A couple days ago, Josh Rynderman, “The California Kid“, and Chana, “The Joburg Girl”, came by and we tasted this year’s new wines. As, I stated in last year’s post, doing this dual-hemisphere winemaking is a real drag on life. Besides the crazy flying, you never really feel at home, where is home? I could never find myself living that kind of life, but Josh and Chana both find joy in this life and wine – one underpinned by the art of winemaking and the passion that drives it.
2019 vintage in Northern California
This vintage Josh tried some brand new varietals for him and honestly, a new varietal for the kosher wine world, from what I know anyway. There is the 2019 Falanghina, which to me is the only kosher wine from that varietal. It is a crazy acid bomb and two days later it is still an acid bomb, though the mouth rounds out well underneath that bed of acidity.
Besides that, the Viognier has returned, but it is an oaked version this time. I am crazy for white wines, and Viognier has been a passion, but the oaked ones, while nice in their oaky peach perfume, lacked what Josh got out of last year’s oak-free Viognier. Who knows, maybe this will come around, but for me, while this wine is absolutely solid, it is a slight step back from last year’s yumminess.
Finally, there are two new oaked wines as well. The blend called The Joburg Girl, which is a nod to Chana, and it is a really fun wine. The oak does not take over and the acidity really shines. The final one is the Pinot Gris, which was macerated for a few days. Now, this is not an Orange wine, though it does show some of the nuttiness and sherry-like notes, far in the background, that you find in the longer macerated wines, like Yaacov Oryah’s masterpieces. For those that fear that kind of wine, I stress, the note is far in the background, and I pick it up having cut my teeth now, on a few years of enjoying Oryahs wines. It is perfectly balanced and one that you will truly enjoy.
If you look at the image below you can see the impact of oak and extended maceration on the wines. The lightest color belongs to the Falanghina, which was unoaked and had little to no maceration. The next one, the Viognier in 2019 had oak aging, while the next two, in degrees, had both oak aging and extended maceration, on account of the Pinot Gris is a large part of The Joburg Girl. It is truly fascinating to see the color progression on such young wines. Read the rest of this entry
Disclaimer – do not blame me for posting this AFTER Benyo sold his wines. That was not MY choice. I was asked to wait on my post until after the sale of the wines this year. Also, Four gates Winery and Benyamin Cantz (which are one the same), never saw or knew my notes until I posted them today.
As you all know, I am a huge fan of Four Gates Winery, and yes he is a dear friend. So, as is my custom, as many ask me what wines I like of the new releases, here are my notes on the new wines.
I have written many times about Four Gates Winery and its winemaker/Vigneron Benyamin Cantz. Read the post and all the subsequent posts about Four Gates wine releases, especially this post of Four Gates – that truly describes the lore of Four Gates Winery.
Other than maybe Yarden and Yatir (which are off my buying lists – other than their whites and bubblies), very few if any release wines later than Four Gates. The slowest releaser may well be Domaine Roses Camille.
Four Gates grapes versus bought grapes
It has been stated that great wine starts in the vineyard, and when it comes to Four gates wine, it is so true. I have enjoyed the 1996 and 1997 versions of Benyamin’s wines and it is because of his care and control that he has for his vineyard. That said, the Cabernet Sauvignon grapes he receives from the Monte Bello Ridge shows the same care and love in the wines we have enjoyed since 2009.
I have immense faith in Benyo’s wines that are sourced from his vineyard and from the Monte Bello Ridge vineyard. The other wines, that he creates from other sources, are sometimes wonderful, like the 2010 Four Gates Syrah that I tasted recently, and I would have sworn it was a Rhone wine, crazy minerality, acid, and backbone, with fruit NOT taking center stage, though ever so evident, the way is meant to be! Others, while lovely on release may well not be the everlasting kind of Four Gates wines.
The new wines
This year we have the return of 2017 Petit Sirah, along with a new 2017 Malbec, and blend called Mazal, it is Non-Vintage. There is the return of the 2018 Chardonnay but in a far drier format. Along with a new entry a 2015 Ayala Claret wine.
The rest of the wines are the normal suspects, but this year’s crop, like last year, is really impressive. First, you have the return of the 2016 Four Gates Cabernet Franc, followed by the 2016 Four Gates Pinot Noir, 2015 Four Gates Merlot, 2015 Four Gates Merlot, La Rochelle, and the 2014 Four Gates Frere Robaire. Read the rest of this entry
Well, after the trip to Taieb’s offices to taste the wines, I made my way back to Paris and then eventually home. Before I left Paris to return home I bought two wines I had not seen before. One was an IDS wine that started off slow but came around and another was what can only be called the absolute Poster Child for all that is wrong in the kosher wine world today. The IDS made 2016 Chateau la Tour de By is ripe to start but it came around nicely with time. The 2017 Maison Blanche, Medoc is what is wrong with Kosher wine today. I first thought this wine was not actually made at a Chateau or winery with any history or past wines. That is not true, the wine is made at Chateau Maison Blanche, but it does not use the Chateau moniker which makes me wonder. In the end, whether this is a run of fruit or a real wine, it was not good, flat, boring, no acid, no life, all that was good about that wine was on the outside (bottle and label), the inside was empty. If that was not bad enough, to add insult to injury, or salt to the wound, this wine sells for 40 euro in France! Like what! This just screams more about what I have a real issue within the world of kosher French wine, and overall in the kosher wine industry. The prices are out of control and most of the time, the wine does not live up to those prices. Sure, we have wonderful QPR options but P in QPR keeps going up to meet with the Q and there lies in the problem!
The day before I returned home, I was invited to a party hosted by ED from the French wine group on Facebook, thanks to EK for hooking me up. There was a tasting of some Falesco wines, and they were on par with what I have had before. Many thanks to ED for hosting! At the tasting, EK brought a bottle of 2005 late disgorged Yarden Blanc de Blanc and I was 100% SHOCKED at how flat and dead it was. Either something was VERY wrong with that bottle, or it is further proof that Brut Nature sparkling wines are not built to last. That wine was Late Disgorged two years or so and it was 100% flat. Read more about my discussion on Brut Nature wines and the issues with them. Also, my post on the LD 2007 Yarden Blanc de Blanc, Brut that I had earlier this year.
Finally, we tasted some of the 2019 Beaujolais Nouveau wines. There were two on the table, one was the 2019 Beaujolais Nouveau, Duc de Pagny and the other was the 2019 Taieb Beaujolais Nouveau rose or something like that. Anyway, the Duc de Pagny was 100% disgusting, it was bubble gum flavored banana juice, it was worse than Manischewitz. The Taieb Beaujolais Nouveau was not a wine I would buy but it was not nearly as offensive, which is a compliment in regards to Beaujolais Nouveau.
I brought the two bottles to the tasting and sadly they did not show well there, though the Tour de By did turn around the next day.
ED was the consummate host, he had a table full of food, sandwiches, and charcuterie, but I was so full from the food over Shabbat that I was not in the need of any more food. That said, there was this hunk of cote de boeuf and a crazy cake that I tasted a drop of each.
My many thanks to ED and EK and the entire group of French wine lovers. The wine notes follow below – the explanation of my “scores” can be found here:
2016 Chateau la Tour de By, Medoc – Score: 91
Wow, this wine is hot showing really ripe and bold with brooding black fruit, with loads of chocolate, oak, spice, and really ripe fruit, with hints of green notes and herb. With time the nose cools down showing fruit without all the crazy heat, with loads of them and black fruit, with spice, smoke, tar, and earth, lovely. The mouth on this full bodied wine is richly layered and black with hints of raspberry, loads of blackberry, smoke, rich and dense and plush mouthfeel with incredible extraction and earth galore, with a whole in the middle, that gets hidden over time with a lovely tannin structure. The finish on this wine is rich and layered and smoky with milk chocolate, leather, and loads of sweet spices, nutmeg, and cinnamon. Nice! Drink until 2026.
2017 Maison Blanche, Medoc – Score: NA
Flat and flabby wine. Showing nothing but fruit and no balance. Sad.
2005 Yarden Blanc de blanc, late disgorged, Brut Nature – Score: NA
Flat and dead barely any bubbles and the acidity was lost. I hope it was a bad bottle. I fear it could the issue with Brut nature wines. Yarden’s late disgorged wines are brut nature in implementation.
2019 Beaujolais Nouveau rose, Taieb – Score: Not bad
Not bad for a Beaujolais Nouveau but not a wine I buy.
2019 Beaujolais Nouveau, Duc de Pagny – Score: NA
Disgusting bubble gum and banana juice. Horrible.
A wine tasting of some great and sadly poor to uninspired 2015, 2016, 2017, and 2018 kosher French wines with Nathan Grandjean
When I last left off on the story of my trip to France, I had just ended an epic tasting of the new 2017 wines from Royal Wines. I then jumped on a train, and I was once again joined by Avi Davidowitz from the Kosher Wine Unfiltered blog, and we made our way to Strasbourg for a tasting of Alsace wines and other wines that are not made by Royal. It included some new 2016, 2017, and 2018 wines, but once again it mostly involved French wines from the 2014 and 2015 vintage.
2018 French wines to the rescue
Now, I need to get on my soapbox for two major topics, the first is how AWESOME the 2018 vintage is showing right now. At this tasting and again with Yoni Taieb of Taieb Wines, the 2018 vintage shows itself incredibly well wit the simple entry-level wines of Bordeaux. It takes them from tinny and boring wines to rich and well-balanced wines, that sell for 8 euros or less! This is something that we will never get in the USA! Sadly, the only wine that comes close to this is the 2018 Chateau Les Riganes, Bordeaux and maybe the 2018 Chateau Genlaire, Bordeaux Superieur, but I think this wine will be above the 10 dollar price of the Chateau Les Riganes.
On the trip to France, two things came up often, when I was speaking French with the natives, something I was not able to do as much with Avi around, as Avi still needs to learn French! One, and this really shocked me, was how common French folk think California is dangerous when I would tell them where I am from, because of all the media of the horrific shootings we have had in our state. Besides that, the Jews I spoke to, especially the ones who drink kosher wine, complain bitterly about the cost of French wines! The more I look at this issue the more it makes me wonder, why are the wines so expensive? Yes, there is a cost for kosher supervision, but that cost does not explain the double or triple pricing of the non-kosher cost. That question is even more exaggerated in France, where there is no three-legged-stool in regards to wine distribution. Yes, France has Negociants, but for the lower level wines that is a practice that is going the way of the dodo bird.
The truth is that what is needed are reasonably priced wines. Avi Davidowitz, on his Kosher Wine Unfiltered blog scores wines partially based upon price. I do not agree for many reasons, which we discussed over our trip, but it does NOT diminish the overarching issue which is 100% true, kosher wine prices have gotten 100% OUT OF CONTROL. Sorry, this is insane and before someone tells me it is the Chateau’s fault for having such high En Primeur pricing, the kosher wine prices are shockingly higher. This really needs to be rebooted, IMHO, but sadly, it will stay the same until we get into a serious crunch or glut, whichever occurs first. Yes, we are blessed with some QPR wines, and I always post about them, but overall, the grand cru wines are getting out of control.
That is why I am so happy with the 2018 simple wines from Bordeaux. Sadly they will not come to the USA under those prices, but for those in France, there are serious options.
2015 and 2016 Magrez wines are a total failure, IMHO
Last year, I wrote that this post was coming, but I had to taste the 2015 and 2016 Pape Clement first before I could make my feelings clear. At this point, I have tasted the 2015 Magrez reds 5 times and the 2016 whites 2 times. I am 100% comfortable with saying they have all taken a seriously far step backward from the epic 2014 vintage. The 2014 Magrez were world-class wines and wines I have bought happily. However, I can not say the same for any of the 2015 or 2016 kosher Magrez wines I have tasted to date. I was very disappointed when I tasted the kosher 2015 Pape Clement, and I was shocked by the results of the 2015 Tour Carnet, Fombrouge, and others. The 2016 Pape Clement is better than the 2015 vintage, but it is not worth the bottle it is in. The whites have all also lost a few serious steps from the 2014 vintage. Personally, I will not be buying any of the 2015 or 2016 Magrez wines I tasted, other than the Pape Clement wines I tasted that I bought En Primeur.
Now, with that aside, I can clearly state that the wines are not undrinkable, they are not date juice, they are not unprofessionally made, they are simply boring, lackluster, and flat, with little to grab your attention. They are simply not wines worthy of the price or their names, sadly, they are what they are.
I miss Weingut Von Hovel and the Gefen-Hashalom wines
Two years ago Nathan Grandjean and I made a run for Von Hovel, and I wanted to do that again year after year, and maybe even Nik Weis. Sadly, they told me there were no new wines for 2017 or 2018, and now I just heard there was none made in 2019 either. I am really so sad, those wineries have so much potential, but I guess Gefen Hashalom (“Vine of Peace”) felt they had too much inventory already. I am really not sure what they have that is not sold? All the Nik Weis wines are sold, from what I know, Gary got the rest of the 2016 wines. Von Hovel did not make any wines after the 2015 vintage, and they have nothing left either. I really hope they make wines in 2020.
Wine Tasting at Nathan Grandjean
After last year’s solid tasting with Nathan Grandjean, I had tasted all of the 2015 French wines that I know of. The 2016/2017/2018 wines are slowly being released, from producers other than Royal. Kosher Wine International, the producers for all the Magrez wines, has now fully released the 2015 wines. Two days after this tasting we would be tasting Taieb wines, but we wanted to taste the 2017 Domaine Lescure Pommard, so that was on the list.
After last year’s tasting of a few Magrez 2015 wines and my other tastings of them at two wine events, I wanted the chance to taste them YET AGAIN, with both of the Pape Clement and the new 2016 Clos Haut-Peyraguey, Sauternes. So, I had Nathan get all the 2015 and 2016 Magrez wines that are available and we tasted them over two days. Thankfully, we also had a couple of wonderful wines and some duds.
Finally, we tasted all of Nathan Grandjean’s Les Vins de Vienne wines from both the 2017 vintage and the 2018 whites. He had some tank samples of the 2018 reds, but honestly, they were not ready for me to write proper notes on. Read the rest of this entry
This is my third year tasting wines with Menahem Israelievitch in Paris and it is the first one that is not related to my visit to Bordeaux three years ago, almost to the date of this tasting (give or take two weeks). Three years ago, I was given the opportunity to taste many of the 2015 and 2016 wines from the barrel at each of the wineries in Bordeaux.
The 2014 vintage to me, was crazy fun because it is less ripe than the 2015 or 2016 vintages. They were also FAR cheaper. Then you had the 2015 wines which were more expensive and far riper than the 2014 vintage. This 2016 vintage is the best of both worlds, but it comes at a crazy high price. I warned you at that time, during the epic post of my visit to Bordeaux with Mr. Israelievitch, that you better start saving your money, sadly nothing has changed about that. The REAL shocker price-wise of the 2016 vintage was Chateau Malartic, which rose to almost 150 or more a bottle! That was close to double the 2014 vintage.
In a previous post about the most recent French wines (at that time in 2017) that were arriving on the market – I already spoke about pricing and supply, so there is no need to talk that over again in this post.
While the 2015 and 2016 vintages were ripe, the 2017 vintage is not like that at all. The 2017 vintage in Bordeaux, though this is a massive simplification and generalization of the 2017 vintage, was overall less ripe than the 2015/16 vintages and maybe even in some cases a drop less than the 2014 vintage. The 2017 vintage flowered early and then the frost came, which killed off a fair amount of the fruit from the vines (Grapevines are self-pollinating and as such the flowers are an all-or-nothing situation in regards to yield). Quality itself is not affected by the early frost which froze the flowers, while the rest of the season was mostly OK, except for the late rains that diluted some of the acidity, again this is an overall generalization, with varying degrees of difference between the Chateaus.
The Mevushal push, from Royal wines, is continuing for the USA labels. More wines are being made Mevushal and while I wonder if this is good overall for myself, it makes sense for Royal wines, which in the end, I guess is what matters to them. Will this be an issue? In the past, I have found that the mevushal work of Mr. Israelievitch is top-notch, and really just ages the wine rather than ruining it.
The Mevushal wines from France for the 2017 vintage will be, the 2017 Barons Edmond et Benjamin de Rothschild, Haut-Medoc, 2017 Chateau Greysac, 2017 Chateau Chateau de Parsac, 2017 Les Lauriers, Des Domaines Edmond de Rothschild, 2017 Chateau Le Crock, 2017 Cuvee Hautes Terres, Chateau Fourcas Dupre, along with the whites wines, the 2018 Bourgogne Les Truffieres, Chardonnay, the 2018 Les Marronniers, Chablis, and the 2018 Chateau Les Riganes, Blanc.
Now does mevushal impede the long-term viability of aging in regards to the wine? Well, that too is not something that we have scientific proof on. I have tasted a mevushal 1999 Herzog Special Edition and it was aging beautifully! So, would I buy the mevushal versions of the wines I tasted below – absolutely! Would I age them? Yes, I would hold them for slightly fewer years.
Other than the mevushal aspect, there are no differences between the European version of the wines and the USA version of the wines. While that sounds obvious, I am just stating it here. The wines will be shipped now and the temperature issues that clearly affected Israel’s wines of old, have not been a factor here.
Tasting in Paris
I landed in Paris, got showered and the such, and then made my way to lunch with Menahem Israelievitch. This year I was not alone in my tasting, I was joined by Avi Davidowitz from the Kosher Wine Unfiltered blog. After lunch, we went to a lovely home to do the tasting. The wines were all laid out in the order for the tasting, and one by one we went through the 30 wines. There was one missing wine, the 2018 Chateau Genlaire, Bordeaux Superieur and two of the wines were bad, I did taste them later in the week and they are listed here as if I tasted them at the tasting.
My many thanks to Menahem Israelievitch for going out of his way to help me to taste all the current French wines from Royal Wines before they were publicly released. The labels on the pictures may not all have a kosher symbol, but that was because they rushed some of the bottles to Mr. Israelievitch before they were properly labeled with supervision symbols attached. My many thanks to Mr. Israelievitch, Royal Europe, and Royal Wines for making this tasting possible in the first place, and secondly, for taking the time to taste the wines with me.
The wine notes follow below – the explanation of my “scores” can be found here:
2018 Les Marronniers Chablis – Score: 93 (QPR madness) (Mevushal)
This wine is made with native yeasts and as little manipulation as possible. The nose on this wine is beautiful with orange blossom, yellow apple, and rosehip, with lemon curd, and yeasty and creamy notes. This is so much better than the 2016 or 2017 vintage, this is so much fun! The mouth on this medium-bodied wine is crazy fun, intense acidity, incredible salinity, piercing, almost painful, with lovely layers of lemon, grapefruit, with quince, and pie crust, with Anjou pear, and quince. The finish is long, crazy long, almost oily, mostly creamy, with baked pear and apple, cinnamon, nutmeg, and loads of mineral, with slate, rock, and saline. Bravo!! Drink until 2023 maybe 2024.
2018 Les Marronniers Chablis, Premier Cru, Cote de Jouan – Score: 92 to 93 (QPR)
The nose on this wine is closed, but it shows lovely notes of mineral, slate, blossom water, and loads of citrus, with apple, and smoke. The mouth on this medium-bodied wine is rich, layered, and impressive, with a rich oily mouthfeel, showing a lovely weight, with yellow apple, tart citrus, Asian Pear, and beautiful acidity that is well integrated with a strong mineral core, showing Orange pith, with tart citrus and slate and yellow plum, with saline, and more earth and hints of nectarines and orange. Lovely! Drink from 2020 to 2024 may be longer. Read the rest of this entry
After my long hiatus, I am happy to say that this post brings me current to wines I want folks to know about, both good and bad. Thankfully for you, it does not include at least 45 roses, white, and red wines that were so horrible that I see no value in posting their NA scores here.
However, two wines that need warning are the 2017 Chateau Lacaussade Saint-Martin
and any wine from Capcanes Cellars made from 2015 and on, other than the 2015 Capcanes Pinot Noir and the lovely 2015 Capcanes Samso Carignan. To me, this is truly sad Capcanes was a rockstar and a perennial goto and QPR wine, other than there roses. Now, they have soldout to Parker’s view of wine and I cannot fathom for even a second what they gain from this. Their wines sold perfectly well so sales cannot be the reason. Yes, there is a new winemaker, Anna Rovira, who recently won the prestigious female winemaker of the year for the 2019 award from Selection magazine! Congratulations! She replaced the longtime winemaker of Capcanes Angel Teixidó. Sadly, from my perspective, the wines are far riper than they used to be, they also show less acid and less balance. They are wines that I no longer buy, the last Capcanes I bought was from the 2014 vintage. With that said, I hope this shift is a byproduct of some rough years and that the 2017 vintage will return to its old self, one can always hope!
On another aside, please folks – STOP drinking 2017 whites and 2018 roses – they are dead! I have had loads of 2018 roses recently, they are dead or on the way down from jumping off the cliff. Sure, there are whites that are still young from the 2017 vintage, like full-bodied Chardonnays or white Bordeaux, other than Lacussade. Sadly, many of the 2018 whites are on their way down as well. The 2018 Tabor Sauvignon Blanc is already losing its acid and so many others as well. Please be careful, taste before stocking up. The simple whites are like roses, drink them by fall.
On the good news side, the 2017 vintage from Bordeaux is so far so good! The much scorned 2017 vintage from Bordeaux so far is holding up very well. I really liked the 2017 Chateau Mayne Gouyon, which is simple and mevushal, and very tasty. The 2017 Chateau Moulin Riche was lovely, maybe even better than the 2016 vintage. I hear the 2017 Chateau La Crock and the 2017 Chateau Royaumont are also showing very well, all-around great news for the much pooh-poohed 2017 vintage.
Finally, bravo goes to Herzog Wine Cellars, they continue to impress with their number one grape – Cabernet Sauvignon. They are predominantly Cabernet Sauvignon heavy, which makes sense given the current kosher wine market. When you go to KFWE and other wine events, just listen to people, their number one desire is the best Cabernet Sauvignon on the table or just whatever wine you have that is Cabernet Sauvignon-based. It is both sad and totally hilarious at times. So, sure Herzog goes where the money is. The accolades, at least from me, anyway, is for the raising of the bar and for the sincere effort that they put into making world-class Cabernet Sauvignon wines. Bravo!
I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2014 Chateau Haut Condissas – Score: 91
This wine is ripe, and really oaky, with nice mineral, green notes galore, but front and center is mounds of dark fruit, sweet oak galore, and lovely garrigue. The mouth is lovely, and rich, with medium-bodied structure, showing with lovely sweet fruit, earth galore, and lovely extraction, that gives way to green notes, layers of sweet but balanced fruit, with blackberry, cassis, dark raspberry, and rich forest floor. The finish is long and mineral-based, with intense tobacco, mineral, pencil shavings, and sweet fruit that gives way to dill, earth, forest floor, mushroom, and sweet oak. Drink from 2023 until 2028
2013 Chateau Grand-Puy Ducasse, Pauillac – Score: 91
To me, the 2013 Moulin Riche and 2013 3 De Valandraud were two of the best wines from the poor 2013 Bordeaux vintage, though this one always held potential.
This wine has evolved now to show even more tertiary notes than when I had this two years ago. The nose on this wine is lovely but still stunted, with clear and lovely notes of mushroom, dirt, and loam, followed by ripe fruit, showing red and black, with floral notes of heather and English lavender, with foliage and sweet notes. The mouth is nice on this medium-bodied wine but it is thinner than the younger 2015 (which is a superstar), with a balanced mouth, showing nice acidity, followed by cherry, raspberry, blackberry, with more foliage and forest floor, lovely garrigue, graphite, sweet tobacco, sweet dill, nice mineral, and mushroom. The finish is long, tart, yet very fruity, with great balance and attack, though showing little complexity, more like a dirty and green/garrigue/foliage and herb-infused fruit-forward wine, with mineral, acidity, and nice mouth-coating tannin bringing it all together. Drink by 2024. Read the rest of this entry
One more for the list! Menachem Israelievitch and Royal Wines have been successful in the past few years in making or importing some very good QPR wines. The 2018 Chateau Les Riganes is solid, not a superstar like the 2015 Terra di Seta Riserva (which is now back in stock so GO BUY), but this is a solid wine at a 1/3 the price! Sadly, the other cheap Bordeaux that is nice at times, the Chateau Trijet is a hard pass for the 2018 vintage.
This is the 5th vintage of Riganes, it started in 2014 and has been made every year since. Sadly, the 2015 and 2017 are hard passes as well. It seems like Chateau Les Riganes is only good in even years. We will see how the 2019 vintage goes next year.
I wanted to keep this simple, so the wine notes follow below – the explanation of my “scores” can be found here:
2018 Chateau Les Riganes, Bordeaux – Score: 90 (QPR)
Thankfully, the 2018 vintage continues the strong steak of QPR status for this wine, minus the 2015 and 2017 vintages which were a hard dud. Essentially, stick with the even vintages! The 2014/2016/2018 vintages have all rocked. With that said, these are NOT wines for aging. If the 2014 and 2016 wines have taught us anything – it is that Chateau Riganes is a two-year wine from the vintage, meaning drink before 2021.
The nose on this wine is heaven, pure heaven, red fruit, berries, dirt, loam, forest floor, tobacco, and herbs galore. The mouth on this medium plus bodied wine is lovely, not layered, not complex, but who cares, this wine costs 12 dollars!!! The mouth has a nice presence, with good enough fruit structure, showing nice mouth coating tannin, with lovely controlled notes of blackberry, plum, cherry, raspberry, and cassis, with ok acidity, backed by loads of earth, smoke, and lovely lingering tannin. The finish is a medium to long with green notes galore, foliage, and more tannin, tobacco, and lovely graphite. The previous vintages of Chateau Riganes have taught me to not hold these long, so, drink these before the start of 2021. Enjoy!
When most people think of seasons – they think of either the 4 environmental seasons, or the holiday seasons (Jewish or otherwise), and then there are the more obscure – seasons, like the kosher wine tasting season. Yes, it is a once a year season and it starts in December and goes through late March. The exact dates are mostly set now, but a few are still missing, as they depend on the Jewish Lunar calendar with the start of Passover. Yup! Passover drives the entire kosher wine tasting season – and that makes sense since 40 to 50% of ALL kosher wine sold, happens in the month around and before Passover! That is totally crazy!
Now last year I forgot to add in the Long Island Kosher Wine Expo until it was too late. They are now the start of the wine tasting season, and this year looks even better!
So, with that in mind let the festivities begin! As stated above, the first tasting is the Long Island Kosher Wine Expo, followed by the KFWE Miami, and as of last year, it has finally been “officially” added to the KFWE calendar. The KFWE family has officially expanded and subsumed what was already really KFWE events (including Israel and Miami) and now just made it official. The TRUE shocker this year is that KFWE Miami will not be held during Hannukah! Here I thought it was an actual requirement from the folks down under in Miami, I guess I must be mistaken!
KFWE – Kosher Food and Wine Experience
KFWE has been around since 2007 in NYC, and it keeps evolving and growing. Originally, the Los Angeles version was called International Food and Wine festival (IFWF) it started in 2008. It is not the oldest kosher wine tasting event, that would be the now-defunct Gotham Kosher Wine Extravaganza. Sadly, they stopped hosting those tastings, such is life, their first one was in 2004, and it ran until 2014. In 2015, the first year that the IFWF became the west coast KFWE, David Whittemore, and the gang from Herzog Winery pulled out all the stops and created what I still think was the best ever KFWE, with the first-ever VIP session, which has been copied in almost every KFWE version, and hey “Imitation is the sincerest form of flattery”. Well, this year I hope the L.A. KFWE is back in Hollywood, at the world-famous Hollywood Palladium, a true slice of Hollywood nostalgia if there ever was one. According to Wikipedia, it is a theater located at 6215 Sunset Boulevard in Hollywood, California. It was built in a Streamline Moderne, Art Deco style and includes an 11,200 square foot dance floor including a mezzanine and a floor level with room for up to 5,000 people. There will be little to no dancing going on or performances from world-class musicians, which is normally what happens at the venue, but instead, it will have even a larger number of wines and food options. Last year I was sad to see the L.A. KFWE move from the Petersen Automotive Museum, where it has been for two years, 2016 and 2017. However, the 2018 KFWE L.A. at the Palladium was freaking EPIC and I expect more greatness!
As I have pounded on and on in these virtual pages, we need more wine education and the wine education leader, IMHO, is also the kosher wine 800-pound guerilla, Royal Wines. Recently I did a quick check-in my mind of the top kosher wineries or kosher wine runs from around the world, and Royal probably imports about 90+% of them. Sure, there are tons of wineries that they do not import, but they are also not wines that I particularly buy and covet. It is just a very interesting fact IMHO, somewhat scary but also very telling. Here are a wine distributor and importer that gets what sells and what does not, and has successfully found the better options out there and keeps adding more.
Cross distributor tastings
The Long Island Kosher Wine Expo is actually the first of many cross-distributor wine events, and as stated above will kickoff the wine tasting season. It will showcase many wineries that do not come to other shows, like Jonathan Jadu’s wines, and a few other boutique Israeli wineries, along with many other wineries and wines from around the world!
Besides the Royal wine events – AKA KFWE, there are events in Israel, namely Sommelier, the only wine event in Israel publicizing Israel’s diverse wine culture. That happens every year in and around the month of January, as stated earlier exact dates for any of these events are only locked down a few months in advance and the date changes every year.
Israel wines may be going off the deep end, in terms of date juice and all, but Sommelier continues to do a wonderful job of keeping a continuous focus on Israel and its potential in the wine world. Bravo to them!
There is also the Bokobsa event in Paris, which I went to last year, which is NOT officially part of the KFWE family, but Royal wines are represented there as are other wineries that Bokobsa imports into France. Read the rest of this entry