: GOOD)
The nose on this wine is pure funk, almonds, walnuts, peach, nectarines, orange blossom, honeysuckle, rich floral notes, straw, mineral, spice, and rich oolong tea. The mouth on this full-bodied wine is bombastic, wow, unique, special, just wow! The screaming acid, hay, straw, jasmine, white flower, with yellow plum, green apple, Asian pear, with rich saline, mineral, smoke, straw, and rich flint, WOW! The mouth is dense, oily, structured, and just lovely! The finish is long, green, hay, earth, smoke, lemongrass, with a plushness, oily, sweet oak, intense cloves, and rich green notes, wow! Drink from 2025 until 2032. (tasted November 2021)
As stated in my previous post, I was in Paris in June, and while it took forever to post these notes, I am happy to finally be getting to them at this point. I must start by thanking Ari Cohen, yet again, because all the wines tasted here, other than the wines from Elvi, were managed by Ari. The total number of boxes in my hotel room, still makes me laugh!
Moises Cohen from Elvi Wines sent me the Elvi wines tasted below while the rest of the wines either I or Ari bought.
As I stated, in my previous post, I kept to my hotel room for much of the trip. Even vaccinated, I was worried, and am still worried, as such I kept to myself, where possible. Almost all the wines below were tasted alone in my room other than the last few wines which were tasted at IDS’ offices.
Magrez wines continue to be a horrible mess
Besides the 2017 Chateau Fombrauge, Blanc, which was an oxidized disaster, I also tasted five more Magrez wines and they all continue to be a shadow of what the 2014 vintage was for this winery. Truly unfortunate for all of us kosher wine drinkers.
Memorias del Rambam
These were also not very impressive. I had them over a few days and they never turned the corner. They stayed very much a ripe ball of oak and fruit, classic parker style. The Yunikko was interesting, without the oak overpowering the wine, it has potential, but it also never came together.
I got the chance to enjoy the 2016 Elvi Wines Herenza Reserva and it is quite a joy. It should be coming to the USA soon, definitely a wine worth stocking up on!
Languedoc & Savoie Wines
Overall not a bad batch of wines though there is a clear WINNER in the 2019 Château de Marmorières Les Amandiers, La Clape, Languedoc. WOW!! if that was available in the USA, for that price, I would drink it every week!! Much like the Maison Sarela White, I enjoyed in Paris as well. The 2020 Jean Perrier & Fils Pure, Savoie was nice, much better than the Blanc which was not useful!
Overall, IMHO, the 2019 Château de Marmorières Les Amandiers, La Clape, Languedoc is such a WINNER it is a shame it is not here in the USA. Again, I understand import prices, extra layers of costs, so I doubt it makes sense here in the USA. But, for all of those in Paris/Europe – BUY IT!
Various Bordeaux Wines
This group was a total loser, other than the Cru Ducasse family of wines and the two Taieb wines. The two Taieb wines were nice and documented here. The rest were a total mess.
The 2012 Château Cru Ducasse, Haut Médoc and the 2012 Chateau Moutinot, Saint-Estephe are two more WINENRS and they were incredible! The price and the quality – WOW! The 2012 Château Cru Ducasse was imported into the USA a long time ago and then it disappeared. It is available in Paris/Europe – BUY IT!! WOW!!
Wines enjoyed at IDS’ Office
Ari gathered all the wines we tasted that day and Ben Uzman from Les Vins IDS shared a bottle of the 2020 Chateau Sainte Marguerite Cuvee Symphonie Blanc, Cotes de Provence. That is a lovely wine, a bit expensive, but a lovely wine indeed!
Besides the lovely Vermentino, we had the complete set of kosher Chateau Trianon that is for sale, at this time. The early 2017 vintage – the petite was not very good. However, the 2018 and 2019 vintages were lovely!
Thoughts on this tasting
Overall, these wines were unimpressive, but wow did we find some real sleepers! The 2019 Château de Marmorières Les Amandiers is a no-brainer for those in France/Europe. The Elvi is coming here soon, and the Trianon while lovely, is not yet been imported, and when it does, I doubt the price will stay near where it is today to stay a WINNER.
Overall, many great WINNER wines will stay in Europe or may come here to the USA but will not be WINNERs here. Still, again, for those in Europe/UK – enjoy! Thanks again to Ari and IDS for their help!
2016 Chateau Tour Blanche, Medoc – Score: 80 (QPR: BAD)
The nose on this wine is flat as is the mouth, it is not a fruit bomb, it is just boring. The nose on this wine shows black and red fruit, a bit of dirt, heat, and loam. The mouth on this medium-bodied wine is flat, it has no acid, it is lifeless, and not interesting. Next! Drink now. (tasted June 2021)
2016 Chateau La Tour Carnet, Grand Cru Classe en 1855, Haut-Medoc – Score: 89.5 (QPR: POOR)
This wine is far less fruity than the 2015 vintage, showing notes of deep loam, fresh dirt, sweet oak, sweet dill, milk chocolate, nice green notes, foliage, smoke, anise, tar, and ripe fruit, interesting. The mouth on this full-bodied wine is ripe, but controlled, with proper acidity, elegance, layers of big bold blackberry, blueberry, raspberry, with lovely mouth-draping tannin, dark chocolate, rich saline, lovely graphite, all wrapped in a rich plush mouthfeel, dense yet balanced with sweet oak, sweet tobacco, and nice mineral. The finish is long, sweet, balanced, with green notes, bell pepper, foliage, leather, rich earth, and lovely clean fruit on the long finish. Drink from 2024 until 2030. (tasted June 2021)
2016 Chateau Fombrauge, Saint-Emilion Grand Cru – Score: 86 (QPR: BAD)
This wine, much like the Tour Blanche, is empty, it is not unbalanced or a fruit bomb, rather it is none of the above and free of anything that will grab my attention. The nose on this wine is red and black, with green notes, sweet oak, and anise. The mouth on this medium-bodied wine is empty, free of acidity, life, or fruit, it has a bit but all I get is oak, sweet fruit, and smoke. The finish is long, with mouth-draping tannin, sweet fruit, leather, and more sweet oak on the long finish. Drink by 2027 (tasted June 2021)
2017 Chateau La Tour Carnet Grand Cru Classe en 1855, Haut-Medoc – Score: 85 (QPR: POOR)
WOW, I am confused the 2015 vintage was overripe, the 2016 vintage was balanced, now the 2017 vintage is lifeless with hints of ripe fruit in the far background, like what??? The nose on this wine is empty, hints of ripe black fruit, overripe blue fruit, sweet oak, sweet dill, and not much else. The mouth on this medium-bodied wine is ripe, with mouth-draping tannin, and not much else, blackberry, raspberry, all trying to cover up the glaring hole in the middle, with not enough acid to get this all around. The finish is a bit short, with more milk chocolate, smoke, green notes, and leather. Drink until 2027. (tasted June 2021)
2017 Chateau Magrez la Peyre, Saint-Estephe – Score: 83 (QPR: BAD)
Another Magrez and another wine without any life, I guess 2017 Magrez = empty lifeless wines. The nose on this wine is ripe, unbalanced, and empty, again, with notes of milk chocolate, sweet oak, ripe black fruit, a bit of earth, and that is it. The mouth on this medium-bodied wine is empty, it has nice mouth-draping tannin, it has no holes, but it has no acid, and it lacks life, the fruit is nowhere, with a bit of blackberry, raspberry, and green notes. The finish is long, green, red, and ripe, with milk chocolate, leather, sweet spices, more oak, and good mineral. Drink until 2027. (tasted June 2021)
As stated in my previous post, I was in Paris in June, and while it took forever to post these notes, I am happy to finally be getting to them at this point. I will note, that almost none of these wines are or will be available here in the USA. The Vins de Vienne and Famille Mayard are available here, and the Tassi Brunello di Montalcino is here as well. The rest, are either in Israel or Europe.
So, returning to the trip, other than hanging out with my family and doing a few tastings in-person with Menahem Israelievitch of Royal Wines Europe, Clarisse and Lionel Bokobsa of Sieva/Bokobsa Wines, and Shlomo Corcos of Guter Wein, I kept to my hotel and tasted wines I bought throughout Paris. This is the tasting I had with Ari Cohen, David Naccache, Cedric Perez, Benjamin Sebbah, and Mickael Marciano. A really fun group of guys. I must thank Ari Cohen and his lovely family for hosting us during the tasting.
In the end, these were mostly painful wines but there were some real WINNERS as well. We did the tastings in parings of the same regions or style and some were quite nice.
There were three roses and none of them interested me at all. I was surprised as they had been hyped and they were expensive, but ultimately, they came up short.
There were a few Chablis and overall they were boring. The best one 2019 Domaine des Malandes Chablis, Cuvee Amandine, Chablis, but it is not worth the money.
Two White Wines
Next, we had two white wines, one from Pays d’Oc and the other from Savoie, sadly they were both boring.
Next, we had some Sancerre! Yes, finally a real list of Kosher Sancerre! They were nice, some were crazy expensive and none really blew us away like the 2012 Chavignol Sancerre, but still nice. The WINNER from Bokobsa was the one wine that was both enjoyable and reasonable in price.
I do not normally care about price in regards to wine. However, I do care about the overall value of wine in regards to other options in its category, AKA QPR. There are so many great white wine options out there at this time that a 75 dollar Sancerre, nice as it is, really is not as interesting to me when I can have a better wine for half the price.
Another Chateau Magrez Fombrauge disaster
We then had 4 wines – they were all horrible. The 2017 Chateau Magrez Fombrauge Blanc, Bordeaux was an oxidized mess. The others were equally poor, I did not even write notes for them.
First we had four Rhone wines, two from Cotie-Rotie, one from Cotes du Rhone, and another from Chateauneuf-du-Pape. The two Cotie-Rotie were produced for Mes Vins Cacher and they were quite lovely, though expensive. The Cristia Collection are nice wines made for Israel that Ari was able to also get a few bottles of. This is yet another example of the growing list of French Kosher wines being made solely for Israel’s export. This has been the case for some USA purpose-made French wines as well, but in this case, Israel has taken the lead, at this point.
Next, we had another four Rhone wines, this time these were all made by Nathan Grandjean for sale on his website: yavine.fr. These wines and others from his collection were quite impressive and are WINNERS. Nathan had the largest number of QPR WINNERS in the tasting. Bravo!
Next, we had four Rhone white wines, all were again made by Les Vin de Vienne and Famille Mayard for Nathan Grandjean. Two Condrieu, one Crozes-Hermitage, and one Chateauneuf-du-Pape. Very nice. Two more WINNERS here!
Finally, we had the 2016 Tassi Brunello di Montalcino, Bettina Cuvee, Brunello di Montalcino. It is a lovely wine but for the price and the quality, I would stick with Terra di Seta. I will try and taste this again, but for now, it is a lovely wine that is just too expensive.
Overall, there were some WINNERS and there were some nice wines that are not worth the money. Magrez continues to make wines I would never buy and the rest of the simpler whites and roses were a total waste of money.
The higher-end wines were nice but many were far too expensive to make it reasonable. Still, there is a growing selection of wines from regions that we could have only dreamed about in the past!
I must state that I could NEVER have tasted these wines without the incredible help of Ari Cohen, Nathan Grandjean of yavine.fr online wine shop, and MesVinCacher. Ari tracked down all the wines for this tasting and hosted us for the afternoon that turned into the evening. I was sure he was ready to throw us out an hour earlier! Thanks so much, Ari, and thanks to your wife and family for putting up with me, and the gang that invaded your home!
2019 Roussawine Rose, Greece – Score: 88 (QPR: EVEN)
The wine is surprisingly good for 2019 rose. The nose on this wine is nice enough, with good fruit, nice acidity, and minerality. The mouth on this medium-bodied wine is painful, it is too sweet, not balanced enough, but nice still, with melon, sweet strawberry, guava, and tart grapefruit. Nice enough. Drink now. (tasted June 2021)
2020 Chateau Gairoird Rose, Cotes de Provence – Score: 87 (QPR: EVEN)
The nose on this wine is simple, a bit of grapefruit, strawberry, peach, raspberry, and mineral, simple. The mouth on this medium-bodied wine is nice enough, it lacks the acidity to balance this wine, it is good enough, but sadly move on. (tasted June 2021)
2020 Chateau de Saint-Martin Grand Reserve, Cotes de Provence – Score: 85 (QPR: BAD)
The nose on this wine is pure citrus, tart grapefruit, hints of apricot, really the nose is filled with deep minerality, smoke, and bright fruit. The mouth on this wine is balanced, but it has slight bubbles, when you shake it the acidity falls off, this is crazy, the wine was supposed to be so great, but honestly, all I get is saline, smoke, and grapefruit. The finish is short, but the minerality and saline are nice, very sad. Drink now (tasted June 2021)
As stated in my previous post, I was in Paris in June, and while it took forever to post these notes, I am happy to finally be getting to them at this point. I must start by thanking Clarisse and Lionel Bokobsa of Sieva/Bokobsa Wines. They were so kind to host me and allow me to taste through the lovely wines. I was also joined by Mr Henri Molko, sales manager at Sieva, and Benjamin Kukurudz.
So, returning to the trip, as stated in my previous post, I kept to my hotel room for much of the trip. Even vaccinated, I was worried, and am still worried, as such I kept to myself, where possible. However, Clarisse was so nice to setup the tasting so on a bright summer morning, I made my way to the Sieva offices, just outside of Paris.
The last time I was at a Bokobsa tasting, it was at the very early days on this insane life we now live, February, 2020. Of course, until June, 2021, no one from the United States was allowed access to France. Bokobsa, like Royal did not have a tasting in 2021. So, I was really happy to catch up with what new wines were available and to see the offices of Sieva, as I only ever see the Bokobsa family at KFWE or their own tastings.
The pricing of these wines are mostly cheaper in France than they are here in the USA, as such, some of them of the wines have better QPR scores in France. Also, many of these wines will not come to the USA, but overall I was impressed by the quality of the wines and how some of them have really improved from the first time I tasted them in 2019.
My thanks to Clarisse and Lionel Bokobsa and the rest of the Sieva/Bokobsa team for hosting me and letting us taste the wonderful wines. The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2019 Jean Pierre Bailly Pouilly Fume – Score: 92 (QPR: EVEN (In France: WINNER))
Another smash hit for this lovely wine, showing notes of sweet fruit, lovely orange blossom, with good fruit focus, gooseberry, melon, grapefruit, and flint galore. The mouth on this lovely medium-bodied is truly fresh, ripe, and well balanced with screaming acid, smoke, flint, gooseberry, melon, grapefruit, orange, orange blossom, and lovely screaming acid, wow! Lovely weight and mouthfeel. The finish is long, green, ripe, and well balanced, with crazy mineral, screaming acid, and lovely rock, flint, and mineral. WOW!! Drink until 2024. (tasted June 2021)
As stated in my previous post, I was in Paris in June, and while it took forever to post these notes, I am happy to finally be getting to them at this point. I will note, that almost none of these wines are or will be available here in the USA. The Elvi wines will get here eventually and maybe some of the KWI roses, but who knows.
So, returning to the trip, other than hanging out with my family and doing a few tastings in-person with Menahem Israelievitch of Royal Wines Europe, Clarisse and Lionel Bokobsa of Sieva/Bokobsa Wines, and Shlomo Corcos of Guter Wein, I kept to my hotel and tasted wines I bought throughout Paris. I did have a tasting with Ari Cohen and the guys, and that will be a post soon as well.
In the end, these wines were mostly painful, they were all 2020 roses and whites from varied vintages. However, there were some good finds, especially the still unreleased Elvi Herenza Blanc wines, those were lovely! Along with the wines from Richard Winery and Maison Serela.
So, the last time I posted about roses, we had the lovely 2020 Chateau Sainte Marguerite Rose and the 2020 Chateau Sainte Marguerite, Cuvee Fantastique Rose, and I also tasted a couple of roses at the Royal tasting. With that said, I had other roses and they will not change this final set of recommendations, in regards to Roses.
I will not repost all my thoughts on roses and the such or how they are made, please read my last post for all of that information.
This will be a quick and simple post for the roses I had not yet posted to the blog.
Best rose so far in 2021
At this point, I have probably tasted all the roses that I will get to and this is my final set of roses. I probably tasted as many as I did last year, again given the logistics of life today. That will still be fewer than in 2019.
If there are two ideas you get from this post that would be great. ONE: Drink only 2020 roses now. TWO: Drink refreshing roses. A rose that feels heavy, unbalanced, and one that does not make you reach for more, is not a rose I would recommend.
So with that said, here are the best options, if you must have a rose, sadly only a couple of these are worth buying – but so far, these are the best options here in the USA:
- 2020 Chateau Roubine Inspire Rose is the best rose I have tasted so far, by a bit, but sadly, only the one in France.
- 2020 Chateau Sainte Marguerite Cuvee Fantastique Rose – best rose I have tasted for USA-based wines, as the 2020 Chateau Roubine Inspire Rose here is not as good here in the USA.
- 2020 Or de la Castinelle Rose and the 2020 Domaine du Vallon Des Glauges Rose – ONLY QPR WINNERS, though there are some France-based QPR options now as well.
- 2020 Ramon Cardova Rosado – is the best price to rose option out there now. It is not a WINNER, but it is a very nice wine and very well priced!
- 2020 Sainte Beatrice B – is the best of the European Mevushal Rose, with the Roubine a touch behind
- 2020 Hajdu Rose – is the best of the Cali roses (that I have tasted so far)
- 2020 Domaine Netofa Rose/2020 Dalton Rose – nicest of the riper roses (that I have tasted so far)
- 2020 Lahat Vignette Rose – is the best of the Israeli rose, but expensive
Well, I can honestly say I never meant it to get this out of hand, I was meant to post this months ago! But, life, shul, and so much more, got in the way. All good, just wine, and my blog had to be put on the back-burner for a bit. Thankfully, I am ready to post more often now.
So, we return to the story, I landed in Paris, and bought lots of wines, and then had lunch with Ari Cohen and Simon Berdugo. I will get to the many wines I bought in the next few posts, God willing.
But let us start with the roses and whites I enjoyed in the company of Menahem Israelievitch. These wines are almost all here, except for the two reds that will get here eventually. My guess is that just like all shipping around the world is waiting on boats, maybe these wines are also being held up behind millions of iPhones, laptops. and Elmo toys. Please, do your Chanukkah shopping NOW, the supply of many items will be very limited in the next few months.
At the tasting, we enjoyed many lovely wines, and you can read the notes below, I want to point out a few thoughts on them.
- The high-end Chateau Roubine wines tasted FAR better and different in France – like VERY different! All I can say is that the score represents what I had in France, and I noted that the wines here taste different..
- The 2019 vintage is showing nicely for some parts of France and less so for others, time will tell how well it shows.
- Finally, the 2019 Chateau Malartic, Blanc is simply one of the best, if not the best white wine I have ever tasted, again, all I drink or taste is kosher. It is shockingly wonderful. Yes, there are the beautiful 2014 Von Hovel Auction Rieslings, I did not forget them, and they may well outlive the Malartic, who knows, but this wine is special!
In closing, all of these wines will get here eventually. I cannot say that for the vast majority of wines I will be posting over the next weeks. So many wines made in France either live and die in France and Europe, as a whole, or are made JUST for Israel. These new phenomena started with Shaked, and others have joined in. Either way, lots of French wine is not sold in France and lots of French wine never leaves the country – just the fascinating life of French wine. Most of it is made by very small producers or ones with horrible distribution, and as such, they are very difficult to find. Thankfully, as I stated all of these wines and many of Bokobsa wines, a post coming soon, should be available in the USA.
My thanks to Menahem Israelievitch and Royal Wines for hosting me and letting us taste the wonderful wines. The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2019 Les Marrioners Petit Chablis (M) – Score: 90 (QPR: GOOD)
The nose on this wine is nice, tart, with floral notes of apple blossom, quince, mineral, slate, hay, straw, and smoke. The mouth on this medium-bodied wine is lovely, with great acidity, nice fruit focus, and a life to it that is quite refreshing. The mouth shows apple, quince, pear, hints of melon, blossom, orange pith, nectarines, and nice flint. The finish is long, green, with lemongrass, flint, and smoke, with acidity lingering long. Bravo!! Drink until 2023. (tasted June 2021)
2019 Les Marrionniers Chablis (M) – Score: 91 (QPR: GOOD)
The nose on this wine is quite nice with a rich focus that brings incredible minerality, rich saline, fruit that is more white and yellow with a clear precision that makes me smile. The mouth on this medium-bodied wine is rich, layered, and focused, with deep acidity and saline that brings the mouth together incredibly well, followed by rich apple, quince, peach, and mineral galore, the mouthfeel is oily and rich and really incredibly refreshing and also quite elegant, nice! The finish is super long, tart, green, with lemongrass, saline, slate, rock, and smoke, with grapefruit, lemon, and citrus galore. Bravo! Drink until 2024. (tasted June 2021)
As I close out the QPR posts for each of the wine categories, I forgot a few of the simple white wines – so here is a post of them. Please look at the past simple white wines post for more on QPR and the simple white wine category. Again, QPR (Quality to Price Ratio) is where kosher wine needs to go. QPR means well-priced wines. Still, people do not get QPR. To me, QPR WINNER is what I describe and explain here. The overall revised QPR methodology is described here (and linked from the WINNER post as well).
One more reminder, “Simple” white wines is a wine that will not age more than seven or so years. So, please no hate mail! There are many WINNERS here, enjoy! I also threw in a few roses with one WINNER, but it is a 2019 Rose, and 2020 roses are about to be released, so drink up those 2019 roses already. I also tasted a few reds, with the 2017 Les Lauriers de Rothschild getting a slightly higher score.
The clear WINNER of this tasting is the 2019 Chateau Lacaussade, Vieilles Vignes, Saint-Martin. That along with the 2018 Koenig Riesling, which I like more now than I did a year ago. Also, the 2017 Les Lauriers de Rothschild. The 2017 Les Lauriers de Rothschild, Montagne Saint-Emilion was a winner in my previous post, I just slightly raised the score on it.
ROSE Wines (DRINK them now – if you must)
2019 Rubis Roc Rose – Score: 91 (QPR: WINNER)
This wine is a blend of 50% Cinsault and 50% Cabernet Sauvignon. This is a weighty and food-required style rose than a refreshing rose. The nose of this wine is fresh and alive, with meaty notes, showing red and blue fruit notes, with nice citrus, with good attack and herbs. The mouth on this medium-bodied wine is solid, a drop less acid than I would like, but still very good with hot peppers, green notes, blue fruit, raspberry, dried lime/lemon, with mineral, and nice spice. The finish is long, green, and enjoyable, with good structure and nice minerality, nice! Drink now. (tasted Oct 2020)
2019 Yaacov Oryah Pretty as the Moon Rose– Score: 89+ (QPR: POOR)
This rose is a blend of 45% Syrah, 40% Grenache, and 15% Petite Sirah. The nose on this wine is divine – a lovely nose of floral violet, loads of rosehip, followed by a bit of nice funk, dried and tart cranberry, along with loads of mineral, this smells like what I want from a Provence wine, with dried/tart red fruit, a bit of reductive oxidation, and green notes as well. The mouth on this medium-bodied wine is nice but the acidity is where the wine fails, it has acidity, but the wine’s profile, which has nice fruity and refreshing characteristics lacks the punch of bright acidity to bring it all together, still, showing mineral, and lovely red fruit, with tart strawberry, lovely green/tart apple, quince, watermelon, hints of passion fruit, and loads of mineral. The finish is long, complex enough, with slate, graphite, more flowers, and lovely freshness, WOW! Bravo! Drink now! (tasted Oct 2020)
With 2020 coming to a close, I am posting the top sparkling wines, but to be clear, I drink sparkling wine all year round! We have been blessed recently with Yarden selling their Gilgal Sparkling wine for under 20 dollars a bottle! Honestly, there is no better deal out there and that is why they were the wines of the year last year! Yarden continues to impress with their 2014 entries and they are the sparkling wine producers to beat, for anyone entering this market.
How is Sparkling wine made?
There are many options – but the vast majority of sparkling wines fall into three categories:
- Le Méthode Champenoise (Méthode Traditionnelle)
- Methode Ancestrale
- The Charmat Method
Le Méthode Champenoise (Méthode Traditionnelle)
So, what is Champagne and how do we get all those cool bubbles? Well, it all starts with a grape of some sort, in most cases, Chardonnay, but we will get back to the other varietals further down. For now, like all wine on planet earth, Champagne starts with a grape. It is picked (often early to lower alcohol and increase acidity), then crushed, pressed, and allowed/encouraged to go through primary fermentation, exactly like all white wines on planet earth. At this point, most houses ferment the base wine in metal tanks or barrels. Some still use wood, but they are the minority.
Of course, like much of France (Bordeaux, Burgundy, Champagne), especially in Champagne, the wine can be chaptalized after racking, until an 11% ABV. Now before the heat waves that have covered much of this earth (call it what you wish), Bordeaux and Champagne prayed to hit their desired mark of ABV, and therefore they used to add sugar to bring up the ripeness on their fruit. Nowadays, Champagne is picking earlier and earlier, and Chaptalization is not a common thing anymore, as mother nature is taking care of the fruit’s ripeness all on her own!
Once the wine has been fermented the next question arises, should they let the base wine go through a wine’s second natural fermentation called Malolactic Fermentation? Most allow the fermentation to take place and require it, a fact that is easy nowadays with controlled winery environments, though some do not like it at all. Finally, the barrels/tanks are blended or in the rare case, kept aside as a Vintage Champagne, meaning the base wine used in it, is sourced from one vintage and not a blend of a few vintages.
So, at this point what we have is base wine, and while it may be an OK wine, it is far from what the final product will be like. Most base wines are nice enough, but it would be like licking on a lemon, these wines are highly acidic, and not normally well balanced at that point.
The next step is to bottle the wine, with yeast and basic rock sugar, which causes a second fermentation. The actual amount of the two added ingredients is a house secret. The wines are closed with a simple beer bottle cap. You will notice that ALL wines made in this manner have a lip around the top of the bottle, where the cap is attached to. Again, if the year is exceptional then the wine becomes vintage champagne and is aged for at least three years. If the vintage is normal then the bottle’s content is a blend of a few vintages and is aged for at least one and a half years.
All the while during this second fermentation process, the wine is aged and the wine becomes more complex from the yeast. The yeast breaks down as it eats the rock sugar, adding the effervescence, and while the yeast breaks down, it adds a lovely mouthfeel and rich complexity. This process is known as autolysis, releasing molecules that are slowly transformed as they interact with those in the wine.
The process is a dual transformational process. First, the yeasts are broken down, but if that occurred in a 100% hermetically sealed environment, we would have SERIOUS issues, like HS (Hydrogen Sulfide) and mercaptan (think nasty rotten eggs). Oxygen is a two-edged sword, with too much a wine oxidizes, and with too little, you get HS and nasty foul egg smell. So, the cap that covers the Champagne bottles as they rest for 18 months to 3 years in these cool racks, actually allow for a certain amount of oxygen to flow through, the caps are not hermetic seals. The special stoppers, AKA caps, allow the wine to mature on the lees, with a very slow feed of oxygen coming through, thereby allowing the wine to mature at a rate that is best for it. You can mature them quicker, with a different cap, but you would lose the value of a wine sitting long on the lees.
According to Wikipedia, the effects of autolysis on wine contribute to a creamy mouthfeel that may make a wine seem to have a fuller body. The release of enzymes inhibits oxidation which improves some of the aging potentials of the wine. The mannoproteins improve the overall stability of the proteins in the wine by reducing the number of tartrates that are precipitated out. They may also bind with the tannins in the wine to reduce the perception of bitterness or astringency in the wine. The increased production of amino acids leads to the development of several flavors associated with premium Champagne including aromas of biscuits or bread dough, nuttiness, and acacia. As the wine ages further, more complex notes may develop from the effects of autolysis.
Finally, it is at this stage, after the bottles have matured their proper time, based upon their label (blend or Vintage), we get to the final stage of Champagne, remuage (or “riddling” in English) and Dosage. To get rid of the lees (the dead yeast cells and other particulates), the bottles are hand or machine manipulated to convince the lees to move towards the cap. Then the neck of the bottle is frozen, and the cap is removed, the lees come flying out in a frozen format, and then the bottle is recapped with the famous champagne cork, but not before it is dosed with more sugar. This very last step is the reason for this post, but let’s leave that till further down in the post, for now, let’s talk varietals and color/style.
Color/style and Varietals
So, we have covered the how part of Champagne (well almost more on Dosage below), and now we need to talk color and grapes. The base grapes for Champagne are Pinot Meunier, and Pinot Noir, and Chardonnay. There are very few houses that also use Arbane, Petit Meslier, Pinot blanc, Pinot Gris. Champagne, like the rest of France’s wine industry, is controlled by the AOC (appellation d’origine contrôlée).
So, for Blanc de Blancs Chardonnay, which is white from white, Chardonnay is the only grape allowed. Meaning, that the juice from Chardonnay is 100% of a BdB Champagne, or in rare occasions from Pinot blanc (such as La Bolorée from Cedric Bouchard).
For Blanc de Noirs, the Champagne is made from either Pinot Noir or Pinot Meunier, or a blend of the two. Finally, for Rose Champagne, it can be a blend of the three grapes.
This has been all the rave recently, LD or Late Disgorgement. All this means is that the house or winery (outside of Champagne) kept the bottles capped for a longer time. So the 2007 Yarden Blanc de Blancs was sold in 2014 or so. It is a lovely wine and recently Yarden released a 2007 LD Yarden Blanc de Blancs. It is the same wine, just held longer in capped format (another 4 years or so), and then recently they disgorged the wine, more on that below, and put in the dosage and the Champagne style cork and released it now. Essentially, for all intent and purpose, Yarden aged the Sparkling wine 4 more years and released it later on. The interesting thing will be to taste the two wines (the LD and normal 2007 Yarden BdB and see how 4 extra years of lying on lees helped/hindered/or did nothing). I will be doing that soon enough.Read the rest of this entry
Well, it is official, 2020 continues to take, and though my annoyances are minor in comparison to the pain others are feeling, it still has impacted my routine, which I guess is the story of 2020. For the past three years, I have been tasting Royal’s latest wines with the man in France for Royal, Menahem Israelievitch. Sadly, this year, no matter how much I planned and tried, it is a no go. So, for the first time, in a long time, the tasting will be here in Cali and it will only be a small part of the 2018 and 2019 wines, such is life.
So, no there will not be a picture with all the wines, and some of the wines from last year are still not here right now! But, I will post here what I did taste so far, and my overall feeling of the 2018 and 2019 vintages.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, and the 2017 vintage was not ripe at all, the 2018 vintage makes the 2015 ripeness look tame! Now that is a very broad-stroke statement that cannot be used uniformly, but for the most part, go with it!
I see no reason to repeat what Decanter did – so please read this and I will repeat a few highlights below.
For a start, the drought came later in 2018,’ says Marchal, pointing out that early July saw less rain in 2016. ‘But when it came in 2018, it was more abrupt, with the green growth stopping across the whole region at pretty much the same time’. He sees it closer to 2009, but with more density to the fruit. … and high alcohols!
Alcohols will be highest on cooler soils that needed a long time to ripen, so the Côtes, the Satellites, and the cooler parts of St-Emilion have alcohols at 14.5-15%abv and more. I heard of one Cabernet Franc coming in at 16.5%abv, but that is an exception. In earlier-ripening areas, such as Pessac-Léognan and Pomerol, alcohols are likely to be more balanced at 13.5% or 14%abv, as they will have reached full phenolic ripeness earlier.
‘Pessac-Léognan did the best perhaps because it’s an early ripening site,’ said Marie-Laurence Porte of Enosens, ‘so they were able to get grapes in before over-concentration. If you had to wait for phenolic ripeness, that is where things could get difficult’.
The final averages per grape, according to Fabien Faget of Enosens, are Sauvignon Blanc 13.5%abv, Sémillon 12.5%abv, Merlot 14.5%abv, and Cabernet Sauvignon 14%abv’.
The Mevushal push, from Royal wines, is continuing for the USA labels, a fact I wonder about more and more. Look, if you are going to force Mevushal wine down our throats, why not import BOTH? If you look at the numbers for wines like we will taste in the post, the majority of the buyers are not restaurants or caterers. Sorry! No matter how much Royal Wines wants to fool itself into thinking. Throw in COVID and FORGET about this INSANITY, please! I beg of you!
There is no denying that it affects the wine, it does. I have tasted the Chateau Le Crock side by side, the Mevushal, and non-Mevushal and while I feel that Royal does a good job with the boiling, it is still affected. If you want to have Mevushal wines in the USA, then bring them BOTH in! Royal does this for Capcanes Peraj Petita and the undrinkable Edom and others in Israel. So what Royal is saying is – that could not sell the Chateau Le Crock numbers that they import into the USA without boiling it? Why else would they feel forced to boil it and import it if not otherwise? To me, it makes me sad, and in a way, it disrespects what Royal is trying to do to its French wine portfolio, IMHO. They should, at minimum, import both! Allow for the caterers and restaurants (like anyone needs that nowadays – HUH???) to have the Mevushal version and sell the non-mevushal version to us, as you do with Edom and Petita. There I have stated my peace, I am 100% sure I will be ignored – but I have tried!
The Mevushal wines from France for the 2018/2019 vintage will be, the 2018 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2018 Chateau Greysac, 2018 Chateau Chateau de Parsac, 2018 Les Lauriers, Des Domaines Edmond de Rothschild, 2018 Chateau Le Crock, 2019 Chateau Les Riganes, Red, 2018 Chateau Genlaire, along with the whites wines, the 2019 Bourgogne Les Truffieres, Chardonnay, the 2019 Les Marronniers, Chablis, and the 2019 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof of. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – yes! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.
The “other” wines not here yet or I have not had
There is the just-released 2018 Château Cantenac Brown Margaux (will post that when I get it), along with these yet unreleased wines. The 2019 Chateau Gazin Blanc (2018 was/is INCREDIBLE), 2018 Chateau Fourcas Dupre, 2018 Château Meyney Saint Estèphe, 2018 Chateau Giscours, 2018 Chateau Lascombes, 2018 Chatyeau Tertre, and 2018 Chateau Royaumont.
I understand this is a sub-optimal situation and blog post. It does not cover Royal’s 2018/2019 European wine portfolio. Still, it covers what has been released (or very close to it), here in the USA, and hopefully, it will help you. One day soon, I hope and pray, things will return to some semblance of normalcy, and we will all travel around again. Until then, this is the best I can do. Stay safe!
Final comments, disclaimer, and warnings
First, there are a TON of QPR winners but there are also a LOT of good wines that I will be buying. Please NOTE vintages. The 20016 Haut Condissas is a disaster while the 2017 vintage is fantastic! So, please be careful!
These wines are widely available in the USA, so support your local wine stores folks – they need your help! If you live in a wine-drinking desert, like California, support the online/shipping folks on the side of this blog. They are folks I buy from (as always – I NEVER get a bonus/kickback for your purchases – NOT MY STYLE)!
Sadly, there was no plane trip, no hotels, no restaurants, nothing. So, no trip to talk about – just the wines and my lovely home! Stay safe all and here are the wines I have had so far. I have also posted many scores of 2015, 2016, 2017, and 2018 wines which are still for sale here in the USA. My many thanks to Royal Wine for their help in procuring some of these wines. The wine notes follow below – the explanation of my “scores” can be found here: