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Paris tasting of Royal’s 2019 and other French wines – November 2021
So, in June I made my way to Paris and I posted the Royal wines I tasted, they were mostly white, rose, and a few red wines as well. For the past many years I have been tasting the new releases from Royal wines with Menahem Israelievitch. Sadly, last year, because of COVID I tasted the 2018 vintage in my house. Thankfully, Paris was open in November, and I returned to taste more wines.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage was not ripe at all, with the 2018 vintage making the 2015 ripeness look tame! Well, I am happy to say that the 2019 vintage is far more in control, less heat is obvious, though it showed up in a few wines below. Now that is a very broad-stroke statement that cannot be used uniformly, for the most part, go with it! Thankfully, the 2019 vintage will be priced slightly lower than 2018, overall, more on that below.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and just ages the wine rather than ruining it.
The Mevushal wines from France for the 2018/2019/2020 vintages will be the
- 2020 Les Marrionniers Chablis, Chablis
- 2020 Chateau Les Riganes, Bordeaux
- 2020 Chateau Genlaire, Bordeaux Superieur
- 2018 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
- 2019 Des Barons Edmond & Benjamin de Rothschild Les Lauriers, Montagne Saint-Emilion
- 2018 Barons Edmond & Benjamin de Rothschild, Haut-Medoc
- 2019 Chateau Greysac, Medoc
- 2019 Chevalier de Lascombes, Margaux – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2019 Chateau Le Crock, Saint-Estephe, Bordeaux
- 2018/2019 Chateau de Parsac
- 2019 Chateau Gazin Rocquencourt, Blanc, Grand Vin – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2019 Chateau Gazin Rocquencourt, Red, Grand Vin – YES this is new for 2019 – OH! How exciting (note by sarcasm!!!)
- 2018/2020 Chateau Les Riganes, Blanc
- 2017/2019 Chateau Mayne Guyon
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! Same with the Chateau Le Crock, over the past few years. So, would I buy the mevushal versions of the wines I tasted below! The answer is yes! Would I age them? Yes, I would hold them for slightly fewer years. To me personally, it is very clear, if Royal had their way they would make the Pontet Canet Mevushal! Nothing to Royal is sacred and this will not stop with the list above, it will grow, proof is Chevalier and Gazin!
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.
The 2019 Pricing and access
When the 2019 wines were released “En primeur” the date was late May 2020. The world, at that time, knew nothing about COVID other than it was killing thousands and questions were all we had. Still, wineries in Bordeaux decided to plow on and the first of the virtual tastings took place on May 28th, 2020 – from Chateau Pontet Canet! This was the non-kosher tasting but at that moment when wines were shipped the world over, wineries decided to lower prices! Remember, we had been raising prices year over year, 2014 to 2015, to 2016, to 2018, it was time to reset. The pandemic allowed for that. Thankfully, and sadly, the world has slowly come back from the brink of death, and now, the 2020 vintage, which has the “En primeur“, in Bordeaux, June 2021, raised prices – so yeah, the 2020 Chateau Pontet Canet is more expensive than the 2019 vintage.
On top of that, the 2019 Chateau Pontet Canet is going to be impossible to buy. I have asked why certain wines in the past were not made more often or the such? Like why do we have Leoville every 2 or more years? Why can it not be more like Giscours? The answer I have received, from many at Royal is that folks still fear what happened during the last recession of 2007/2008. They had made too much of Leoville and Pontet Canet, in a short period, and well, sadly it sat. I get it, who wants to stare at walls of wine they cannot sell?
My issue with that is – well that was more than 15 years ago guys! Maybe a better way to say it is to channel Dorthy – Toto, I have a feeling we’re not in Kansas anymore.
Do we believe that another 100 cases would not sell?? The Malartic white is almost sold out! Malartic white! A wine no one thought they could sell 10 years ago. The world of the kosher wine consumer has moved in leaps and bounds – to continue to think like it is still 2008 is to belittle us and deny many what they want – more Pontet Canet! I will get off my soapbox, but it is truly time to stop with the kneejerk mindset. Like no 2019 Chateau Leoville Poyferre, why? Look at the famous 2014 Chateau Montviel story! It sold out in a week. Why? Because there was so little made. Again, the kosher consumer has moved past the days of old – I think it is time for Royal to do the same.
I understand that when Pontet Canet started up, again, with a new run of kosher wine, they created a separate sub-winery for the production. Further, they replicated the process, the varietal blend, and overall physical impact. The physical impact does define the total potential output, but it is time to start to grow the market. The market can and should support large output, especially in the trophy wine space, you can always control the output by skipping a vintage, in the end, Giscours and Leoville have proven it is doable, and I hope that Royal will continue to feel comfortable and grow Pontet and Leoville as we progress down the road.
Still, as always, we are indebted to the work of Menahem Israelievitch and Royal Wines for producing so many wonderful wines, even if they are in low supply. The 2019 Chateau Pontet Canet is a very different wine than the 2003 or the 2004 Chateau Pontet Canet. First of all, the system used to make those wines, back then, have changed drastically in the past 10 years, at the Chateau. Everything is now over the top, in regards to everything there. All production is done by hand and that adds to the cost. To me, the wine is also very different, stylistically, gone is the powerhouse, what we have now is a refined masterpiece. It may shock some people, and that is good, but to me, it is a classically styled and built wine for the future, and the best wines I have tasted this year, so far anyway.
Tasting in Paris
I landed in Paris, the day before this tasting and I met up with Avi Davidowitz from the Kosher Wine Unfiltered blog. It was a true joy to hang out with Mr. Davidowitz for a few days. It was so nice of him to fly from Israel to join me in the tastings. We also tasted over 70 wines – outside of the planned tastings. We thankfully had a great hotel room and it gave us loads of space to hang out and taste through those wines.
We had the chance to taste both the Mevushal and the non-Mevushal versions of two wines, side-by-side. Those were the 2019 Chevalier de Lascombes and the 2019 Chateau Le Crock. I missed the Chevalier de Lascombes but I got the Chateau La Crock. In my defense, both of the Chevalier de Lascombes are ripe, and differentiating the ripe from the riper was not obvious, but hey, I missed it!
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2019 Domaine Ternynck Bourgogne, Les Truffieres, Burgundy (M) – Score: 87 (QPR: BAD)
The nose on this wine is ripe apple, pear, melon, a bit of citrus, and spice. The mouth on this wine is nice but lacks the acidity to make it come together well, with melon, pear, mineral, and spice. The finish is a bit short with hints of nectarine, orange, mango, and sweet mint. Drink now. (tasted November 2021) (in Paris, France) (ABV = 13%)
Final Tasting from my trip to Paris – June 2021
As stated in my previous post, I was in Paris in June, and while it took forever to post these notes, I am happy to finally be getting to them at this point. I must start by thanking Ari Cohen, yet again, because all the wines tasted here, other than the wines from Elvi, were managed by Ari. The total number of boxes in my hotel room, still makes me laugh!
Moises Cohen from Elvi Wines sent me the Elvi wines tasted below while the rest of the wines either I or Ari bought.
As I stated, in my previous post, I kept to my hotel room for much of the trip. Even vaccinated, I was worried, and am still worried, as such I kept to myself, where possible. Almost all the wines below were tasted alone in my room other than the last few wines which were tasted at IDS’ offices.
Magrez wines continue to be a horrible mess
Besides the 2017 Chateau Fombrauge, Blanc, which was an oxidized disaster, I also tasted five more Magrez wines and they all continue to be a shadow of what the 2014 vintage was for this winery. Truly unfortunate for all of us kosher wine drinkers.
Memorias del Rambam
These were also not very impressive. I had them over a few days and they never turned the corner. They stayed very much a ripe ball of oak and fruit, classic parker style. The Yunikko was interesting, without the oak overpowering the wine, it has potential, but it also never came together.
Elvi Wines
I got the chance to enjoy the 2016 Elvi Wines Herenza Reserva and it is quite a joy. It should be coming to the USA soon, definitely a wine worth stocking up on!
Languedoc & Savoie Wines
Overall not a bad batch of wines though there is a clear WINNER in the 2019 Château de Marmorières Les Amandiers, La Clape, Languedoc. WOW!! if that was available in the USA, for that price, I would drink it every week!! Much like the Maison Sarela White, I enjoyed in Paris as well. The 2020 Jean Perrier & Fils Pure, Savoie was nice, much better than the Blanc which was not useful!
Overall, IMHO, the 2019 Château de Marmorières Les Amandiers, La Clape, Languedoc is such a WINNER it is a shame it is not here in the USA. Again, I understand import prices, extra layers of costs, so I doubt it makes sense here in the USA. But, for all of those in Paris/Europe – BUY IT!
Various Bordeaux Wines
This group was a total loser, other than the Cru Ducasse family of wines and the two Taieb wines. The two Taieb wines were nice and documented here. The rest were a total mess.
The 2012 Château Cru Ducasse, Haut Médoc and the 2012 Chateau Moutinot, Saint-Estephe are two more WINENRS and they were incredible! The price and the quality – WOW! The 2012 Château Cru Ducasse was imported into the USA a long time ago and then it disappeared. It is available in Paris/Europe – BUY IT!! WOW!!
Wines enjoyed at IDS’ Office
Ari gathered all the wines we tasted that day and Ben Uzman from Les Vins IDS shared a bottle of the 2020 Chateau Sainte Marguerite Cuvee Symphonie Blanc, Cotes de Provence. That is a lovely wine, a bit expensive, but a lovely wine indeed!
Besides the lovely Vermentino, we had the complete set of kosher Chateau Trianon that is for sale, at this time. The early 2017 vintage – the petite was not very good. However, the 2018 and 2019 vintages were lovely!
Thoughts on this tasting
Overall, these wines were unimpressive, but wow did we find some real sleepers! The 2019 Château de Marmorières Les Amandiers is a no-brainer for those in France/Europe. The Elvi is coming here soon, and the Trianon while lovely, is not yet been imported, and when it does, I doubt the price will stay near where it is today to stay a WINNER.
Overall, many great WINNER wines will stay in Europe or may come here to the USA but will not be WINNERs here. Still, again, for those in Europe/UK – enjoy! Thanks again to Ari and IDS for their help!
The wine notes follow below – the explanation of my “scores” can be found here and the explanation for QPR scores can be found here:
2016 Chateau Tour Blanche, Medoc – Score: 80 (QPR: BAD)
The nose on this wine is flat as is the mouth, it is not a fruit bomb, it is just boring. The nose on this wine shows black and red fruit, a bit of dirt, heat, and loam. The mouth on this medium-bodied wine is flat, it has no acid, it is lifeless, and not interesting. Next! Drink now. (tasted June 2021)
2016 Chateau La Tour Carnet, Grand Cru Classe en 1855, Haut-Medoc – Score: 89.5 (QPR: POOR)
This wine is far less fruity than the 2015 vintage, showing notes of deep loam, fresh dirt, sweet oak, sweet dill, milk chocolate, nice green notes, foliage, smoke, anise, tar, and ripe fruit, interesting. The mouth on this full-bodied wine is ripe, but controlled, with proper acidity, elegance, layers of big bold blackberry, blueberry, raspberry, with lovely mouth-draping tannin, dark chocolate, rich saline, lovely graphite, all wrapped in a rich plush mouthfeel, dense yet balanced with sweet oak, sweet tobacco, and nice mineral. The finish is long, sweet, balanced, with green notes, bell pepper, foliage, leather, rich earth, and lovely clean fruit on the long finish. Drink from 2024 until 2030. (tasted June 2021)
2016 Chateau Fombrauge, Saint-Emilion Grand Cru – Score: 86 (QPR: BAD)
This wine, much like the Tour Blanche, is empty, it is not unbalanced or a fruit bomb, rather it is none of the above and free of anything that will grab my attention. The nose on this wine is red and black, with green notes, sweet oak, and anise. The mouth on this medium-bodied wine is empty, free of acidity, life, or fruit, it has a bit but all I get is oak, sweet fruit, and smoke. The finish is long, with mouth-draping tannin, sweet fruit, leather, and more sweet oak on the long finish. Drink by 2027 (tasted June 2021)
2017 Chateau La Tour Carnet Grand Cru Classe en 1855, Haut-Medoc – Score: 85 (QPR: POOR)
WOW, I am confused the 2015 vintage was overripe, the 2016 vintage was balanced, now the 2017 vintage is lifeless with hints of ripe fruit in the far background, like what??? The nose on this wine is empty, hints of ripe black fruit, overripe blue fruit, sweet oak, sweet dill, and not much else. The mouth on this medium-bodied wine is ripe, with mouth-draping tannin, and not much else, blackberry, raspberry, all trying to cover up the glaring hole in the middle, with not enough acid to get this all around. The finish is a bit short, with more milk chocolate, smoke, green notes, and leather. Drink until 2027. (tasted June 2021)
2017 Chateau Magrez la Peyre, Saint-Estephe – Score: 83 (QPR: BAD)
Another Magrez and another wine without any life, I guess 2017 Magrez = empty lifeless wines. The nose on this wine is ripe, unbalanced, and empty, again, with notes of milk chocolate, sweet oak, ripe black fruit, a bit of earth, and that is it. The mouth on this medium-bodied wine is empty, it has nice mouth-draping tannin, it has no holes, but it has no acid, and it lacks life, the fruit is nowhere, with a bit of blackberry, raspberry, and green notes. The finish is long, green, red, and ripe, with milk chocolate, leather, sweet spices, more oak, and good mineral. Drink until 2027. (tasted June 2021)
Finishing my tasting of Royal Wine’s 2018 French wines in California
I know some of you are hoping for posts from my trip to France. However, I need to clean-up some missing posts, I have a lot of wine that needed to be posted and now I will do those quickly. After that I will start posting the wines I tasted in France.
So, back in November 2020, I did a tasting at my home to taste the 2018 wines from Royal, at least the ones that were here in the USA at that time. I will skip much of the text that I wrote then, but I will repost all the 2018 notes, to make it complete. Remember, all my notes have tasting dates on them.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, and the 2017 vintage was not ripe at all, the 2018 vintage makes the 2015 ripeness look tame! Now that is a very broad-stroke statement that cannot be used uniformly, but for the most part, go with it!
I see no reason to repeat what Decanter did – so please read this and I will repeat a few highlights below.
For a start, the drought came later in 2018,’ says Marchal, pointing out that early July saw less rain in 2016. ‘But when it came in 2018, it was more abrupt, with the green growth stopping across the whole region at pretty much the same time’. He sees it closer to 2009, but with more density to the fruit. … and high alcohols!
Alcohols will be highest on cooler soils that needed a long time to ripen, so the Côtes, the Satellites, and the cooler parts of St-Emilion have alcohols at 14.5-15%abv and more. I heard of one Cabernet Franc coming in at 16.5%abv, but that is an exception. In earlier-ripening areas, such as Pessac-Léognan and Pomerol, alcohols are likely to be more balanced at 13.5% or 14%abv, as they will have reached full phenolic ripeness earlier.
‘Pessac-Léognan did the best perhaps because it’s an early ripening site,’ said Marie-Laurence Porte of Enosens, ‘so they were able to get grapes in before over-concentration. If you had to wait for phenolic ripeness, that is where things could get difficult’.
The final averages per grape, according to Fabien Faget of Enosens, are Sauvignon Blanc 13.5%abv, Sémillon 12.5%abv, Merlot 14.5%abv, and Cabernet Sauvignon 14%abv’.
Final comments, disclaimer, and warnings
These wines are widely available in the USA, so support your local wine stores folks – they need your help! If you live in a wine-drinking desert, like California, support the online/shipping folks on the side of this blog. They are folks I buy from (as always – I NEVER get a bonus/kickback for your purchases)!
Again, I am just posting the 2018 reds and a couple of other wines that have changed in a good and bad way. My many thanks to Royal Wine for their help in procuring some of these wines. The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis (M) – Score: 88 (QPR: EVEN)
Sadly, as I continue to watch this wine evolve I feel it is not a wine that I will stock up on. This and the 1er Cru, sadly. The reason is that the wine keeps losing acidity as it ages. We opened the wine on Friday afternoon, and even then it had turned, and by Shabbat morning the acidity was far removed from where it was on Friday and that feels further removed from my notes and memories.
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. The mouth was lovely in the past, at this point, it has moved even further. The mouth on this medium-bodied wine is not as acidic as in the past and it is time to drink, sweet Meyer lemon, quince, pie crust, with Anjou pear, and nice peach. The finish is a bit short, with baked pear and apple, cinnamon, nutmeg, some mineral, and now the fruit is showing sweeter. Drink now. (tasted March 2021)
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 88 (QPR: POOR)
Sadly, as I continue to watch this wine evolve I feel it is not a wine that I will stock up on. This and the 1er Cru, sadly. The reason is that the wine keeps losing acidity as it ages. We opened the wine on Friday afternoon, and even then it had turned, and by Shabbat morning the acidity was far removed from where it was on Friday and that feels further removed from my notes and memories.
The nose on this wine still shows floral notes, starting with rosehip and yellow flowers, followed by some minerals, slate, blossom water, apple, and smoke. The mouth on this medium-bodied wine is where things have gone wrong, with a bit of weight at this time, yellow apple, some citrus, Asian Pear, nice peach/apricot, Orange pith, hints of nectarines and orange. Sadly, as I state above the acidity slows early and leaves in a few hours, so while I loved the wine at release, it is not for long holding. Drink now. (tasted March 2021)
Red Wines ordered by Vintage and QPR
2018 Chateau Le Crock, Saint-Estephe (M) – Score: 93 (QPR: WINNER)
The nose on this wine, is deep dark beautiful notes of black and red fruit, with rich salinity, mineral galore, with lovely tar, smoke, and what I crave from French wine – DIRT, DIRT, and more dirt! The nose is lovely, with green notes lurking in the background, and lovely licorice.
So, while I have been unhappy with the 2018 vintage so far, this wine returns my hope for the vintage, this wine is better than 2016, and that IS SAYING a lot!
This wine is a blend of 72% Cabernet Sauvignon, 22% Merlot, and 6% Cabernet Franc. The 2018 vintage has more Cab in it and it smells blacker than 2016 in many more ways than just that. Lovely wine! The blueberry of the past is gone and all you get is this intense earth, dirt, smoke, along with some shockingly beautiful violet, black and red fruit bonanza, with ripples of minerality through it – bravo and this is the Mevushal version!
The mouth on this full-bodied beast is impressive, with rich extraction, like in 2016, deeply concentrated, yet with lovely finesse and elegance, showing a richness that belies its youth, with blackberry, dark, yet controlled, plum, dark raspberry, earth, cherry, smoke, and a mouth draping elegance in the tannin structure that is impressive for its youth, with a lovely plushness, with deep furrows of graphite, saline, and rock. The finish is long, not so green, there is a few green notes, more in the way of tobacco than in the way of foliage, but here the finish is about the dirt, loam, forest floor, smoke, and dark chocolate, with hints of oak, with crazy acidity, leather, all wrapped in roasted herbs that linger long and forever. Bravo!!! This is the best Chateau Le Crock, I have ever tasted, at least in regards to the Mevushal version! Drink from 2025 until 2037. Incredible! (tasted Nov 2020)
2018 Chateau Royaumont, Grand Vin Bordeaux – Score: 93 (QPR: WINNER)
This wine is a blend of 70% Merlot & 30% Cabernet Franc. The nose on this wine is balanced, though a bit ripe, with bright fruit, ripe plum, dark cherry, anise, menthol, tobacco, with green notes from the Cabernet Franc, foliage, smoke, and slightly burnt oak. The mouth on this full-bodied wine is well-balanced, with loads of fruit to start, layered, concentrated, plush, with screaming acid, black raspberry, plum, smoke, oak, rich fruit, nice saline, good dirt, earth, black pepper, with ripe fruit, and loads of mouth draping tannin. The finish is long, ripe, with loads of sweet chewing tobacco, dark chocolate almost milky, with more earth, graphite, and smoke galore. Nice! Drink from 2028 until 2034. (tasted May 2021)
2018 Chateau Fourcas Dupre, Listrac-Medoc – Score: 92+ (QPR: WINNER)
This wine is a blend of 44% each Cabernet Sauvignon and Merlot, with 10% Cabernet Franc and 2% Petit Verdot. The nose on this wine is ripe, scary ripe, but under a blanket of dirt, earth, smoke, more ripe fruit, mushroom, forest floor, and earth, wow! The mouth on this medium-bodied wine is lovely, rich, layered, elegant, but ripe, but the ripeness is balanced well by the acidity, with incredible dirt, along with floral notes, blackberry, currant, plum, and rich salinity, with dark chocolate, smoke, and rich loam, acid galore, and smoke. The finish is long, green, black, and mineral-driven, with loads of scrapping graphite, dirt, and foliage, wow! Bravo!! Drink from 2026 until 2033. (tasted January 2021)
Kosher Mid-Range aging red wines may well be the sweet spot for the kosher wine market – lots of WINNERS.
We are working our way through the QPR 2.1 and 2.0 wine categories and so far, outside of simple white wines, there has not been a lot of love or WINNERS to talk about. However, things start to change with the 2nd red wine category.
These wines are drinkable now but will improve a bit with time. They are not the undrinkable wine category, which will be next, but rather these wines are good now and may garner some of those tertiary notes we all love so much, with a bit of time in the bottle. These kinds of wines are normally more expensive, but this is where the QPR (Quality to Price ratio) sweet spot exists, IMHO.
As explained in my last post, the wine categorization is impacted by what I think the wine will last. Meaning that a poor wine will not be more enjoyable in 5 years if it is a painful date juice now. Nor will the wine be more ageable depending on the price of the wine. The length of time wine can live in the bottle is not scientific in any manner, it is subjective, much like the wine’s score, still, it is based upon this that the wines are judged for their QPR.
Mid-range aging Reds (4 to 11 years) – cellar saviors
As I have stated enough times now, the fact that a wine can “live” for 10 or so years, tells you that the wine is good to start with, or at least professionally made. Still, the next level up, High-end Red wines (11 and more years), come at a much higher price range. Yes, there are sweet spot wines there as well, but there are more here in the mid-range options. Also, these are the wines that will save your cellar. Look, I like wines like the 2019 Chateau Les Riganes, or the 2017 Chateau Mayne Guyon just fine! But when you want something with a bit more polish or elegance and you do not want to raid your high-end wines early, THIS IS the category to go to!
If you want that next level is quality but not the next level in price, per se, this is the category to hit. Here you will find wines like the 2017 Chateau Greysac, Medoc, the 2015 Louis Blanc Crozes-Hermitage, and the 2018 Terra di Seta Chianti Classico, which all scored 92 or higher and are all priced at 30 dollars or lower. While I would say these wines will improve with more time, they can at least be enjoyed now, without robbing the cradle of wine like 2015, 2017, or 2018 Chateau Fourcas Dupre.
On a Facebook post, I and many others were asked over and over about this wine or that wine, wines that were still far too young to be appreciated now. My response was the same over and over, stop opening bottles so early! I opened a bottle of 2007 Four Gates Cabernet Franc, 2 weeks ago, it was an absolute joy but also, a wine that was so young it was truly a crime! STOP opening wines early folks. Let the wines come to you! This wine category is where you will find the richer, more complex options, for a higher price than the Simple reds, but still at a lower price point overall than the higher-end reds. There are 20+ WINNERS here, between USA and France, BUY them and SAVE YOUR CELLAR!!!
Shirah Wines Post
If one takes even a cursory look at this post and the wine notes below, the predominant winery/producer you will find is Shirah Wines. I got all the current wines in May of this year. It took me a bit of time to finally post them. As I stated last year, in my year in review, California had indeed turned its direction towards riper fruit and wines. Shirah contacted me and I bought the current wines to make 100% sure that my notes were in line with my comments, you can make your mind up from the notes.
I will stress THREE points here AGAIN, as I have done over a long time already:
- I crave the 2010 (AKA NV) /2012/2013/2014 Bro.Deux and the 2013 Syrah, and I FONDLY remember the old days of the One-Two Punch. Those were and still are VERY different wines than what is being sold now. I have had all of them recently and still have some bottles. They are wonderful, but they are not what the 2016 or 2017 Bro.Deux is like today.
- I strongly believe in Shirah Wines, I think the wines they produce are professionally made and are perfect for the bigger/flashier/riper palate that is the cornerstone of today’s kosher wine-buying public. They are just not the wines I want.
- Finally, there has been a clear and very big shift in the palate of the wines being made in California, today. Even Four Gates wines are getting riper. The issue here is all about balance. If I feel fruit is overripe and sticking out, to a point where I do not enjoy the wine, but rather think about the ripe fruit, I will move on. I understand this is a subjective way of seeing wine. I get that, and that is what makes wine so fascinating. Like all of art, it is not what is true or false as much as it is what one likes or dislikes.
WINNERS and other demarcations
As stated above, some wines will be winners in France/Europe and others will be WINNERS in the USA. I do not know the pricing in Israel or the wines or really anything about Israel for the last year+. Maybe Avi Davidowitz of Kosher Wine Unfiltered can make a post or two on this subject! HINT HINT!
Also, there are strange prices, distributions, and edge cases throughout Europe, and as such what is a good price in Paris may not be in London. Worse is wine in Belgium may be a better price than in Paris or London. The idea of “Europe” being a single country for commerce is a MASSIVE sham in the kosher wine market, in Europe anyway. In the USA it is equally messy, in regards to pricing throughout the states, L.A.’s wine prices are either non-existent (because there is no wine) or it is sky-high. I have seen better prices for California wines in NYC than in California! Like what now??? So, yeah, pricing is not as crisp, all the time, as I make it out to be here with my QPR posts, but I do the very best I can.
So, WINNER means USA (sorry this is a USA dominant blog), WINNER (F) means a WINNER in France. I will denote as well, in the wine post if the wine is only available in France or Europe, which is the same for me here, as London is the main outlier and it is not part of Europe anymore – sorry London! Enjoy the train!!! On a total aside, I did love taking the train from London to Paris, a few days AFTER they left the union! Moving on now.
So, without too much more delay – let’s get to it! Here is the list of cellar saviors and mid-level red wines. There are many WINNERS for buyers here in the USA and those in France! The wine notes follow below – the explanation of my “scores” can be found here:
2018 Terra di Seta Chianti Classico – Score: 92 to 93 (QPR: WINNER)
This is a fantastic wine, and with my new QPR scoring it is still is not as expensive as the median and its score is also above the median, so it is a GREAT QPR. This is a no brainer GREAT QPR wine and will sell out quickly BUY NOW!
This wine is incredible, it is better than the 2016 vintage and much better than 2017. It is even a bit better than the massively epic 2015 vintage. Bravo Daniella and Maria!!!
The nose on this wine is ripe, but the balance on it is incredible, the fruitiness exists but it hides behind a redolent garden of fresh mushroom, grass, dirt, loam, and lovely earth, with hints of barnyard, forest floor, and dark fruit, with balsamic vinegar, and roasted herbs galore. The mouth on this medium to full-bodied wine is incredible, layered, rich, extracted, and so balanced, with incredible acidity, intense saline, dark sour cherry, coffee, all balanced and plush, with rich blackberry, cherry, strawberry, salami, with lovely mouth draping tannin, with minerality, graphite galore, and a lovely tannin structure. The finish is long, green, and ripe but perfectly balanced, with lovely acidity, roasted coffee, graphite, scarping mineral, loads of smoke, and sweet tobacco on the long finish. Bravo!! Drink until 2027 maybe longer.
2017 Tassi Aqua Bona Toscana Rosso, Bettina Cuvee – Score: 92 (QPR: BAD)
This wine is meant to be bottled under the D.O.C.G. Rosso di Montepulciano, but because of some strange requirements that were not met to meet the body’s requirements it only has the I.G.T. Toscano Rosso moniker.
This wine producer/winery is quite famous in the non-kosher world. The wine is made from 100% Sangiovese.
The nose on this wine starts with a crazy cedar box, followed by a mound of fresh Cuban Cigar tobacco, followed by loads of anise, licorice, smoked meat, followed by black and red fruit, foliage, forest floor, and more sweet cedar/oak. The mouth on this medium-bodied to full-bodied wine is not as extracted as I expected though this wine is richly expressive with loads of smoke, earth, rich tannin, nice green notes from what I can imagine is what I would get from whole-cluster and stems fermentation, with loads of rich spice, heady roasted herbs, and lovely blackberry, dark cherry, rich umami notes of balsamic and mushroom, with loads of mineral, graphite, and rich fruit-structure and focus with lovely elegance and control. The finish is long, rich, layered, and smoky, with nice control, lovely acidity, and smoke, roasted herbs, smoked meats, and soy sauce followed by more cigar smoke, and freshly tilled earth. Nice!!! Drink from 2021 until 2026.
Tasting of Royal Wine’s 2018 and some 2019 French wines in California
Well, it is official, 2020 continues to take, and though my annoyances are minor in comparison to the pain others are feeling, it still has impacted my routine, which I guess is the story of 2020. For the past three years, I have been tasting Royal’s latest wines with the man in France for Royal, Menahem Israelievitch. Sadly, this year, no matter how much I planned and tried, it is a no go. So, for the first time, in a long time, the tasting will be here in Cali and it will only be a small part of the 2018 and 2019 wines, such is life.
So, no there will not be a picture with all the wines, and some of the wines from last year are still not here right now! But, I will post here what I did taste so far, and my overall feeling of the 2018 and 2019 vintages.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, and the 2017 vintage was not ripe at all, the 2018 vintage makes the 2015 ripeness look tame! Now that is a very broad-stroke statement that cannot be used uniformly, but for the most part, go with it!
I see no reason to repeat what Decanter did – so please read this and I will repeat a few highlights below.
For a start, the drought came later in 2018,’ says Marchal, pointing out that early July saw less rain in 2016. ‘But when it came in 2018, it was more abrupt, with the green growth stopping across the whole region at pretty much the same time’. He sees it closer to 2009, but with more density to the fruit. … and high alcohols!
Alcohols will be highest on cooler soils that needed a long time to ripen, so the Côtes, the Satellites, and the cooler parts of St-Emilion have alcohols at 14.5-15%abv and more. I heard of one Cabernet Franc coming in at 16.5%abv, but that is an exception. In earlier-ripening areas, such as Pessac-Léognan and Pomerol, alcohols are likely to be more balanced at 13.5% or 14%abv, as they will have reached full phenolic ripeness earlier.
‘Pessac-Léognan did the best perhaps because it’s an early ripening site,’ said Marie-Laurence Porte of Enosens, ‘so they were able to get grapes in before over-concentration. If you had to wait for phenolic ripeness, that is where things could get difficult’.
The final averages per grape, according to Fabien Faget of Enosens, are Sauvignon Blanc 13.5%abv, Sémillon 12.5%abv, Merlot 14.5%abv, and Cabernet Sauvignon 14%abv’.
The Mevushal push, from Royal wines, is continuing for the USA labels, a fact I wonder about more and more. Look, if you are going to force Mevushal wine down our throats, why not import BOTH? If you look at the numbers for wines like we will taste in the post, the majority of the buyers are not restaurants or caterers. Sorry! No matter how much Royal Wines wants to fool itself into thinking. Throw in COVID and FORGET about this INSANITY, please! I beg of you!
There is no denying that it affects the wine, it does. I have tasted the Chateau Le Crock side by side, the Mevushal, and non-Mevushal and while I feel that Royal does a good job with the boiling, it is still affected. If you want to have Mevushal wines in the USA, then bring them BOTH in! Royal does this for Capcanes Peraj Petita and the undrinkable Edom and others in Israel. So what Royal is saying is – that could not sell the Chateau Le Crock numbers that they import into the USA without boiling it? Why else would they feel forced to boil it and import it if not otherwise? To me, it makes me sad, and in a way, it disrespects what Royal is trying to do to its French wine portfolio, IMHO. They should, at minimum, import both! Allow for the caterers and restaurants (like anyone needs that nowadays – HUH???) to have the Mevushal version and sell the non-mevushal version to us, as you do with Edom and Petita. There I have stated my peace, I am 100% sure I will be ignored – but I have tried!
The Mevushal wines from France for the 2018/2019 vintage will be, the 2018 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2018 Chateau Greysac, 2018 Chateau Chateau de Parsac, 2018 Les Lauriers, Des Domaines Edmond de Rothschild, 2018 Chateau Le Crock, 2019 Chateau Les Riganes, Red, 2018 Chateau Genlaire, along with the whites wines, the 2019 Bourgogne Les Truffieres, Chardonnay, the 2019 Les Marronniers, Chablis, and the 2019 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof of. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – yes! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that affected Israel’s wines of old, have not been a factor here.
The “other” wines not here yet or I have not had
There is the just-released 2018 Château Cantenac Brown Margaux (will post that when I get it), along with these yet unreleased wines. The 2019 Chateau Gazin Blanc (2018 was/is INCREDIBLE), 2018 Chateau Fourcas Dupre, 2018 Château Meyney Saint Estèphe, 2018 Chateau Giscours, 2018 Chateau Lascombes, 2018 Chatyeau Tertre, and 2018 Chateau Royaumont.
I understand this is a sub-optimal situation and blog post. It does not cover Royal’s 2018/2019 European wine portfolio. Still, it covers what has been released (or very close to it), here in the USA, and hopefully, it will help you. One day soon, I hope and pray, things will return to some semblance of normalcy, and we will all travel around again. Until then, this is the best I can do. Stay safe!
Final comments, disclaimer, and warnings
First, there are a TON of QPR winners but there are also a LOT of good wines that I will be buying. Please NOTE vintages. The 20016 Haut Condissas is a disaster while the 2017 vintage is fantastic! So, please be careful!
These wines are widely available in the USA, so support your local wine stores folks – they need your help! If you live in a wine-drinking desert, like California, support the online/shipping folks on the side of this blog. They are folks I buy from (as always – I NEVER get a bonus/kickback for your purchases – NOT MY STYLE)!
Sadly, there was no plane trip, no hotels, no restaurants, nothing. So, no trip to talk about – just the wines and my lovely home! Stay safe all and here are the wines I have had so far. I have also posted many scores of 2015, 2016, 2017, and 2018 wines which are still for sale here in the USA. My many thanks to Royal Wine for their help in procuring some of these wines. The wine notes follow below – the explanation of my “scores” can be found here:
Les Vins IDS continues to truly impress, with the new 2017 Chateau Lafon Rochet and more
The day after the Bokobsa tasting, and following the tasting of the Corcos wines, Ari, Eli, and I went to lunch, to pick up wines and eat lunch. The lunch was uninspiring, but the store/restaurant gave us a chance to pick up many wines I have been dying to taste, as they are extremely hard to find almost anywhere in the world, but that will have to wait till after this IDS post.
Following lunch, we made our way to IDS’ offices and Ben Uzan was there with his wines, minus the current Burgundies from Jean Luc & Paul Aegerter, that I had already tasted with Ralph.
Les Vins IDS
IDS, as we know it is officially called Les Vins IDS and IDS, stands for International Distribution Service. IDS does not control a large number of wineries, but the amount that they do control, are some of the most vaunted kosher French wines around! The granddaddy would be the epic, Smith Haut Lafitte! I have tasted almost all of the kosher vintages, 1995 and 2000 were brought in by Royal, with the 1995 vintage being made by Bokobsa. 2002 and 2009 – was never quite clear to me (wink wink) who officially imported those wines to the USA. The 2014 vintage is now being imported to the USA by M & M Importers. The only one of that list I have yet to taste is the 1995 vintage. I actually did “taste” it, but sadly it was corked.
IDS also makes the kosher runs at the fantastic Chateau Lafon Rochet, which has been made kosher so far in 2001, 2003, and 2010, and again in 2017. I have, thankfully, tasted them all, besides the 2017 vintage until this tasting, and to me, the 2010 vintage is in a league of its own.
IDS also controls the relationship with Chateau Valandraud, to me maybe the most vaunted Grand Cru in the Saint-Émilion appellation. No, it is not Angelus or Cheval Blanc, but it is a very big win for the kosher wine drinking public. As an example, here were the top 10 wineries for the 2014 vintage, of the Grand Vin from the Saint Emilion wineries, scored by Decanter.
Sadly, the last kosher Grand Vin made from Valandraud was in 2005, and what a wine it is! Since then, they have made the second label of Chateau Valandraud kosher, the Virginie de Valandraud ( a 2nd label for the vaunted winery, that was started in non-kosher in 1992). This wine has been made kosher in 2004, 2011, and 2015. I have not tasted the 2004 Virginie, but I have tasted the 2011 and 2015, and it is a consistently impressive wine, but a bit richly priced, which is what you get when you talk about Valandraud.
Finally, there is Chateau Labegorce, a wine that used to be a killer QPR wine when it was first released. Now, the price here in the USA is a bit elevated, but the 2015 vintage is quite the winner, IMHO! There have been two wines from this winery, the Labegorce ‘Zede’ and the Labegorce Margaux, both are Margaux wines, with the Zede winery closing in 2008. Its fruit was merged into the Labegorce Margaux in 2008.
IDS has made other wines, but they have not produced more vintages, like the Chateau Matras (2002 and 2004) and Chateau L’Hermitage (which both closed down), and Chateau Rauzan – Gassies (which was too small to continue with). Chateau Haut Condissas, and the rest of the Rollan de By wines, was originally made by IDS, but after 2005, it went under the control of Rollan de By, which also was made by IDS until 2003.
Essentially, after the 2005 vintages, IDS now fully controls six wineries, La Tour de By, Leydet-Valentin, Valandraud, Labegorce, Smith Haut Lafitte, and Lafon Rochet.
On top of those six wineries IDS has started making some rose and sparkling wines. They made sparkling wine in the past, from Lilian Renoir, I never tasted it. But now they have made a new Brut and Rose Champagne from Janisson & Fils. Also, they make a lovely rose, Chateau Sainte Marguerite Rose, the best rose of the year for me, last year, though it is steeply-priced.
There are also two new Bordeaux wines coming that will be announced later this year.
The Tasting
After lunch, we found our way to Ben Uzan’s offices, and we were ready to taste the lineup. Mr. Uzan was very kind to share all of the current wines in Les Vins IDS’ portfolio, other than the two Champagne and the 2018 Jean Luc & Paul Aegerter Burgundies.
I was really looking forward to tasting the lower level IDS wines that never make it to the USA, as the pricing would not work there, but wines that work beautifully in France, price-wise. The rose was still showing its minerality, though sadly the acidity that I loved so much had fallen off. I also wanted to taste a few of the higher-end wines that had not yet made it to the USA, like the new 2017 Chateau Lafon Rochet. It was a joy and honor to taste the epic 2014 Chateau Smith Haut Lafitte again, it is so young and yet so wonderful!
We also, hijacked the offices to taste other wines, which I will NOT post here, but ones I will post in a subsequent post after this one. Mr. Uzan was beyond kind and his hospitality and openness with our questions showed the grace that I love from his wines. I was again joined by a few of the French forum members, including Ari Cohen, Ben Sitruk, and Elie Dayan. Read the rest of this entry
2020 Bokobsa Sieva Wine tasting just outside of Paris
Well, I am one post in and I have another 5 to go. As I stated in the first of my 6 posts on my trip to wine tastings in London, Paris, NYC, and L.A., I am truly thankful that my trips ended well for everyone, the news keeps getting uglier.
As I stated the kosher wine tasting season was upon us, and the first of my posts about the ones I attended was my London post. After a quick train ride to Paris, and a stop at the hotel, it was time for another tasting, the Bokobsa Sieva tasting.
The Bokobsa Tasting, is presented by the company known in France as Sieva, and it happened in Paris (well not exactly Paris, more on the very outskirts of Paris to be exact) on Tuesday, on the stunning grounds of the Pavillon des Princes in the 16th district. I arrived early and after taking a bunch of pictures I just relaxed and waited for the event to start. One of the issues from the tasting in past years was the older vintages of wines poured, along with the food that was cold and quite simple. This year, the food was nicer, they had warm food, and some very well put together dishes. Sadly, the vintages on the Royal wines were still strange, some new 2017 vintages while some wines were 2014 and 2015. However, the Bokobsa wines were all the latest, other than the 2018 Chablis which was not being poured.
One wine two Hecsher/Kosher Supervisions means two labels
One of the biggest shocks I had at the event was the realization that France is in a far worse place, in regards to kosher supervision than Israel and the USA. I have seen many times, where Badatz Edah HaChareidis and the OU would both be on the same bottle of wine, like Or Haganuz wines and others. However, in France, that seemingly is not an option! Understand that there are NOT multiple mashgichim (kosher supervisors) when there are multiple supervisions on a single bottle. Rather, the ONE/Two mashgichim all do the stringencies of one or both of the kosher supervisions. However, in France, this cannot work – I am not kidding! Clarisse showed me two bottles of the same Champagne made by Bokobsa Sieva. The difference between them, was not the overall supervision, as that was one the same, nor was it in any way a different vintage or winery, nope! They were EXACTLY the same wine – EXACTLY! The only difference was the name of the supervision on the back of the bottle! One had the kosher supervision of Paris Beit Din and the other had the kosher supervision of Rabbi Rottenberg.
So, I then asked the head of the supervising Rabbis, who was at the tasting, if the Paris Beit Din accepted to be on the same label with Rabbi Rottenberg, would Rabbi Rottenberg agree? He said no! OMG! I was speechless. ME! What question would you followup to that answer? I asked why? He said because they have different requirements. I said they are the same Mashgichim, so why would you care? In the end, he said that is how it is in France. Sadly, that is the state of affairs and I moved on.
Another fascinating difference between the labels is that the Paris Beit Din version of the wine has a different Cuvee name than the Rabbi Rottenberg version. That, I was told, was just for marketing, so that people would not be as shocked as I am now! Finally, there is also a pregnant lady with a slash through it, denoting that alcohol and pregnancy is not a good idea, the normal disclaimer wines have on their labels. On the Rabbi Rottenberg label, it was all in text, no images of a lady. Read the rest of this entry
Tasting of Royal’s 2017 and some 2018 French wines in France
This is my third year tasting wines with Menahem Israelievitch in Paris and it is the first one that is not related to my visit to Bordeaux three years ago, almost to the date of this tasting (give or take two weeks). Three years ago, I was given the opportunity to taste many of the 2015 and 2016 wines from the barrel at each of the wineries in Bordeaux.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage is not like that at all. The 2017 vintage in Bordeaux, though this is a massive simplification and generalization of the 2017 vintage, was overall less ripe than the 2015/16 vintages and maybe even in some cases a drop less than the 2014 vintage. The 2017 vintage flowered early and then the frost came, which killed off a fair amount of the fruit from the vines (Grapevines are self-pollinating and as such the flowers are an all-or-nothing situation in regards to yield). Quality itself is not affected by the early frost which froze the flowers, while the rest of the season was mostly OK, except for the late rains that diluted some of the acidity, again this is an overall generalization, with varying degrees of difference between the Chateaus.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2017 vintage will be, the 2017 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Greysac, 2017 Chateau Chateau de Parsac, 2017 Les Lauriers, Des Domaines Edmond de Rothschild, 2017 Chateau Le Crock, 2017 Cuvee Hautes Terres, Chateau Fourcas Dupre, along with the whites wines, the 2018 Bourgogne Les Truffieres, Chardonnay, the 2018 Les Marronniers, Chablis, and the 2018 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. This year I was not alone in my tasting, I was joined by Avi Davidowitz from the Kosher Wine Unfiltered blog. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 30 wines. There was one missing wine, the 2018 Chateau Genlaire, Bordeaux Superieur and two of the wines were bad, I did taste them later in the week and they are listed here as if I tasted them at the tasting.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis – Score: 93 (QPR madness) (Mevushal)
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. This is so much better than the 2016 or 2017 vintage, this is so much fun! The mouth on this medium-bodied wine is crazy fun, intense acidity, incredible salinity, piercing, almost painful, with lovely layers of lemon, grapefruit, with quince, and pie crust, with Anjou pear, and quince. The finish is long, crazy long, almost oily, mostly creamy, with baked pear and apple, cinnamon, nutmeg, and loads of mineral, with slate, rock, and saline. Bravo!! Drink until 2023 maybe 2024.
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 92 to 93 (QPR)
The nose on this wine is closed, but it shows lovely notes of mineral, slate, blossom water, and loads of citrus, with apple, and smoke. The mouth on this medium-bodied wine is rich, layered, and impressive, with a rich oily mouthfeel, showing a lovely weight, with yellow apple, tart citrus, Asian Pear, and beautiful acidity that is well integrated with a strong mineral core, showing Orange pith, with tart citrus and slate and yellow plum, with saline, and more earth and hints of nectarines and orange. Lovely! Drink from 2020 to 2024 may be longer. Read the rest of this entry
My latest round of both new and old winners and some more losers for 2019
After my long hiatus, I am happy to say that this post brings me current to wines I want folks to know about, both good and bad. Thankfully for you, it does not include at least 45 roses, white, and red wines that were so horrible that I see no value in posting their NA scores here.
However, two wines that need warning are the 2017 Chateau Lacaussade Saint-Martin
and any wine from Capcanes Cellars made from 2015 and on, other than the 2015 Capcanes Pinot Noir and the lovely 2015 Capcanes Samso Carignan. To me, this is truly sad Capcanes was a rockstar and a perennial goto and QPR wine, other than there roses. Now, they have soldout to Parker’s view of wine and I cannot fathom for even a second what they gain from this. Their wines sold perfectly well so sales cannot be the reason. Yes, there is a new winemaker, Anna Rovira, who recently won the prestigious female winemaker of the year for the 2019 award from Selection magazine! Congratulations! She replaced the longtime winemaker of Capcanes Angel Teixidó. Sadly, from my perspective, the wines are far riper than they used to be, they also show less acid and less balance. They are wines that I no longer buy, the last Capcanes I bought was from the 2014 vintage. With that said, I hope this shift is a byproduct of some rough years and that the 2017 vintage will return to its old self, one can always hope!
On another aside, please folks – STOP drinking 2017 whites and 2018 roses – they are dead! I have had loads of 2018 roses recently, they are dead or on the way down from jumping off the cliff. Sure, there are whites that are still young from the 2017 vintage, like full-bodied Chardonnays or white Bordeaux, other than Lacussade. Sadly, many of the 2018 whites are on their way down as well. The 2018 Tabor Sauvignon Blanc is already losing its acid and so many others as well. Please be careful, taste before stocking up. The simple whites are like roses, drink them by fall.
On the good news side, the 2017 vintage from Bordeaux is so far so good! The much scorned 2017 vintage from Bordeaux so far is holding up very well. I really liked the 2017 Chateau Mayne Gouyon, which is simple and mevushal, and very tasty. The 2017 Chateau Moulin Riche was lovely, maybe even better than the 2016 vintage. I hear the 2017 Chateau Le Crock and the 2017 Chateau Royaumont are also showing very well, all-around great news for the much pooh-poohed 2017 vintage.
Finally, bravo goes to Herzog Wine Cellars, they continue to impress with their number one grape – Cabernet Sauvignon. They are predominantly Cabernet Sauvignon heavy, which makes sense given the current kosher wine market. When you go to KFWE and other wine events, just listen to people, their number one desire is the best Cabernet Sauvignon on the table or just whatever wine you have that is Cabernet Sauvignon-based. It is both sad and totally hilarious at times. So, sure Herzog goes where the money is. The accolades, at least from me, anyway, is for the raising of the bar and for the sincere effort that they put into making world-class Cabernet Sauvignon wines. Bravo!
I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2014 Chateau Haut Condissas – Score: 91
This wine is ripe, and really oaky, with nice mineral, green notes galore, but front and center is mounds of dark fruit, sweet oak galore, and lovely garrigue. The mouth is lovely, and rich, with medium-bodied structure, showing with lovely sweet fruit, earth galore, and lovely extraction, that gives way to green notes, layers of sweet but balanced fruit, with blackberry, cassis, dark raspberry, and rich forest floor. The finish is long and mineral-based, with intense tobacco, mineral, pencil shavings, and sweet fruit that gives way to dill, earth, forest floor, mushroom, and sweet oak. Drink from 2023 until 2028
2013 Chateau Grand-Puy Ducasse, Pauillac – Score: 91
To me, the 2013 Moulin Riche and 2013 3 De Valandraud were two of the best wines from the poor 2013 Bordeaux vintage, though this one always held potential.
This wine has evolved now to show even more tertiary notes than when I had this two years ago. The nose on this wine is lovely but still stunted, with clear and lovely notes of mushroom, dirt, and loam, followed by ripe fruit, showing red and black, with floral notes of heather and English lavender, with foliage and sweet notes. The mouth is nice on this medium-bodied wine but it is thinner than the younger 2015 (which is a superstar), with a balanced mouth, showing nice acidity, followed by cherry, raspberry, blackberry, with more foliage and forest floor, lovely garrigue, graphite, sweet tobacco, sweet dill, nice mineral, and mushroom. The finish is long, tart, yet very fruity, with great balance and attack, though showing little complexity, more like a dirty and green/garrigue/foliage and herb-infused fruit-forward wine, with mineral, acidity, and nice mouth-coating tannin bringing it all together. Drink by 2024. Read the rest of this entry
Four solid red wines from Bordeaux, Italy, and California, with two QPR
The good news wine parade continues with four more solid QPR red wines. This time they are from Bordeaux, Chianti, and California. The last post had a bunch of obscure white varietals, check it out if you missed that one. This post’s varietals are some of the most well knows red varietals on planet earth, Cabernet Sauvignon, Merlot, Sangiovese, and the less famous Petit Verdot.
Well, there you have it. The top QPR of the four wines is sadly sold out already in the USA, the 2016 Terra di Seta Chianti Classico. Some stores will probably still have bottles of it. The other QPR wine is the 2014 Chateau Leroy-Beauval and it should be widely available on the east coast at a reasonable price. The other two wines are nice enough but given the prices, I cannot give them the QPR moniker.
The wine notes follow below – the explanation of my “scores” can be found here:
2014 Chateau Leroy-Beauval – Score: 90+ (QPR)
Another QPR winner from M & M Importers. This is a well-made wine, a wine that out of the box is lovely, but with time opens to a really fun wine indeed. The nose on this wine shows a bit of age though it has legs on it, with dark to black currant, cherry, smoke, tar, and nicely tilled earth, with garrigue, and herbs. The mouth on this medium bodied wine is nice, a bit ripe, with more of the notes from the nose, with plum, dark cherry, nice smoke, mushroom, loads of graphite and roasted herbs, mint, oregano, and nice sweet tobacco, all wrapped in sweet mouth-coating tannin and an overall nice balance. The finish is long, green, and ripe, with more sweet herbs, blackcurrant, sweet dill, and black fruit, lingering long with mineral and green notes. Drink by 2021.
2016 Chateau Hauteville, Saint-Estephe – Score: 91
This wine is a blend of 50% Merlot and 50% Cabernet Sauvignon. This wine starts off really chunky and green, but with time, the wine turns smoother and rounder with lovely tannin and extraction. In previous vintages this wine was OK, but nothing great, this vintage is truly another step up and makes it a 90+ wine. This wine needs a good 6 to 8 hours in an open bottle or maybe 5 hours in a decanter. After the wine fully opens the nose on this wine is redolent with dark cherry, black fruit, followed by lovely loam, earth, with green notes galore, tobacco, foliage, and hints of the forest floor. The mouth on this medium to full-bodied wine is rich, layered, and extracted with good complexity, showing nice earth, blackberry, cassis, with loads of mineral, graphite, tar, all balanced well with mouth draping tannin, great acidity, and rich saline. The finish is long, green, earthy, and black, with raspberry notes on the finish, with more tobacco, mineral, and earth. Bravo! Drink from 2021 until 2027.
2016 Shirah Bro-Deux, Red – Score: 89
The nose on this wine is ripe, the ABV says 13.7, but wow, this is a candied ripe wine. The more I sit with it, the more I realize that the sweetness I am perceiving is not fruit sweetness or ripeness but rather oak, the oak is so pervasive that it adds a sweetness to it that makes it unbalanced.
The nose on this wine shows bright and yet ripe, with sweet and candied black and red fruit, followed by a Cali-style juicy Cherry candy, that is wrapped in mint, oregano, and some smoke. The mouth on this medium to full bodied wine is layered, ripe, and sweet, with ripe blackberry, plum, and hints of strawberry, that give way to layers of oak and tannin that linger long, with sweet notes of blue fruit in the background, all wrapped in sweet oak, and herbs. The finish is long, sweet, green, and herbaceous, with sweet Tobacco, and mineral lingering long, with sweet fruit. Nice. Drink by 2023.
2016 Terra di Seta Chianti Classico – Score: 92 (QPR)
The nose on this wine is pure joy, as always, it starts off a bit sweet, do not worry, all is fine. The nose is filled with classic Chianti notes, of dark cherry, raspberry, loads of herb, followed by smoke, roasted herb, and white pepper. The mouth on this medium to full-bodied wine is packed with layers of concentrated fruit, loads of baby fat that will relax with time, the layers of fruit gives way to black plum, saline, black olives, with lovely loam, tilled earth, and rich mushroom, that gives way to mouth coating and still searing tannin, lovely acid, so classic to Chianti, and incredible unctuousness, that is balanced well with more roasted herb, oregano, mint, and garrigue galore, green dill, and a big fat Cuban cigar. Bravo!! Drink until 2025.
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